i m in love! this mix is pullin at my heart strings ;-)

https://soundcloud.com/tunisinocalipso/tomorrowland-2013-mr-house?utm_source=soundcloud&utm_campaign=share&utm_medium=facebook

July 2013 Misc

Holy Ghost! "Teenagers In Heat"

Pretty Brown Eyes

Calvin Harris - I Need Your Love feat. Ellie Goulding (acapella)

Free Download here: || http://www.Rapzilla.com

Free Download

HanSoul - Theodicy (feat. Eshon Burgundy)

Singer, violinist and composer Apollo has compiled a podcast made up of 12 pop songs featuring stunning and original string arrangements. The string ensemble has been deployed throughout the history of pop and rock to denote and evoke emotion, often melancholy or euphoria, or both. On these tracks, the strings are not always the main focus, but they are integral to each song's sound world, emotive qualities, colour and flavour. The songs range from arch baroque pop to acoustic post-classical singer-songwriter fare, to introspective hip hop, to retro-nu-soul to avant-garde orchestral projects to angry feminist rock to pure pop.

@thisisapollo

1.	"Time of My Life" - Patrick Wolf
2.	"River of Sorrow" - Antony and the Johnsons
3.	"Thundering Water" - Apollo
4.	"Neon Valley Street" - Janelle Monáe
5.	"She Was" - Camille
6.	"Mount Alpentine" - Owen Pallett
7.	"Cloudbusting" - Kate Bush
8.	"Indestructible (Acoustic Version)" - Robyn
9.	"Carry" - Tori Amos
10.	"Antebellum" - Vienna Teng
11.	"Man-Size - Sextet" - PJ Harvey
12.	"Speech Therapy" - Speech Debelle

Suite Strings Compiled By Apollo - FatCat Records podcast #86

Recorded live at Memory Dance 2 @ Sameheads Berlin  15.10.21

https://www.slowmotionmusic.it/project/harakatsiki/
https://ra.co/dj/harakatsiki
https://djharakatsiki.tumblr.com/

Basement Parties

Hara Katsiki / Memory Dance 2 @Sameheads / Berlin

https://soundcloud.com/colonelgatito
https://soundcloud.com/lesdisquesdelamort
Artwork: https://soundcloud.com/dusanlilic / https://soundcloud.com/banda-panda
🔊 https://youtu.be/hvFrwef4zFw

Les Disques De La Mort founder and icon in the leftfield club experience lovers tent, is delivering the next episode in the LAYER series, an odyssey into challenging electronics and stainless taste. 

Ivan Smagghe is one of a kind. Through his three-decades-long quality control, memorable sets, creative vents, and collaborations like Smagghe & Cross, Black Strobe, and It's A Fine Line, the Frenchman has won respect among fellow DJ giants. A worldwide fan base came as no surprise. Layer 284 is a testimonial of that, and it makes you admire the patient build-up in this hour of timeless dance.

Play on YouTube

LAYER #284 | Ivan Smagghe

LEATHERETTE #003 - Music by Phil Kieran 27/05/23

A mix of unreleased outtakes from the dozens of edits and reworks I've submitted το @transmigration_records and @sound-metaphors

Many thanks to Nemo, Castro and David for their constant support on these.

Special thanks to Robbert Heynen for trusting me with his incredible back catalog. A daunting task to say the least.

Hosted by Scott Hutchinson on @feedyourheadradioshow - Kane FM - Many thanks for the invite.
https://www.mixcloud.com/feedyourheadradioshow

Tracklist:
XCor - IMBE (Forest Mix) - Unreleased
Exquisite Corpse - Acid Chalice (Remix) - forth on Transmigration
Exquisite Corpse - Chief (Final Version) - Unreleased
Exquisite Corpse - Honeymoon (Early Mix) - Unreleased
XCor - Adelaar (Early Acid Mix) - Unreleased
XqST - EJUHN  (Ethereal Mix 1) - Unreleased
Delkom - Delkom Tool (Full Length) - Sound Metaphors (BLESSYOU016)
XqST - EJUHN  (Ethereal Mix 2) - Unreleased
Paradise 3000 - Astral Heart (Astral Beyond Mix) - Unreleased
Paradise 3000 - Jungle Tool (Full Length) - Sound Metaphors (BLESSYOU016)
High Lonesome Sound System - Waiting For The Lights (Lights Off) - Unreleased
The Disciples - Overflown (Easy Flight Mix) - Sound Metaphors (BLESSYOU015)

Unreleased outtakes from Sound Metaphors and Transmigration - Feed Your Head show on Kane FM 17/9/23

A snippet from the warm up set performed by Miss Hocus Pocus herself Alicia Carrera at the recent HORRORSCOPE at Sameheads..

