This is amazing 👏👏⚡️🤘🏻🤘🏻super trip 

The bass sound is great. I love this track!!

Dope track, great sounds and perfect structure, keeping the attention and excitement alive!

05 Fly Had A Bird

Written/Produced by: R.J Dobben (RoTen)
Released on: 7/29/2021


-_-
_>_

Living Waters

Poem fun by Sphaera Velare (https://soundcloud.com/shaeyni-472304185).

Poem Fun

Orbiting Glow In The Dark Rubber Eyeball

Surfing on basses

Based on the lovely poem by Shel Silverstein. base image for cover also by Mr S.

Needles and Pins

Needles and pins,
 Needles and pins,
 Sew me a sail
 To catch me the wind.
 Sew me a sail
 Strong as the gale,
 Carpenter, bring out your
 Hammers and nails.
 Hammer and nails,
 Hammer and nails,
 Build me a boat
 To go chasing the whales.
 Chasing the whales,
 Sailing the blue,
 Find me a captain
 And sign me a crew.
 Captain and crew,
 Captain and crew,
 Take me, oh take me
 To anywhere new.

Needles And Pins

All Original instrumental inspired by and dedicated to my Good Friend and Big Beat Beach Bandmate, Bravei Brasil. Guitar parts contemporaneously 'Martin'-ized by Riff on my GPC-11E. Added Mini Cajon slaps, thumps, and taps while tracking and playing along. :D)))

Sunny Beaches Ahead

Sun Sparkles ©

Sun Sparkles © - Big Beat Beach AcoustaTronic Music

SON OF GOD

Something to relax to or maybe cook to, your choice. Enjoy my friends.

Written, performed and recorded by Greg Hurley

Relax

In a World that has changed immensely in less than 2 years, a disease has appeared that has wreaked havoc across the Globe. Vaccines of as yet unproven long term effects for a Disease Officially classified as SARS Cov 2/Covid 19.
 Govts and Agencies given unprecedented powers and Big Pharma making Billions.it does seem to pose a few Questions ????????????
On Bandcamp for purchase.

Ask The Question

'Doleful Moments'  is a Soundscape inspired by those solitary moments occasionally spent when the spirits are slightly low.

Bring It To The Table

Doleful Moments

Original instrumental by Mahan Mahan  https://soundcloud.com/mahan-mahan

Mahan sent me this instrumental track entitled "Janinerator."  Hmm.  I wonder who he really intended it for...   Anyway, I sang over it, totally unsure. It's really different for me. But here it is. Thank you Mahan!

Look the Other Way

Life before was just a bore
Sitting in a café with my
Laptop, looking at the door
And sipping on a latte as        

My head was swaying back and forth
To the rhythm of a mixtape
And my heels were tapping on the floor 
Waiting for my big break

I was thinking swiping left and right
On the faces on my cell phone I’d be
Looking up at mister right
Til’ you stepped into my safe zone

Look the other way
(hey, how are you?)
Look the other way  
(love your picture!)
Look the other way
(in your latte)
Look the other way
(goes my finger)
(I’m a terrible person )

And I’m Falling up
I’m Flying down
The floor is rising up
And I am falling down 

Memories get in the way  
When I go into that weird place, I just
Lock my heart and lock the door
And hide inside my suitcase

And my head is swaying back and forth
In the hallway of a stranger
With my necklace lying on the floor
Even now It feels like danger

Look the other way
Look the other way  
Look the other way
Look the other way
I’m a terrible person

Look The Other Way - with Mahan Mahan

Composed, arranged, performed, and produced by
Carlos Vivanco

El Puente De Los Suspiros

Otherside

bullet (right time)

Neuer Track hoffe der kommt gut bei euch an 🧌
enthält „In The Name Of Love“ - Martin Garrix & Bebe Rexha

In the Name of Schranz by Essyd


Step into the pulse of the night.
*Airfill*  it’s a living atmosphere,
a rave without limits where every beat is oxygen
and every drop lights up the veins of the dancefloor.

Breathe it in.
Lose yourself in neon frequencies,
float through zero gravity rhythms,
and exhale in a world where the music never ends.

This is your invitation to listen,
to enter the rave eternal.
Welcome to **Airfill**.

---

**Español**
Entra en el pulso de la noche.
*Airfill*  es una atmósfera viva,
un rave sin límites donde cada beat es oxígeno
y cada drop enciende las venas de la pista de baile.

Inhálalo.
Piérdete en frecuencias de neón,
flota entre ritmos de gravedad cero,
y exhala en un mundo donde la música nunca termina.

Esta es tu invitación a escuchar,
a entrar en el rave eterno.
Bienvenido a **Airfill**.




Dream Waves (1)

Hi My Name Is Tim Deacon & I'm A Songwriter & A Keyboard Player When I Was 13 Yr Old I Was In A Rock & Roll Band After That I Was Write   My Original Stuff  I Meet Bucky Pizzarella & John Pizzarella  In One Of The Club John Came Over  He Say Do You Want To Play With Us & I Say Yes  Bucky & John Pizzarella Are Jazz Guitarist I Meet Vince Martell In 2003 He Is The Guitar For Vanilla Fudge  Vince Come Over To Ask Me  Do You Want To  Go To The Studio To Record 1 Song &  I Say Yes I Starting To Sale My Music On Tunecore  The Song Was Not Sale Oh Well My Dream Is To Sale My Music

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Surfing on basses

Fat beats project

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