Shanghai/Taipei-based producer Tzusing returns with  一瞬千擊 (In a Moment a Thousand Hits), continuing his exploration of the seamier side of life as his music mutates from industrial and EBM roots into stranger territories. Like the titular martial arts master of his recent LP 東方不敗, who can only achieve invincibility by denying  his own masculinity,  一瞬千擊 asks if obsessive pursuit of a specific identity can only lead to its negation, the opposite of the intended image. Amidst the malevolent throat singing samples, suona-like drones, and occasional shouts and howls in Taiwanese, the music’s slamming percussive weight nods towards the most reviled forms of mainstream dance music. Treating every available tool as valid, Tzusing interrogates taste, constructed identity, and the desire for power through five tracks of destabilized funk and thundering processions.

TRACKLISTING:
A1 Flow State ft. Illsee 
A2 Shame 
B1 風雲再起 
B2 地心引力抓不住你 
B3 得意先生

Digital: https://bedouinrecords.bandcamp.com
Vinyl :http://honestjons.com/shop/label/Bedouin_Records

Tzusing | 一瞬千撃 (Snippets)

Aquarian and Deapmash debut on Bedouin records with their first collaborative EP, "Aegis" as  "AQXDM". Despite living on two separate continents and having never met in person, they bonded over a love for breakbeat techno, grime, jungle, breakcore, and immediately wrote their first EP. Merging Deapmash's high energy, industrial grooves with Aquarian's idiosyncratic, genre-blending approach, the result is highly effective peak time techno infused with massive kick drums, spastic breakbeats and soaring atmospherics.

TRACKLISTING:
A1 Aegis
A2 Ballad 002
B1 Roam

Digital: http://bedouinrecords.bandcamp.com
Vinyl: honestjons.com/shop/label/Bedouin_Records

AQXDM | Aegis (Snippets)

GOTH-TRAD formed new unit “EARTAKER” with Diesuck(vocal) and Masayuki Imanishi(noise) in 2017. 

Their doomful & dissonant sound with Diesuck’s low scream feels like music that can be heard from the gap between the end of the world and the new world. It is hard to categorize to any genre.
Their debut album "Harmonics" will be coming out on Bedouin Records in the Fall of 2018.

2017年、GOTH-TRADがDiesuck(vocal)とMasayuki Imanishi(noise)とともに始めた新ユニット”EARTAKER”。
Diesuckのロースクリーミングが絡む、 彼らの不穏・不協なサウンドは、まるで世界の終焉と新世界の狭間から聴こえてくる音楽ようだ。 それはどのジャンルにもカテゴリーし難い。
U.A.E.の気鋭レーベル”Bedouin Records”より1stデビューアルバムのリリースを控える。

Eartaker | Iron Trivet

Taken from the forthcoming Xosar LP 'The Possessor Possesses Nothing'

Xosar | Vibration Acceleration

THE DEAD WERE CLEANSED IN ORDER TO PASS ONTO DUAT.

A vibrating sensuality within the scope of an insistent staccato. An interplay between impulsiveness and violent positivity. A dialogue on the raw, the distant and the mantric. 

With 'Onto Duat' Maenad Veyl constitutes a radical cancellation of the smooth. Displaying the very quality of instincts and paying tribute to Dark Eroticism. 

'Onto Duat' is an EP that will be released on Bedouin Records  in late September. It includes 4 tracks.

TRACKLISTING:
A1 Change Your Mind
A2 Onto Duat
B1 Take Nothing With You
B2 Riot Patrol

Maenad Veyl | Onto Duat (Snippets)

Aquarian - The Snake That Eats Itself

Canadian born, Berlin based producer @Aquarian makes his full length album debut The Snake That Eats Itself on Bedouin Records. This record follows his collaborative EPs with Deapmash as 'AQXDM" and is his first solo release since his 2016 experimental mixtape for Quiet Time.

Nearly five years in the making,The Snake That Eats Itself is Aquarian's most complex, diverse and emotive work to date, plunging his trademark UK sound-system / techno hybrids into a self-contained, cinematic universe streaked with heavy influences from industrial, IDM, drone and dark pop music. Written in Brooklyn, New York, in a deeply transitional, yet seemingly endless period preceding his relocation to Berlin,the title of the album refers to the Ouroboros, a mythological serpent symbolizing the cycle of birth and death and infinity itself.

The Snake That Eats Itself pits Aquarian's most abrasive and brutal moments next to his most wistful and introspective. Viscerally thick layers of tape saturation envelop the album as sludgy synths ooze against brittle atmospheres; breakbeats fragment, explode and disintegrate into swarms of delay and noise; scorched, metallic percussion - sampled from a year-long demolition and construction project next to his apartment - forge the rhythmic backbone of the album. These elements, however, seamlessly make way to startlingly crystalline and shimmering ambient passages, offering a sense of reprieve and balance.

Tracklist:
01. End Credits
02. Blood Sugar
03. Sketch 2 (Song for D.O.U.G.)
04. Ouroboros
05. Tarp2
06. New York, An Eternity
07. Hate Is A Strong Word (Part 1)
08. Hate is A Strong Word (Bruxist Part 2) 09. Letting Go At Arm's Length
10. 365 Days And Counting

The Snake That Eats Itself​ is accompanied by art direction and a collaborative live A/V show by acclaimed artist and researcher Sougwen Chung.
Early support from Aphex Twin
Artwork by Sougwen Chung
All tracks written, produced and engineered by Aquarian unless otherwise noted. Tracks 4, 7, 8 & 10 mixed by Dean Grenier
Additional engineering by Dean Grenier on tracks 7 & 8.
Mastered by Goth Trad

'Hate Is a Strong Word, Pt. 1' taken from Aquarian's debut album titled 'The Snake That Eats Itself' that will be released on Bedouin Records on February 14th 2020.

Pre-order x2LP

Aquarian | Hate Is a Strong Word, Pt. 1

extract the purest signal of peace from the noise

@bedouinrecords
@netherstudio

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