Aired live here - https://www.nts.live/shows/elena-colombi/episodes/elena-colombi-30th-october-2023

XXXXxxxxXXXXXxxxxxXXXXXxxxx

🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮
Reposted @aliciacarrera___ 𝐇𝐨𝐫𝐫𝐨𝐫𝐬𝐜𝐨𝐩𝐞 7 this Friday ~ the lucky number 🍀🎲

Music by @ujdeto @adriaankriska @sanjinnesimi @transmigration.berlin & myself.

Visuals by @hypnagogia.tv

Starts early, come dance with us at @sameheads 🖤
🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮🔮

Basement parties

Alicia Carrera Live DJ Set - HORRORSCOPE 7 @ Sameheads 20.10.23

PURE @LISTENER BAR , PARIS

Brian Quinlivan - Doug Theme / Killer Tofu Medley (Nickelodeon Cover)

THE SONIC TREASURE SHOW 

BROTHER JOSEPH WITH STEPHEN HALDANE

MUSIC FOR DUGS SHARKS FISH FINGERS AND LOST PARROTS

ARTWORK BY JENNY SHEERIN FEAT DEEGS WITH OFFICE JNR AND DRONE DUG WITH CAPTAIN BIRDSEYE


THANKS & PRAISE TO ALL THE SINGERS & PLAYERS AND YOU LOT OUT THERE THAT CARE TO LISTEN 

CELEBRATE LIFE !!

Tracklist to follow

June 2nd 
BROTHER JOSEPH 

CARLOS NIÑO & FRIENDS - Placenta Nourishment New Home Galaxy 
HOLY LOAF - False Summit 
CLAIR - Love with Jude Rogers
DARK FIDELITY HI FI - Radio Drop 
TY LUMNUS - 147
WRNTDP - Shared Sense Of Purpose ( Vince Clark remix ) 
RICHARD NORRIS- Rainfall Dub 
CLAIR - Cally
DASN CHORUS AND THE INFALLIBLE SEA - Somnium (Mark Peters mix ) 
JONNY HALIFAX INVOCATION - Cherrystones Thank You - Spirits Rejoice mix 
DAFK FIDELITY HI FI - Outcodes 
RICHARD NORRIS - More Fever Dub 

STEPHEN HALDANE 
1. You Are Not An Island - Vanishing Twin
2.Smokescreen - Screen
3. Arrival - Paulor
4. Lo Valledor - Diegors 
5. You Won’t Be The Same (Dan Carey Dub) - Toy
6. Jumpin Jack Flash - Ananda Shankar

BROTHER JOSEPH 

THE ANARCHIST SONGBOOK - The time has come
A-TWEED - Smells like ten spritz
BIZET - Farandole ( TJF mix ) 
POLADROID - Last days of Hyperion 
MAIN ST MINING - It’s about time 
PHORTUNE - Rise from your grave ( wild pitch ) 
MUZIK - Love Trax ( wild pitch ) 
VIRGO & ADONIS - Free Yourself 
TONY MORRIS feat ADAM MORRIS - Purged Holy

The Sonic Treasure Show 9th June 24

Recorded live @ Sameheads 03.03.18

Cosmo Vitelli (I’m a Cliché, No Weapon Is Absolute / Berlin)

