TASTY : https://soundcloud.com/enzo-benzo-203133109


"𝙎𝙝𝙚 𝙩𝙝𝙞𝙣𝙠 𝙨𝙝𝙚 𝙜𝙤𝙙, 𝙗𝙪𝙩 𝙞'𝙢 𝙬𝙝𝙖𝙩 𝙨𝙝𝙚 𝙥𝙧𝙖𝙮 𝙩𝙤."
𝘉𝘈𝘎𝘖 𝘪𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘵𝘺𝘱𝘦𝘴 𝘸𝘩𝘰 𝘢𝘤𝘵 𝘭𝘪𝘬𝘦 𝘵𝘩𝘦𝘺'𝘳𝘦 𝘢𝘣𝘰𝘷𝘦 𝘺𝘰𝘶, 𝘣𝘶𝘵 𝘢𝘭𝘭 𝘪𝘵 𝘪𝘴 𝘪𝘴 𝘧𝘪𝘭𝘵𝘦𝘳𝘴 𝘢𝘯𝘥 𝘧𝘳𝘰𝘯𝘵𝘴.
💄 Arrogant.
🖤 Cold.
📉 Emotionless.

BAGO

𝓑𝓐𝓖𝓞

Reviews for “An Increasingly Troubling Cipher”

---

“The phrase I used was ‘unrelentingly chromatic’, with the word unrelenting being key” – A good friend

“Well, I mean…for me it’s impossible notice [any repetition in the melody], even with that.” – The same good friend

“If you’re pinning your hopes for this piece that anyone beside yourself is going to identify that as a pattern at all, I’m going to plunk safe money down on ‘Nope.’” – No really, he’s a very good friend.

“For all I know there are 8-bit Math Music enthusiast groups that would fall over in awe.” – (sigh) Yeah, you guessed it, my very very good friend.

---

“This piece presents itself with a certain... boldness. The chromaticism is certainly prominent, creating a rich tapestry of interwoven notes that avoids conventional harmonic expectations. It's a choice that ensures the music rarely settles into anything predictable, offering a constant sense of forward motion, if not always a clear destination.

Underneath, the beat provides a rather insistent foundation. It's undeniably present, anchoring the more fluid elements with a consistent rhythmic pulse. Coupled with an acid bass line, which certainly has a distinct and rather potent character, the low end of the spectrum is well-catered for, creating a sound that is undeniably full-bodied. Certainly one can't deny its presence.

The attempts at counterpoint are certainly detectable for a keen ear, but are obscured by the sheer density of the 8-bit components. They seem to weave in and out, offering glimpses of intricate interplay, even if the overall effect is less about clarity and more about relentless sonic chromaticism. It's a piece that certainly makes a statement of some sort, and one that maybe a listener or two will find compelling in its uncompromising approach.” – Some BS I asked AI to generate for me, slightly edited.


An Increasingly Troubling Cipher

original, with chromatic features. Played at a church in Surrey.

if you ruled the world, just piano

HELL LOVER 2003

rework of an old track from another project of mine

BLOOD SOURCE

Oberhiem Matrix6 Fret Not bass chromatic

Here's a demo featuring the diatonic Hohner Big River Harp and the chromatic Hohner Discovery 48, The demo song is a short version of the Julian Lennon classic "Too Late For Goodbyes".
****
• Hohner Big River Harp MS in A – first verse
• Hohner Big River Harp MS in G – first chorus
• Hohner Discovery 48 – second verse & chorus
****
• Mic used: Shure SM7B
****
Kitarablogi.com

Hohner Big River Harps vs Discovery 48 – Demo Song

Hohner Big River Harps vs Discovery 48 – Demo Song – harmonicas only

Chromatic Aberration

This is the SECOND MOVEMENT of the Chromatic String Quartet Series!! Listen to it on BandCamp and please consider donating to support me! Thank you very much and hope you enjoy :)

Chromatic MVMNT 2

LISTEN TO MY NEW ALBUM "HARDWIRED" OUT NOW ON SOUNDCLOUD AND YOUTUBE:
https://soundcloud.com/crutchb1te/sets/hardwired-the-album

credz:

prod. ne1ro, alergia

mixed, mastered & performed by CrutchB!te

sing/song-writing by CrutchB!te

graphic design by CrutchB!te

lyrics:
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I

mm ah
don't lie
you've been staring all damn night
I've got liquid chromatic silver metal
the craziest prick who dares challenge me
is me

I don't need a cause to rise
(yeah, yeah)
but I've been on overdrive
now try me try me baby
I've been infected with a lot of
chromatic
now baby I don't know
If I can ever let you go
keep up
baby please free me from this chronic disease

I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I

*glitch segment start*
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I
*glitch segment end*

I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I

mm ah
don't lie
you've been staring all damn night
I've got liquid chromatic silver metal
the craziest prick who dares challenge me
is me

I don't need a cause to rise
(yeah, yeah)
but I've been on overdrive
now try me try me baby
I've been infected with a lot of
chromatic

I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I

I've got liquid chromatic silver metal
the craziest prick who dares challenge me
is me

---------------------------------------------


CHRONIC CHROMATIC DISORDER

@joeminosaur (aka Joe from @chromatic-music) breaks down the duo's hugely popular 2016 'The Machine' and rebuilds it into a wonky piece of sonic destruction.

