Name: BLOOD SOURCE by 999
Duration: 5 min 58 s
Description: rework of an old track from another project of mine

Tectonic

All tracks written, mixed and produced by Dawuna

All Tracks Mastered by Amir Shoat 
*Track 9 by Engine-Earz

The Ape Prince

Written & Spoken by @lunaharley

like a deer in the forest
whose eyes mirror the flowers
and the elder trees
my trust is all of my nature

what must you seek
to breach my sanctuary
my home...
...my dear?

i was raised by the river
i was cradled by the branches
i was lulled by the birds
i was thought by the planets

but nothing could have ever prepared me...
...from you

cradled by (w/ Luna Harley)

Stream

dog bite (w/ Willix)

Stream on all platforms:
https://distrokid.com/hyperfollow/arigumora/toonami-2008

Toonami 2008

rework of an old track from another project of mine

BLOOD SOURCE

@djstrawberrymusic recorded live at System Dialog 02, Backsteinboot May 10th 2025

System Dialog: DJ Strawberry

Out now - 12 tracks: double vinyl and digital 

In 2013, Different Circles launched with Weightless Volume One, a compilation that helped define a new minimalist aesthetic in electronic music. 

Twelve years later and after a six-year pause, the label returns with its tenth release: Ping Volume One.

Like weightless, ping isn’t a genre. It's an approach to anchoring and propelling sound without relying on the steady pulse of a kick drum.

Instead, a single percussive hit — the ping — holds the centre. Dry and high in the mix, or echoing distantly through space, it becomes a temporal anchor. Around it, the rest of the track can undulate, bend, float or collapse.

The term first appeared on Mumdance’s radio show, where playing “the pingy ones” from the Different Circles back catalogue became a running joke. In the Discord community, it evolved into a shared language, with memes, lore and a mascot known as the Ping Devil.

In 2023, Mumdance aired The “Ping Report” a radio show that gathered everything into a coherent moodboard. It included original tracks made by Discord members for the show and set the foundations. From there, more producers began making ping intentionally, and over time, Ping Volume One took shape.

As the idea came into focus, Logos and Mumdance noticed that much of the Different Circles back catalogue, if not explicitly weightless, could now be understood through the lens of ping. It was a sound they had been drawn to long before they had a language to describe it.

Ping Volume One is a document of shared instinct. A collection of tracks connected by feel rather than formula, shaped by years of dialogue between a community of artists and listeners who were drawn to the same sounds & ideas before they had a name.

Klahrk - Sent Spinning

I play breaks live under the name Empty Fontaine

octatrack / analog heat + fabfilter saturn sound processing

06092025 live demo (extraits)

Marijn S is a Dutch producer and DJ who showcases the organic age of dance with radiant breaks and gritty, icy soundscapes.

As a producer, Marijn combines multiple contrasts in her work; the raw, pure and timeless essence of music. Embracing simplicity and tranquility, Marijn is also intrigued by darker, experimental, and complex music. Her artistic expression is characterised by the playful juxtaposition of these contrasts. 

She’s played notable gigs such as De School (AMS) Garage Noord (AMS), Dekmantel Festival (AMS), La Cheetah (Glasgow) and participated in events like Ilian Tape’s Amsterdam takeover at the Melkweg. Marijn S has recently made her live performance debut for Speedy J's STOOR / PINK NOISE during ADE, playing only with her so described ‘machine of self expression’: One hour full of her own creations, ranging from textured ambience and dreamy IDM to heavy distorted bass, abstract noise and heavy hitting electro & techno.

Her most recent EP, Digital Tears, is entirely composed and produced using the Elektron Machinedrum MKII. Some tracks, like Digital Tears and Soft Fall, were recorded in a single take to capture the raw energy, live vibe, and personal touch that come from working with analog equipment. She uses techniques like layering, resampling and overdubbing to produce a richer, denser, and reimagined sound (Gleam), as well as recording several elements individually, processing and arranging them in a way that enhances the overall coherence of the sound (Magnetic Fields).

Marijn S - Digital Tears EP will be out on September 12th on Selvamancer.

https://soundcloud.com/selvamancer
https://soundcloud.com/marijnswillens

Order via Bandcamp

Premiere: Marijn S - Digital Tears [Selvamancer]

Pre-order TD10

Mortals

FKA Fatalist
à̖̞͚͆ͩͭ́ͅl̨̞̞̼ͨ͑̇͟l̖̥̀ͭ d̞ag̵̛̫̖̻ͤͤ̓̇ͮ͡g̥͈̪̖ͤ͆́͡ḛ̠͕̤̦͓̏̀͐r̬̀̌͌ n̻̦̥̿͢o̶̙̓͞͡ ĉ̖̤ͮ̇̊̿lö̡́̊̔͞ǎ̡̯́͐̊ͫ̕͡k͈̭̩̻̂ͩ


BLOOD SOURCE

999

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