DJ. Funny sometimes.

Manager Contact: Info@tmwrk.net

North America + South America + Asia:
bowen@teamwass.com 

ROW:
belinda.law@unitedtalent.com

For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Everything Maya Jane Coles
https://linktr.ee/MayaJaneColes
Listen to all Maya Jane Coles releases here 
mjc.lnk.to/profiles 
Listen to all Nocturnal Sunshine releases here 
ns.lnk.to/profiles

Euphoria (Nicky Romero Remix) out now!
nickyrome.ro/bio

I make music, play instruments and my dog gets all the shine ✨
Label || Protocol Recordings
Radio Show || Protocol Radio

Nicky Romero:
Follow me on Spotify: https://nickyromero.com/follow/
Instagram: http://instagram.com/nickyromero/
Join demo:drop: https://nickyromero.com/demodrop/

Protocol Recordings:
Spotify: http://prot.cl/spotify​
Instagram: https://www.instagram.com/protocolrecordings/
Website: https://protocol-recordings.com

Booking:  
Oliver Marquardt
(DJ Jauche / Jack Flash / Robin Masters Orchestra / Machomovers / Rockford Inc. / Charm / The Faction)
Born in East Berlin, Oliver Marquardt was first inspired to become a DJ when the 1984 Break Dance Film "Beat Street" permeated the city's isolated music scene. Equally influential was the dance music he listened to broadcasted from West Berlin radio.
After closely following these new music styles - hip hop, acid house etc - Oliver bought his own pair of turntables in 1989.
This was right after the Berlin wall came down, providing fertile soil for the city's new underground music scene to take roots and by the following year Oliver was organizing his own techno parties.
Although his illegal warehouse parties (complete with 50k watt laser lights) were noteworthy in themselves, Oliver forged ahead as one of the first german DJs to establish a nationwide presence. DJ Jauche, as he is known, began a residency at Berlin's legendary „Walfisch“ Club. Also he played regularly at many other Berlin Underground Clubs. By the mid 90's he had presented his unique style throughout Austria, Switzerland, Poland, Italy, Spain, Greece, Russia, Hungary and Malaysia, on top of countless clubs and events in his homeland.
Also mid 90's (1995 exactly) he had started his party "Jauchomatic" ( where he brought his brother Sven Marquardt into the club scene and gave him his first job as a "selector/doorkeeper" . Today Sven is famous for his work as an Artist and Photographer and of course as the " Iron Man" selector of Ostgut and now Berghain Club. ) and also the „Jet Stream Club“ and later the „Night Dimensions“ Party - Series.
Oliver still does his party „ Jauchomatic“ once a year in Berlin.
He plays music from 1988 until 1995, from house over techno to some Oldschool Trance Tracks, Acid and Breakbeats.
While the rest of the world still has been associating Germany with its stark techno output, DJ Jauche nurtured a parallel space for deep house sounds to evolve.
In 1998 he launched Jetstream, a small-scale record label of his own. For the 1999 edition of the annual summer festival Loveparade, Oliver prepared under the name Jack Flash a re-edit of the disco classic "Love is in the Air" and pressed 500 white label copies. When the track became an underground hit, he approached the production team Milk & Sugar (who were running a label under the same name) for advice on giving it a bigger release. Without Oliver's knowledge and with a bigger budget they appointed the track's original singer John Paul Young to record new vocals for their own version of the track and received a worldwide major label re-release in 2001, accompanied by a music video. Frustratingly,  AND the rest of this vita you can find on facebook... soundcloud sucks
https://www.facebook.com/pages/Dj-Jauche/76777792381?tab=page_info&view

faven is following