Buy here - https://losslessmusicuk.bandcamp.com

The Machine (Minosaur VIP)

Chromatic - The Machine (Minosaur VIP)

VISPROINTIAMO No. 11 for piano, composed and performed by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

VISPROINTIAMO NO. 11 for piano

I couldn't see the signs
wait there for the light
somewhere found my high
don't wanna go until I feel right

I would ride for you I would die for you woah, oh
I would slide for you do or die for you woah

lost inside of the night
chasing shadows in my mind alright
and every moment feel alive
when your standing by my side
I don't wanna lose this fight
I don't wanna waste no time
everything feels just right
when your soul is close to mine
takes me somewhere high

I wonder what you see in mine
when your looking deep inside
is it love or just the ride
tell me now don't hide

I would ride for you I would die for you woah, oh
I would slide for you do or die for you woah

falling through the atmosphere 
everything disappears
im weightless when I think of you
rainbows tears chromatic with the sphere
drifting where the colours bloom

[outro]

chromatic

Eclipse Mental - Mix - DEMO NO Version oficial

An electronic composition, original sounds created using Pure Data.

Drawing the Light (naviarhaiku612)

82bpm | A Minor

This emotional and cinematic beat blends ambient textures with melancholic chords and lo-fi drum sound, creating a deeply reflective atmosphere. Lush synth pads drift across while minimal piano and bell tones echo with subtle reverb, evoking themes of solitude, memory, and late-night introspection. At 82 BPM, the rhythm moves at a steady, contemplative pace—ideal for introspective vocalists, poetic storytelling, or visual content needing emotional depth.

Perfect for genres like lo-fi hip hop, chill trap, ambient rap, or even sync placements in film and media. Whether you’re an artist looking to write your next heartfelt track or a creator searching for evocative background music, this beat provides a moody and immersive sonic space.

(82bpm) Ally Wmpus (Prod. Shawzilla)

FKA Fatalist
à̖̞͚͆ͩͭ́ͅl̨̞̞̼ͨ͑̇͟l̖̥̀ͭ d̞ag̵̛̫̖̻ͤͤ̓̇ͮ͡g̥͈̪̖ͤ͆́͡ḛ̠͕̤̦͓̏̀͐r̬̀̌͌ n̻̦̥̿͢o̶̙̓͞͡ ĉ̖̤ͮ̇̊̿lö̡́̊̔͞ǎ̡̯́͐̊ͫ̕͡k͈̭̩̻̂ͩ


I LOVE music and will write any genre except Country and Jazz, I'm 15 and I'm kind of big on Flat.io so you should check me out there. "A Dying Star" is my best song and you should definitely click those links down below ;)

🎧 Boom bap bones. Jazzed-up joints. Skulking in the static.

🎙️ Tap in, spit bars, sample the madness — collaboration welcome.

𝔸𝕘𝕖: 𝟚𝟚 𝕪𝕣𝕤 𝕠𝕝𝕕 𝕒𝕟𝕕 𝕒𝕝𝕣𝕖𝕒𝕕𝕪 𝕘𝕠𝕟𝕖
🌑 𝕆𝕡𝕚𝕦𝕞 / / ℕ𝕖𝕨𝕤𝕔𝕙𝕠𝕠𝕝



CZECH REPUBLIC

Songs and instrumentals with guitar, piano and flute, from a Christian angle.
Songs of praise, love songs and nature songs.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Improvising band from Australia - sometimes in The Bronx

Lossless Music | Dope Plates | Exkursions : Underground music labels run by @soul-intent

From The Lab (sample packs) - https://fromthelab.bandcamp.com

Demos, enquiries etc - losslessmusic@hotmail.co.uk

Featured artists: 
Soul Intent, Klute, Tim Reaper, Elementz Of Noize, Sonar's Ghost, Acid Lab, Sula Mae, SPKTRM, Paragon, Chromatic, Sicknote, LaMeduza, Concealed Identity, Artilect, Mark Kloud, Scape, Pepsi Slammer, Transient, Trisector & Infader, Odyssia, Faible & Konfusion, Clima, Slider & Expose, Hathor, Sotus & more.

New album! "Airlock Protocol 113" On All the Streams in Sweet Scifi Dreams. SF, CA based artistic composer releases a rare experimental album once a year on April 1st @amovertone

New tracks tagged #Chromatic