Name: Fatcat Records 1BTN April by FatCat Records
Duration: 2 h 3 s
Description: The latest 1BTN radio show.. archived for your aural pleasure.

Amazing sunshine  soundtrack to my day Alex. That Antonio Castro track sir! 👌🎧😎

Welcome to my first podcast for Radio Alhara! In my new series "Centers of Resonace" I would like to take you on a journey into the genre of field recording. Music, soundscapes, everyday noises. Recorded with simple and portable technical equipment, the following recordings were often made spontaneously in the open air. Music & sounds resonate in the open space. Unintentionally and yet desirably, sounds of the surroundings, the time of day and various creatures join in... Have fun on this sound journey!
--
Besides some of my own recordings from Sao Tomé, Ghana & India, you will also hear recordings from the global field recording community. Especially from the wonderful labels Sahel Sounds, Sublime Frequencies and Honest Jon's records. If this show has whetted your appetite, I highly recommend you to keep following these labels!

Follow me on Instagram: @radiodjandjan
Contact: phil@tropicaltimewarp.org

Centers of Resonance #01  - Radio Alhara // 11.01.22

NONE OF THIS AND ALL AT THE SAME TIME

When the persecution of witches reached its peak in the 16th/17th centuries and countless misogynistic writings from the Middle Ages purported to pave the way for a new age, it was mainly women who did not conform to the norm, who were without a family, who lived sexually freely or who simply had an above-average knowledge of male-dominated fields who were affected by persecution, accusation, exclusion and murder.

Virgin, prostitute, mother, daughter - a witch is none of these and all at the same time. No one conforms to the norm. We are all sons, daughters and simple human beeings made by Witches. Rehab the witches no matter what form it takes. "Witch" is not a dirty word, it's a compliment.

So, I just wanted to say Happy International Women's Day.


NICHTS DAVON UND ALLES GLEICHZEITIG

Als die Hexenverfolgung im 16./17Jh. ihren Höhepunkt erreichte und unzählige noch aus dem Mittealter stammende frauenfeindliche Schriften vorgaben den Weg in ein neues Zeitalter zu ebnen waren vor allem Frauen die nicht der Norm entsprachen, die ohne Famillie waren, sexuell frei lebten oder schlichtweg ein überdurchschnittlich hohes Wissen in von Männern dominierten Berreichen hatten von Verfolgung, Anklage, Ausschluss und Mord betroffen.

Jungfrau, Prostituierte, Mutter, Tochter - eine Hexe nichts davon und alles gleichzeitig. Niemand entspricht der Norm. Wir sind alle Söhne, Töchter und simple human beeings made by Witches. Rehabiliert die Hexen egal in welcher Form. "Hexe" ist kein Schimpfwort, sondern ein Kompliment.

Will sagen, alles Gute zum internationalen Frauentag.


Rocky Mountains/Walking in the Air/Spellwork (𝔰𝔩𝔬𝔴𝔢𝔡 𝔡𝔬𝔴𝔫)/'If I Had A Heart'/BRUJAS/Witches/The Voodoo Walk/Sympathy For The Devil/Black Mass/SHADRACH MESHACH & ABEDNEGO/Queen of the Underground /Hexen/Moon Mist

Daughter of Witches │Brocken

Stricktly songs in 3/4 aka Waltz, from all over the world...

World Wide Waltz

The latest 1BTN radio show.. archived for your aural pleasure.

Fatcat Records 1BTN April

01. Early In The Morning* (1947) - Benny Will 
02. Minglewood Blues (1928) - Cannon's Jug Stompers 
03. Wouldn't Mind Dying If Dying Was All (1927) - Blind Mamie Forehand & A.C. Forehand
04. Sometimes (1960) - Bessie Jones & Group 
05. Kassie Jones, Parts 1* (1928) - Furry Lewis 
06. Where is my Good Man? (1932) - Memphis Minnie 
07. You Was Born To Die (1933) - Curley Weaver 
08. Jesus Will Make It Allright (1928) - Rev. Edward W. Clayborn 
09. Jesus On The Mainline (1959) - James Shorty, Viola James & Congregation Parchman 
10. Farm Blues (1940) - Bukka White 
11. Low Rider's Blues (1933) - Blind Willie McTell 
12. Drunken Barrel House Blues (1934) - Memphis Minnie 
13. Black Betty (1934) - Leadbelly 
14. Moses (1977) - John Davis 
15. Dark Was the Night, Cold Was the Ground* (1927) - Blind Willie Johnson

#66 African American Religious, Blues & Folk

No.58 African American Religious, Blues & Folk

COSMIC SHIEEEET - MAÂT invite Shelter (Live Set Inédit) + WARMUP spécial Séance Centre (Juin 2022)

@tripinzen
Recorded live at @ahola_land Festival 01.07.2022

JOKE OF LUCID FATE tale written by @ventralisgolden
https://ventralisgolden.eu


Dozing in the hamlet, I could feel the collapse of space-time beneath my footsteps and heard the ellipsis of a small collection of magicians idly bathing in what seemed to be several hundred years of enchanting liquid.
As I wandered through a high-vaulted cosmological firmament, deep within the milieu of a magnificent catastrophe, I paused to admire the sloped flowerbeds.
Somehow the contemplation of these majestic air-blooms stimulated the realisation that I was dreaming. 

In the likeness of my lucid self, the already impressive splendour of the air-blooms appeared even more majestic where once they were invisible, and with great execution I began to explore the imaginary reason of why this castle in the cloud space, with all its ethereal murmurings, presented itself like pages of a codex upon which the living language of nature wrote itself.

A parabolic teaching, I thought. I could think as clearly as ever. I was in full resolution and dealing soundly in dream tones, tranquil, freely remembering the self before the two divergent footsteps fluttered into hemispheres and embedded in the database.

The inanimate seeds were dozing in the navel now, whilst upstream I came across a curious stamen protruding from the afterglow in the fading of a district down below. The substrate of this space-time swelled to fracture and at once I stood up as the vividness diminished to reveal an enormous subterranean chapel.
It was as if within the faded dithering of dawn there dwelled a creature, most curious and tormented, asleep yet perfectly aware inside this conscious refuge.

Following the twists of the stamen down I descended deeply to drench myself in dreaming more profoundly. The liquid was indeed enchanting, and the creature roused from out its slumbering mass as I approached. 
I pulled its shadow toward me and fused the twisted stamen to my navel. I strung the whole concerto of this polarity to blur me in the anima, a sloping downpour of hallucinations, a stalactite of invocations crystallised on the horizon of a single vision. 

Within the atom of a flowers poem all enquiries had been forgotten. 
The magicians still rotated mystically to what their delirium permitted, yet inside this single vision I sought yet another miasma. An idea that slept in the wingspan of the microbial imagination.  
who was dreaming who?

TRIPINZEN - AMATEUR EXOTIC'S JOKE OF LUCID FATE

Siebenundsiebzig ist voll krass!
@elazer ist voll gut!
Kabeljau schwimmt nach Haus
to listen to this! <3

brfocast siebenundsiebzig • ELAZER •

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here:  https://youtu.be/UqrUQIAi_UE

Glimpse 1424 (Aug 25 2025)

Modify The Ventriloquist

Improvisations and experimental materials recorded live in Berlin 2025 - feat. Peter (guitar, piano, keyboards, synthesizer, bass), Delphine (piano, keyboards), Klaus (guitar, bass, drums), Delphine (piano, keyboards), Paul (guitar, keyboards)

A Fatal Crossing

FatCat Records is a British independent record label founded in 1997.

Fatcat Records 1BTN April

FatCat Records

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