For the debut digital EP on Viscera Transmissions, Komodo spreads his wings and takes his signature low slung psychedelica to the stars, to reap destruction on extraterrestrial dancefloors across the cosmos.

Title track Mirror Claws begins an ember in the desert, slowly stoked by guitar chord stabs and eerie screeches towards a slow yet inevitable psychedelic inferno.

For Night Crawler, the guitar steps back into co-pilot role as the acid bass takes the saddle, spurring the squelch dragon off into the void with a crack of the 303 whip.

Next up is Vanquished Angst with a dubby desert rock workout. Blazing guitar solos tear across the sky like thunderbolts whilst the hypnotic bassline and guitar progression burn through the dunes.

On the flip, Jonny Rock re-dubs the dub with his Vanquished Angst Dragon Remix. No slightly questionable guitar metaphors here, instead, a mind melting whirlpool of spiraling percussion, vocal quips, bass throbs and pads form a completely bonkers but brilliant piece.

Last but certainly not least, Chez de Milo arms Night Crawler with some serious ordnance. After changing up the beat pattern with a breaksy kick, electro warheads are ago, clearing the way for the original 303 line to cruise through. Heavy!

Credits: Thanks to Komodo for the amazing music in support of our new label, Jonny Rock & Chez de Milo for the delicious remixes, James Savage for the incredible masters, Kirsty Carrington for the gorgeous illustration and to Jessica Lau for digital design.

Mirror Claws

Pre-Order

Komodo - Mirror Claws [VTD001]

I’ve been sitting on these beats for a while. A few of these ideas started taking shape while I was finishing up No Time To Overthink, and in a lot of ways, this project feels like a continuation—or maybe a sequel—to that one.

This is my latest batch of beats, loops, and sketches, all crafted on the Roland SP-404 mk2. Lately, I’ve been shifting my focus back toward electronic and club music, and this might end up being the last moirésun release for a while. I’m working on a new project that better fits where my sound is heading.

I hope this one sets the mood.

Scorpio

Cottam - Consciousness - Cottam 6 - Full Version 96kbps

After the reissue of Iury Lech – Musica Para El Fin De Los Cantos, Berlin based Cocktail d’Amore Music is proud to present a collection of remixes and reinterpretations of the mighty album. 
Japanese rising star Powder is first up to deliver her take on Barreras. The minimalist dreamscape catches its rhythmic reshape, becoming an underwater deep-house/deep-techno dance floor experience. On the same side Suzanne Kraft contributes with a rather cinematic vision on Cuando Rocìo Dispara Sus Flechas.  
Hatchback opens up the B-side with an evocative version of Posmeridiano. The Californian producer gives a touch of sunshine and open air to the landscape of the original song. Closing the EP Ukrainian producer Zavoloka reinterprets Ukraina with a vortex of three-dimensional sonic layering.

A1 - Iury Lech - Barreras (Powder remix)

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬

Check Gustaaf
https://soundcloud.com/gustaaf_108
https://www.instagram.com/gustaaf_108/

Check Turnland
https://turnland.bandcamp.com/music
https://soundcloud.com/turnland
https://www.discogs.com/label/1477605-Turnland
https://www.instagram.com/turnland_records/

Check Christian Nicolaus
https://www.instagram.com/christiannicolaus/

TL003

Gustaaf - Fading Chaos Shades [Turnland]

Written, produced & recorded by Inre Kretsen Grupp. 
Mastered by Darren Ziesing. 
Distribution by Rush Hour 
Cover: Ivar Lantz

In stores 18th of October 2019.

After a two year hiatus, Fasaan returns with an EP from the local one-man-band that is Inre Kretsen Grupp. Gems of carefully melted down new wave, dub, AOR, ambient and boogie sit confidently together on this EP that makes the debut of keyboardist and multi-instrumentalist Martin Blomberg.

A-SIDE 
1. Loggia
2. Campo Santo

B-SIDE 
3. Dorisk Ordning
4. Dubbad Dougong

Inre Kretsen Grupp – Loggia

After the vinyl release of "Life Worth Living" EP, the Belgo-Australiana duo Ca$hminus return with "VER$ION$" which is exactly what it says on the tin - friends' reinterpretations from around the globe. Melbourne’s brotherly duo Donald’s House get things started. After their debut EP on Berlin’s Touch Of A Distance a few months ago, they present their first ever remix: a low slung, far out dub version of “Paradise” - the original will see the light of day early 2020. 

