The lyrics tell a story about mad surgeon doctor. He wants to kill because of the sad love story. Simple plot.

The Way of Pain

Path of the Death

Path Of The Death

Sam Prock at soundcloud.com/samprock & soundcloud.com/silent-zen
All Silent Zen playlists and my support accounts:

soundcloud.com/samprock - Prock main music acct
soundcloud.com/art-of-nonsense - Prock improv acct
soundcloud.com/prockjet - Prock mobile apps direct
soundcloud.com/sam-prock-remix - Remixes, Electronic
soundcloud.com/sam-prock-support - Classical, Piano
soundcloud.com/silent-zen - main group page, Chillout, Ambient
soundcloud.com/silent-zen-group-repost - Group Spotlights
soundcloud.com/silent-zen-support - Singer-Songwriter, Spoken
soundcloud.com/silent-zen-blast - Alternative, Indie, Punk
soundcloud.com/silent-zen-showcase - Underground, Rock
soundcloud.com/silent-zen-electrify - Electronic, House
soundcloud.com/silent-zen-beat - Dance & EDM, Pop, IDM
soundcloud.com/silent-zen-psy - Psychedelic, Techno, Trance, 
soundcloud.com/silent-zen-spotlight - Charts, Spotlights
soundcloud.com/silent-zen-play - All Zen collection in one place

I tend to spread Silent Zen collection by genre and mood by the above support pages, while multi-genre playlists can be anywhere. 

I try to follow back all your main and support accounts on my support loops. Please write me a message to my main soundcloud.com/samprock account, so I can find your words faster.

Thank you for the support! Sam.

All Silent Zen playlists and my support accounts:
@samprock - Prock main music acct
@prockjet - Prock mobile direct uploads
@art-of-nonsense - Prock improv and remixes
@silent-zen - Support efforts page

Musically yours, 
Sam.

Fatal Nightmare creates a sinister fusion of mechanical beats and horror-inspired narratives

"If music be the food of love, play on ... and on" - William Shakespeare (Sam PROCK Remix)

SoundCloud Premier Partner. Published at Silent Zen label with Ditto. Making art with the sound is what I'm after. Curving genre boundaries is a must.

"It is something between discovering and witnessing" - Robert Moog

Hardware: Moog Subsequent 37CV, MiniMoog Model D '22, Buchla Easel 208C, APR 2600m, Córdoba Koa edition nylon guitar, Fender Stratocaster, Yamaha Bass, Teenage Engineering OP-Z, UAD Apollo Twin X, Presonus 1824C, Line6 PodXT, B-52 LS100 & B-52 4x12, Arturia Keystep, XKeys Air, iPad Pro 12.9-inch, iPhone. 

Software: Ableton Live 11, Moog, Arturia, UAD, FabFilter, IK, NI, Omnisphere. Mobile music fan: Korg Gadget, Cubasis, ZenBeats, Arturia, Moog, FabFilters.

"Depeche Mode is the soundtrack of my life" - rephrasing Dave Gahan said alike of David Bowie. 

Influences: Depeche Mode, Kraftwerk, Art Of Noise, Daft Punk, Telex, Trans-X, Yello, a-ha, Arcade Fire, Panic! At the Disco, She Wants Revenge, Red Hot Chili Peppers, Nirvana, The Offspring, Madness, Che Sudaka, Ultravox, Sex Pistols, Rancid, Strangles, Elastica, PJ Harvey, The Cars, Foreigner, Therapy?, Muse, Duran Duran, Pet Shop Boys, Erasure, New Order, Telex, Zodiak, INXS, Hey Rosetta!, Cause and Effect, And One, Banco De Gaia, B-Tribe, Air, S.P.O.C.K.

Personas: Ottmar Liebert, Dave Gahan, Martin L. Gore, Jean-Michel Jarre, Georgio Moroder, SuperMax, Boris Blank, Leonard Cohen, Curt Cobain, John Frusciante, Flea, Tim Artstrong, Johny Lydon, Dexter Holland, Falco, Midge Ure, M. Harket, Regina Spektor, D. Marouani, Nick Cave, V. Clarke, A. Wilder, Robert Moog,  Don Buchla, Moby, Beethoven, Tchaikovsky, Vysotsky, G. Nannini, R. Fogli, Hank Marvin, Aeoliah, A. Vollenweider, M. Knopfler, A. Parsons.

"I am interested only in "nonsense"; only in that which makes no practical sense. I am interested in life only in its absurd manifestations." - "Daniil Kharms.

Styles: Funtronica (invented), Electronic, Deep, Alternative, Disco, Deep House, New Wave, Synthpop, Synthwave, Ska, Punk, Reggae, Cumbia, Indie, New Age, Chillout, GOA, Downtempo, Instrumental, Ethnic, Neo Classic, Psytrance, Psybient.

My mobile uploads account is @prockjet. More remixes @art-of-nonsense. Silent Zen is a support group I conduct @silent-zen.

I am a Canadian composer, songwriter and performer that dabbles in production, remixes and of course a suite of original compositions.

Proud Member of CollabHaven Records!!!

Collaborations or inquiries: Lang.v.music@gmail.com 👀🤟

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Metal from the north of New Zealand
Horoscopes EP on Spotify now: https://open.spotify.com/album/0g5nRsIFWGrgjGhbzjs7e4?si=LSyu6SoYTci7bGDMrHfktQ