Official Soundcloud of Japanese instrumental rock band MONO.

One of the founders, composers, guitarist and pianist of "Crows in the Rain".

KVNDRA [kunˈdraː], formerly known as Miles Kvndra, is an electronic musician, live act, educator, and podcast host based in Cologne, Germany.

Driven by a deep passion for live performances with a hybrid synthesizer setup, KVNDRA’s signature sound blends melancholic arpeggios with warm Moog-like leads, creating music that's both deeply introspective and irresistibly danceable. Drawing from melodic techno, deep house, and ambient influences, every performance is a unique live experience where tracks are remixed and reinterpreted in real-time.

Since transitioning from a decade-long journey as a bass player in an alternative metal band to electronic music in 2019, KVNDRA has released multiple singles and EPs, most of them as authentic live recordings that capture the raw energy of his performances. His international live shows have taken him to stages in Copenhagen, Zurich, Berlin, and beyond.
Beyond performing, KVNDRA has built a thriving educational platform with 40,000+ people across social media channels, sharing structured tutorials, live jams, and insights into electronic music production. Co-hosting the "Signal Chain Stories" podcast alongside Mordio, he explores stories behind electronic music creation & creativity with a growing community of passionate listeners.

As part of the Petite Victory Collective, KVNDRA combines his love for electronic music with environmental consciousness, contributing to compilations that donate 100% of proceeds to organizations like Nordic Ocean Watch and Buy Food With Plastic.

"Kvndra's music is highly original, captivating, and both highly danceable as well as introspective." - Christian Villum, Perfectly Deep

It is fitting that composer and pianist Fabrizio Paterlini was born and lives in the ancient northern Italian city of Mantua. A romantic and historically significant centre of musical and artistic excellence, the city’s elegance and cultural depth permeate Paterlini’s exquisite original solo piano compositions. Yet despite Mantua’s unavoidable influence in informing the composer’s work, his cinematic music is far from localized, or even recognizably Italian, instead tapping directly into universal human emotions.

Listeners and critics alike are torn as to how best label Paterlini’s beautiful sound. Neo-classical, Ambient, Minimalist and New Age have all been considered, but it is more pertinent to note some of the adjectives regularly used in appreciation of his sonic palette. Ethereal, soulful, lush, emotive, dreamy, delicate and, tellingly, passionate, all appear with unerring frequency. The composer himself describes his work as “like a glass of red wine on a summer evening,” in awareness of the calming effect of his reflective melodies on the listener.

Paterlini began playing piano at six-years-old. From the first moment he stroked the keys his life irrevocably changed, music becoming “a choice made every day...explored in all its aspects.” And so music and his life’s path became, and remain, inextricably linked; while he progresses as a musician and composer, so his development as a human being runs parallel. Formal study in his chosen artistic endeavour came with five years at Campiani’s Academy, Mantua’s Academy of Arts, from where he graduated in Music Theory.

The 1990s saw Paterlini extensively cutting his teeth as a gigging musician by performing rock classics, pop and jazz in local bands. While playing with these outfits he began to compose music, at this stage principally material of a progressive rock persuasion. As the decade and century drew to a close Paterlini reached an important decision, being to concentrate exclusively on the piano – the instrument that, in his own words, “best expresses his inner world.” Yet it was not until 2006 that he began composing music for solo piano.

In the following year his life’s musical journey took a momentous step with the release of his debut CD, Viaggi in Aeromobile (Travel in Aircraft) on the Music Center label. A collection of beautifully structured, graceful mood pieces displaying Paterlini’s natural touch and seemingly effortless talents, the release was warmly received in Italian specialist press. 

2008 saw the issue of an EP previewing Paterlini’s sophomore full-length, Viandanze, which was to follow on his new Fabrizio Paterlini Records imprint in December, 2009. In the interim the 8-track Remixed collection, offered as a free download on his website, presented the composer’s material as subtly reworked soundscapes, comfortably easing them into cogent chillout territory. Viandanze was partially funded by donations from Paterlini’s burgeoning fanbase, and performed in 2010 at Teatro Verdi in Mantua.

Prestige festival appearances then preceded the 2010 release of the flawless Fragments Found CD, again on Paterlini’s own label, drawing comparisons with luminaries such as Ludovico Einaudi, Erik Satie and George Winston.

2011 saw the issue of the double CD set “Fragments Found + Viandanze”, published under the Japanese label Inpairtment/P*DIS. 
During the Fall of the same year, he started working to his “Autumn Stories” project, by composing, recording and releasing on-line one song for each week of the Autumn season. The project resulted in the CD “Autumn Stories”, published in February 2012. 
 
The increasing number of fans sharing his music on the net, led him to “Piano_Anders #3” Festival in Hasselt (BE) in the month of February 2013. Two months later, he released his new full album “Now”, followed by an exclusive release in Japan (P*DIS). This release, acclaimed by specialized magazines as Headphone Commute (US) and A Closer Listen (UK), will bring him to tour Russia in the month of November 2013 and Japan in the month of January 2014.


Amir Mdiaz is a musician, singer and a composer based in Tehran, Iran. Amir was born on July 6, 1993 in a family with musical background. His dad is a talented Ney instrumentalist and his uncle plays the Santour perfectly learning from the best such as the Kamkars which are famous in Iran. The love for music stays with him during years until 2009 when he officially started to practice at the age of 16.
Today he is a skillful self tought pianist producing hip hop and rap music along with trying to master guitar as well. In 2012, his very first avant- gard album was released. A powerful piece of work featuring social and economic issues an Iranian person has to endure. 4 years later and the second album called Man was out explaining all the obstacles one could possibly go through. Then he spent the next year on his third album called Monzavi. Tending to describe the issues related to family restrictions followed by the bigotry of the society which leads to self-isolation. Next on list is called Otaghe Tanhayi. Dealing with depression while facing failures he chooses to build his very own room to be alone and detached from the world. Finally in 2020 Amir realised his last album The Past perfectly expressing the trauma and the loss of the. He chooses to create an instrumental so that the listeners could actually relate to the music while thinking about their own version of past life

🌈هر طایفه ای ز من گمانی دارد من زان خودم چنان که هستم، هستم!🌈

French composer; who born in Jerusalem &  grew up in Morocco. [Unofficial Account - Dedicated to Ishtar]

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