Next up, favourite Frenchie E-Talking (Whities) delivers a shapeshifting dancefloor version of "De Vlasmarkt". A true rollercoaster of a track that takes you places. Emotional entertainment, dare we say it.

Hong Kong’s very own Mr. Ho rounds things off. The Mihn Club resident and one of the powers behind Klasse Wrecks offers a murky, understated groove with echoes of trance lurking out of sigh.

https://soundcloud.com/cashminusmusic

pre-order

PRÈMIÉRE: Cashminus - "Paradise" (Donald's House Eyez Closed Mix)[Cashminus]

A tune written as a half joke sometime in the early 2010s, produced in 2016 and edited last week. Hope it makes you dance. Stay in, stay safe x

Better Stay In (Confinement Edit)

https://optimomusic.bandcamp.com/album/heaven-to-hell

1 Heaven 2 Hell
2 Heaven 2 Hell (Eden Burns Baked Beans in the Basement Mix)
3 Heaven 2 Hell (Eden Burns Remix)

Heaven 2 Hell speaks of the journey from disempowerment into empowerment, from separation into unity, from hatred into love or visa versa, it speaks of a journey of deep inner transformation, of seeing the darkness within and around us, to see the truth, and to find acceptance, to bring ourselves from separation back into unity. From Hell back into Heaven. Heaven To Hell comes with two remixes from Vanessa’s partner, Eden Burns.  Vanessa’s album “Vanessa 77", delayed due to the pandemic is out July 10th (vinyl / digital).

Out on Optimo Music Digital Danceforce June 26th 2020

Optimo Music Digital Danceforce 030 - Vanessa Worm - Heaven 2 Hell EP

Flippen Disks follows up their much acclaimed label-debut with an intriguing second release by Yuto Takei named “Bells From The East EP”.
Yuto Takei’s first vinyl release displays a wide array of sounds with a particular interest in rhythmic experiments and the negotiation of sonic space.

The Tokyo-based producer and DJ takes the listener onto a trip through deep spheres, percussive workouts, jammy compositions and electronic psychedelia, leaving the listener at times startled as to whether it is humans that are manipulating machines, or vice-versa.

Having worked as an electronic music composer for video games such as Gran Tourismo, this uncanny valley is known territory for the artist. It is, however, further explored on this four tracker, staying true to Flippen Disks paradigm of releasing club-oriented music, non-functional enough to not only be danced but also listened to.

Title track Bells From The East is an 8 minute jam, in which a krauty psych attitude pairs up perfectly with the goofy lead melody.

https://soundcloud.com/flippendisks
https://soundcloud.com/yutotakei

PRÈMIÉRE: Yuto Takei - Bells From The East [Flippen Disks]

Oz Echoes: DIY Cassettes and Archives 1980​-​1989 out March 26  http://bit.ly/OzEchoes

Oz Echoes peels away another layer of Australia’s ‘80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psyche-electronics and agitated tape cut-ups.

From the Sydney cassette network, The Horse He's Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age’s pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf - the former’s worn out apparition hails from an instantly deleted 1981 7”, while Mr Knott entrust one of the compilation’s five previously unreleased tracks.

Matt Mawson represents Brisbane music media-printed matter collective ZIP, as Adelaide’s Three D Radio grants access to their vaults of live-to-air recordings and aspiring demo submissions, rescuing the slap-happy punk-funk of The Frenzied Bricks and Jandy Rainbow’s prodigious beginnings in Les Trois Etrangers and Aeroplane Footsteps. Synchronously in Melbourne, Ash Wednesday (Karen Marks, The Metronomes) leads Modern Jazz’ improvised proto-techno and EBM pioneers Shanghai Au Go-Go home record their sardonic synth-wave.

A cherry-picked cast of unusual suspects, Oz Echoes’ unfamed artist and non-band narratives are detailed by track-by-track liner notes with rarely published archival visions and artwork from Video Synth, prompting further rabbit hole ventures into this golden era of creative risk-taking and instant action.

Wrong Kind of Stone Age - Ravi Dubbi (ES018)

Operated by @prinsemanuel, @golden-ivy and @inre_kretsen_grupp
Chairman of the board/sleeper-cell @gucci-jehova
Distribution/ @rushhourrecords
contact/ contact[at]fasaanrecordings.com

Inre Kretsen Grupp – Loggia

Fasaan Rec.

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