From the album 'Volume One' on Do Right Music - DR056 (CD/DD)

Ryan Oliver - Saxophone 
Tim Hamel - Trumpet
Alex Coleman - Bass 
Richard Whiteman - Piano
Morgan Childs - Drums

The Cookers Quintet - Obligatory Blues

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Harry's Code

Aquelarre de Hombres Desnudos

Artista: Martin Alejandro Oviedo
Sello: República Argentina Records
Catálogo: RR04
Estilo: Velvet Breaks (fusión propia: breakbeat, acid jazz, drum & bass, electronica lo-fi)

🎨 Concepto

El título sugiere un ritual nocturno, íntimo y subversivo, donde la vulnerabilidad y la energía masculina se transforman en un acto colectivo y poético. El “aquelarre” no se entiende como algo oscuro, sino como una celebración mística de lo humano, lo erótico y lo espiritual en simultáneo.

Musicalmente, el disco explora:

Breakbeat orgánico con grooves fragmentados.

Riffs de bajo acid jazz y líneas cálidas.

Texturas lo-fi (cintas, vinilo, reverbs soñadas).

Voces andróginas y cálidas con letras poéticas en español.

Atmósferas ambientales (viento, agua, ecos naturales) que envuelven al oyente.

🎶 Narrativa sonora

Cada track se plantea como un pasaje ritual, con estructura más cercana al pop/lo-fi que al club mix.

Intro: atmósferas ambientales + pads.

Versos y coros: voces poéticas y cercanas.

Breakdowns: silencios llenos de texturas naturales.

Outros: cierres elegantes, como desvanecimientos en la madrugada.

🖼️ Arte visual

Vinilo: rosa pálido iridiscente, con manchas blancas suaves.

Etiqueta: textura de piel humana con un patrón casi invisible de símbolos masculinos, como glifos rituales.

Tipografía: negra, minimalista, moderna.

Estética: surrealista, delicada, entre lo sensual y lo hipnótico.

💡 Posicionamiento

Un álbum que mezcla la cultura underground electrónica con un discurso poético y corporal, casi performático.

Encaja en espacios de arte sonoro, música experimental y escenas electrónicas alternativas.

Invita a la escucha íntima en vinilo, como objeto artístico. 
credits
released September 4, 2025
license
all rights reserved

breakbeat, broken beat, acid jazz, nu jazz, drum & bass, dnb, lo-fi, lo-fi electronica, downtempo, trip hop, ambient, cinematic, hypnotic, nocturnal, experimental, spanish, vocals, Argentina, electronic


Desnudos en la estepa helada

Al Green- Summertime

Perception Productions, a New York based label that ran from the late 60s through until 1974, was a strangely eclectic affair. Its roster stretched from a radical Afro-American poet through to the pop band King Harvest whose hit ‘Dancing In The Moonlight’ became a massive hit for the UK band Toploader a couple of decades later. The inbetween points covered jazz, funk, vocal harmony soul and proto-disco. In fact distilled down into this compilation the label provides us a view of Manhattan’s black music scene of the period, from the established greats to the fresh young things who would make their mark in the coming years. The two men who ran the label, President Terry Phillips and Boo Frazier burned brightly for that half a decade before almost entirely disappearing from the music scene.

Matrix - Dizzie Gillespie

Django Reinhardt " Georgia"
 Nina Simone "I wish I knew ...." 

Django Reinhardt - Georgia On My Mind

Minor Swing-Django Reinhardt

Scottish gypsy and hot jazz experts, Havana Swing, deliver a suitably hot swing jazz track.

http://www.havanaswing.com/

Havana Swing - Minor Swing

Little One

Little One (Live in Auckland, 2001)

The third single from the album Pushin' Against a Stone!

Pre-Order the 7" Heavyweight Vinyl here: http://bit.ly/ZjaRWF
Available May 20th!

Pushin' Against a Stone 
Out May 6th (UK/EU) and August 13 (North America)
Pre-Order the CD and Vinyl: http://bit.ly/ZjaRWF

UK & Europe:
Pre-order on iTunes here: http://bit.ly/151ynYT
Pre-order on Amazon here: http://amzn.to/ZNaAGU

North America:
Pre-order on Amazon here: http://amzn.to/11Bnr1I

Wanna Be On Your Mind

Myron & E with the Soul Investigators: "Clap Sing" b/w "Dangerous"

We have this 45 free with purchase of their debut LP Broadway at Stones Throw:
http://stonesthrow.com/news/2013/06/myron-e-clap-sing

Myron & E - Clap Sing

Fat Freddy's Drop’s pirate soul train, resolutely independent, worldwide.

Formed in 1999 in Wellington, New Zealand our sound draws inspiration from almost every part of the black music lexicon. Soul drenched vocals and jazz harmonies collide with tape delays and echo chambers, underpinned by a rhythm section as comfortable laying down a throbbing, techy soundscape as they are a swampy blues stomp.
