Daddy Shit. 

Jules Manning =Jerry Cravin 
Robert Deguchi = Deguchi

Kendra Morris recalls singers who straddled soul and rock during the early '70s, such as Ruth Copeland and Chaka Khan, while her contemporaries include the likes of Mayer Hawthorne, Alice Russell, and Leela James. Morris's musical taste was developed through her parents' record collection, a library heavy on late-60s and early-70s soul and funk. During her childhood Morris's main companion was her karaoke machine, which she also used for the sake of recording. While enrolled in college in Tampa, FL, she became so involved in performing with bands that she decided to leave behind her studies and take on music full time. She took up the guitar, as well as songwriting, and eventually involved herself with a band, Pinktricity, which moved to New York in 2003 and split shortly thereafter. Morris took to recording songs on her own, and self-released a pair of EPs: This Won't Hurt a Bit (2007) and Milk and Cookies Never Lie (2008). Her first proper recording, a self-titled EP (2010), was recorded with producer and multi-instrumentalist Jeremy Page (of That Handsome Devil). After touring with legendary guitarist Dennis Coffey and releasing a series of singles which included "Concrete Waves," whose b-side was remixed by DJ Premier, Morris released the album Banshee (2012) on Wax Poetics. In 2013, Morris returned with the covers album Mockingbird.

Both Banshee and Mockingbird received critical acclaim and a cult following, with several film + tv placements. The title track "Banshee" was used prominently in the Showtime hit series Ray Donovan, while her cover of Pink Floyd's "Shine On You Crazy Diamond" found itself in the trailer for major motion picture Dead Man Down. 

In between extensive international touring and promotion for Banshee throughout 2013 and 2014, Morris worked on a small side project band with friends Scarlett Johansson, Julia Haltigan and Holly Miranda, releasing one single called "Candy."  After taking some time to write and record her follow up EP titled Babble, Kendra Morris returned with its release June of 2016 to great reviews. 2017 she has been releasing brand new tracks on a consistent basis and playing often. Keep your eyes peeled for new exciting things!

handmade sound gadgets at http://woz.lol
https://soundcloud.com/dyrtyvolume - http://soundcloud.com/flavormagic - https://soundcloud.com/whackfamilyrecords - https://soundcloud.com/obsidian-nights - https://soundcloud.com/greasy-conversation - https://soundcloud.com/rooftop-ridicule - https://soundcloud.com/oh-no-trippy-machete - https://soundcloud.com/yamaha-psr-fivehundred - https://soundcloud.com/lucky-cuss
"The latest immersive and dissociative dioramas to share and enjoy, for health, healing, well-being, and secular evangelism."
From the man who crashed shows, cut tracks, spliced wires and hacked sacks up in everyone cool's music all over Las Vegas since '06, decent but never dull, this is the most official of the many lovingly sanctioned clouds of the Frankenstein's Calculator Club empire. Follow and live. May clicking the tiny heart button bring you freedom.

latest stuff at https://soundcloud.com/joseph-wozniak 📺 
Woz Supposedly governs a vast audible empire as the principal representative of Frankenstein's Calculator Club, aka "FCC" or "FCCmusic" or "pppppppppp" 
Signed to District Records in 2009, FCC released the EP "Handshake Grenades" that winter, followed by the "Succulent Single" in 2010. Since then, about a full-length-album-worth of tracks have built up on this soundcloud that were eventually compiled into an official release called 'Woz Supposedly.'
All of these songs (except where FCC is just making an appearance) are Creative Commons Licenced, and totally free to use in your movie, show, animation, commercial, art piece, poem, workout, pole dance, baptism, briss, you name it. Just give credit and give notice by emailing: wozlaser (aht) gmail (daht) com.
Remixes and Colabs Welcome.

Half female, half male, raw as an animal nerve connected to an electrical socket, Glass Kitten roars with The angst and sincerity of 90s grunge rock. 
Singer/song writer/front woman Lina Love and drummer/arranger PrincessFrank have crafted a Rock ‘n’ roll sound that takes you back to the time that it was raw and real. Los Angeles based Glass Kitten brings a duality that is evident in every performance. Their sound is like a 21st century P.J. Harvey screaming into The ghost of Kurt Cobains amplifier.

Father Crime is following