Now a Berliner, Cosmo Vitelli has replaced erratic sleep patterns with the tireless exploration of dance music’s forgotten gems, and sharing his finds as a producer, DJ, musician and label head.
Running I’m a Cliché since 2004, he brought into light the freshest talents such as Red Axes, Azari & III, Krikor, It’s a Fine Line,
Jonathan Kusuma, Simian Mobile Disco or Moscoman - and a number of exciting edits through his infamous Edit Service series. 
He also used his own production skills for his own material, releasing 2 original albums, and a bunch of remixes for a wide range of artists, from Daft Punk to Radio Slave. He also formed Bot’Ox with Julien Briffaz of Tekel, reconnecting with his love for guitar and pop music and releasing a handful of EPs released on DFA and DC Recordings and two albums and a movie soundtrack, still on I’m a Cliché.
Alongside Dj Sundae, he can be found animating No Weapon is Ab- solute, a monthly show on London radio NTS

http://soundcloud.com/cosmo-vitelli
www.facebook.com/cosmo.vitelli.3
www.facebook.com/imacliche
www.facebook.com/noweaponisabsolute

www.sameheads.com
www.instagram.com/sameheads

Cosmo Vitelli warm up set @ Sameheads - 03.03.18

This Was Belgium 1987-89 - 2 hours of New Beat favourites

New Beat was born and initially exploded in 1987, went supernova (in Belgium) in 1988 and then the formula morphed a bit and was declared dead in 1989. It was slow and initially all about the atmosphere with industrial strength beats - the main form of rhythmic propulsion being the pounding kick and heavy snare. It was often mainly instrumental and when there was lyrical content it often became more about slogans and giving commands - "Move Your Ass And Feel The Beat!", "Let There Be Brightness!", "Shout Out Loud!". While not really New Beat, it's no surprise Technotronic's "Pump Up Jam" was produced by a crew who had produced a ton of New Beat gems.

In 1989 one of New Beat's founders, Marc Grouls said "New Beat is atmosphere, beats, no lyrics, and sure as hell not commercial!!!!!" But, it was already too late. A zillion bandwagon jumpers had diluted the music and flooded the market with too many sub standard 12" singles. New Beat temple, the legendary Boccaccio nightclub, in Destelbergen, near Ghent, had been closed down and it looked like it was all over, but really, it was just the beginning. New Beat morphed into Hard Beat (many of the tracks on this mix are from the Hard Beat era) which quickly morphed into Belgian Rave, which was huge and hugely influential in the UK and is an often overlooked part of the DNA of UK Hardcore, and all that came after. Then from Ghent, R&S Records established itself as thee European Techno label and a huge wave of incredible Techno records emanated from it and many other mighty Belgian labels, but that is another story. 

New Beat arrived just as I first started DJing and I played a lot of it in my DJ sets and built up connections with several of the leading Belgian labels who would send me 12" singles so I had records nobody else here had any idea even existed. I would compile New Beat charts for the music paper The NME which may have given the impression there was a thriving New Beat scene in Scotland. The reality was very different; people here, many of whom would embrace the rave just a little while later never really took to it in a big way.

This mix is comprised of many of my personal favourites that I have loved since they came out (and two I missed at the time and only heard later). I think the tracks have aged like a fine wine, often sounding as good if not better today as they did then. There is definitely a faint whiff of fromage and a big dollop of stoopid in several of these tracks. Of course, it is not all about the cheese and many of these adhere to the "atmosphere, beats, no lyrics, and sure as hell not commercial" rule mentioned above. Some of the best programmed 303 Acid basslines ever made can be heard here along with transcendental hypno synths and those Belgian beats going on and on....! Slow and low, from under 100bpm up to 116, New Beat doesn't chug, it swings in a very distinct way. If you get to see any videos of Belgian clubs of the era, the way people moved to this music is incredible and so different to any dancing we see today.

Many of these tracks are made by the same people under various aliases, which will perhaps be audibly evident. Most of the names have been forgotten, if they were ever even known outside their native Belgium at all, but all are legends to me. 

This mix isn't any kind of attempt to tell the story of New Beat but rather a mix 33 of my favourite 12" singles from that era showing many of the various strains of the New Beat and Hard Beat sound. A lot of love went into this and I hope someone somewhere discovers this music for the first time and falls in love with it as I did way back when. This was Belgium!

This Was Belgium 1987-89 - 2 hours of New Beat favourites

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

FatCat Records is a British independent record label founded in 1997.

We are proud to announce that we recently joined the Daily Beat family! Our new site is under construction and will be launching sometime Fall 2014.

Raw Tracks brings you brand new music from emerging artists around the world.

Artists/Management can reach us at RawTracksMusic@gmail.com for submissions. Thanks!

Suite Strings Compiled By Apollo - FatCat Records podcast #86

FatCat Records

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