HELL LOVER 2003

rework of an old track from another project of mine

BLOOD SOURCE

Oberhiem Matrix6 Fret Not bass chromatic

Here's a demo featuring the diatonic Hohner Big River Harp and the chromatic Hohner Discovery 48, The demo song is a short version of the Julian Lennon classic "Too Late For Goodbyes".
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• Hohner Big River Harp MS in A – first verse
• Hohner Big River Harp MS in G – first chorus
• Hohner Discovery 48 – second verse & chorus
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• Mic used: Shure SM7B
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Kitarablogi.com

Hohner Big River Harps vs Discovery 48 – Demo Song

Hohner Big River Harps vs Discovery 48 – Demo Song – harmonicas only

Chromatic Aberration

This is the SECOND MOVEMENT of the Chromatic String Quartet Series!! Listen to it on BandCamp and please consider donating to support me! Thank you very much and hope you enjoy :)

Chromatic MVMNT 2

LISTEN TO MY NEW ALBUM "HARDWIRED" OUT NOW ON SOUNDCLOUD AND YOUTUBE:
https://soundcloud.com/crutchb1te/sets/hardwired-the-album

credz:

prod. ne1ro, alergia

mixed, mastered & performed by CrutchB!te

sing/song-writing by CrutchB!te

graphic design by CrutchB!te

lyrics:
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I

mm ah
don't lie
you've been staring all damn night
I've got liquid chromatic silver metal
the craziest prick who dares challenge me
is me

I don't need a cause to rise
(yeah, yeah)
but I've been on overdrive
now try me try me baby
I've been infected with a lot of
chromatic
now baby I don't know
If I can ever let you go
keep up
baby please free me from this chronic disease

I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I

*glitch segment start*
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I
*glitch segment end*

I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I

mm ah
don't lie
you've been staring all damn night
I've got liquid chromatic silver metal
the craziest prick who dares challenge me
is me

I don't need a cause to rise
(yeah, yeah)
but I've been on overdrive
now try me try me baby
I've been infected with a lot of
chromatic

I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I
I know it
I know it
baby keep up if you can
I'm so on top
watch them hips rock
she tryna back up
tell the dj don't stop when I

I've got liquid chromatic silver metal
the craziest prick who dares challenge me
is me

---------------------------------------------


CHRONIC CHROMATIC DISORDER

@joeminosaur (aka Joe from @chromatic-music) breaks down the duo's hugely popular 2016 'The Machine' and rebuilds it into a wonky piece of sonic destruction.

Buy here - https://losslessmusicuk.bandcamp.com

The Machine (Minosaur VIP)

Chromatic - The Machine (Minosaur VIP)

VISPROINTIAMO No. 11 for piano, composed and performed by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

VISPROINTIAMO NO. 11 for piano

à̖̞͚͆ͩͭ́ͅl̨̞̞̼ͨ͑̇͟l̖̥̀ͭ d̞ag̵̛̫̖̻ͤͤ̓̇ͮ͡g̥͈̪̖ͤ͆́͡ḛ̠͕̤̦͓̏̀͐r̬̀̌͌ n̻̦̥̿͢o̶̙̓͞͡ ĉ̖̤ͮ̇̊̿lö̡́̊̔͞ǎ̡̯́͐̊ͫ̕͡k͈̭̩̻̂ͩ


Hello :) I am mostly a Flat.io user and I make all my music there. I am 15 and music is my life. literally.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

Improvising band from Australia - sometimes in The Bronx

Lossless Music | Dope Plates | Exkursions : Underground music labels run by @soul-intent

From The Lab (sample packs) - https://fromthelab.bandcamp.com

Demos, enquiries etc - losslessmusic@hotmail.co.uk

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New album! "Airlock Protocol 113" On All the Streams in Sweet Scifi Dreams. SF, CA based artistic composer releases a rare experimental album once a year on April 1st @amovertone

New tracks tagged #Chromatic