le nouveau EP de Guts regroupant le dancefloor Killer “Brand new revolution”, le hit single du dernier album de GUTS, deux reprises de classic Soul : le somptueux “Didn’t I” de Darondo et “You don’t have to worry” et un inédit “You make me cry”, un titre deep & melancolic. (Release date : 19 oct. 2012)

New EP Guts combining the dancefloor Killer “Brand new revolution”, the hit single from the latest album of GUTS, twice Soul classic, the sumptuous “Did not I” and Darondo “You do not have to worry” and an unreleased “You make me cry,” a title melancolic & deep. ,(Release date : 19 oct. 2012)

Artwork : Mambo

Dj's feedback

Le Mellotron: "Brand New Revolution is really a killer track. Love it"

Soulist "New material From The Ibiza Producer. The didn't I Re edit is really nice !! Will plyalist it on our future basics Radio show"

Mathieu Schreyer: "wicked ! me likey !"

Nouvelle Vague : "Entre Afro-beat et Soul, Guts ballade un son "made in Ibiza" délicat et un brin mélancolique... Cet EP est moins baléarique et léger que Paradise For All mais on y retrouve une french touch inspirée et profonde..."

Out Of Spectrum: "Definetly one of the best releases of 2012! Brand New Revolution still hittin' the dancefloor and is as catchy as catchy can be. Didn't I is kickin' too. Like them Guts guys!"

Brand New Revolution - EP

Brand New Revolution

GUTS "Brand New Revolution"

Island Vibes

My Favourite Letters

High Up on the Hook

Children of Possibility

Bluebird

My Groove Your Move

The Basis

Soul Mosaic

Got to Be a Love (Paul Nice Remix) [feat. Quantic & Sharon Jones]

Got to Be a Love (feat. Quantic & Sharon Jones)

Hope and Despair

Summer Days (feat. Bajka)

Best of (Deluxe Edition)

I Wonder (feat. Bajka)

Blackbird, the opening track from the third studio album by soul pirates Fat Freddy's Drop.

Blackbird

Fat Freddy's Drop’s pirate soul train, resolutely independent, worldwide.

Formed in 1999 in Wellington, New Zealand our sound draws inspiration from almost every part of the black music lexicon. Soul drenched vocals and jazz harmonies collide with tape delays and echo chambers, underpinned by a rhythm section as comfortable laying down a throbbing, techy soundscape as they are a swampy blues stomp.
