Crimeways

*TRIBUTE 03*FREE MP3 DOWNLOAD * Written and performed by Daevid Allen - This version was Produced by Orlando Monday Allen - Almost over a decade ago now and is on Orlando Mondays Trip Hop down tempo album Living Midnight* This is A stunning piece by Mr Bert Dingo Virgin Camembert ! Featuring - My Indonesian Bassy Submarine Capatain on Bass *Dharma One, Shakti Yoni-Gilli Smyth on space whisper and Orlando working his Flamedog Alien psychedelic synth flavours and composing with Dada weaving it into a very unique family felt MIX of this Heart sung song. If You Likey this then support your artist directly and  purchase Orlando Monday's - Living Midnight album with many more allen clan gems on this one album -  Available now at: http://orlandoallen.bandcamp.com/album/living-midnight

03.Ship Of Fools-DaevidAllens*TributeMix

Slowly but o-so-surely, Emmanuel Mieville is building an impressive body of work, where each new album seems to make the previous one pale in comparison. And the music press would be wise to catch on to him. The man is discreet and unassertive, so is his music, but he – like it – cannot be dismissed as just another proponent of the field recording. For Mieville, music is some of the most spellbinding art for the ear out there in the aether.

"Ethers" is Mieville's second album for Baskaru, and though the previous one certainly stands the test of time, this new opus pushes the bar higher, much higher. In the composer's own words, "Ethers is an attempt to give an earthy quality, a dense texture to drone music, to lower it from the 'skies'."

Mieville first trained as a sound engineer, and then studied musique concrète at GRM. He grew up listening to creative radio programs and embraced field recording as a form of art. His latest works fully realized a synthesis of all these elements: the attentive ear to one's surroundings, the abstract approach to sound, the sense of drama that makes a field recording composition take life.

Mieville has worked with Buto dancers, video artists, and like-minded musicians like Eric Cordier, Guido Huebner, and Benjamin Thigpen. After appearances on compilations albums, he released two CDs in Malaysia (on Herbal Records and XingWu), followed by his Western full-length debut "Four Wanderings in Tropical Lands" on Baskaru in 2011. Since then he released two thematic albums: "Buddha – Anima – Asia" (Obs*, 2012) on Buddhism, and "Concret-Sens" (Crónica, 2014), a homage to early musique concrète.

Emmanuel Mieville - Watt Station

Dreamy, melancholic, peaceful, or just plain gorgeous? As long as your ears are open, the sound world of Yui Onodera will take you where YOU want to go. From simple means (piano, guitar, computer), Onodera draws complex materials, and then mixes them back into deceptively simple results. The work draws inspiration (and its title) from an abstract structure thought up by architect Christopher Alexander. What you get is quiet background music if you leave it at that or, if you are willing to take the time to listen, a deep immersive journey.

Hailing from Tokyo, Japan, Yui Onodera is a musician, a composer, and the founder of Critical Path. He studied both music and architecture, which explains his uncanny grasp of spatiality in music. His method consists in blending delicate instrumental lines with field recordings and computer treatments to create quiet, ambient electroacoustic pieces. This approach is akin to artists like Machinefabriek, Stephen Vitiello, and Chihei Hatakeyama.

"Semi Lattice" is Onodera's second solo album to be released in 2015 (the first one was "sinkai" on Japanese label Arctic Tone), after eight years of solo silence. In the interval, Onodera pursued several fruitful collaborations with musicians and groups like The Beautiful Schizophonic, Pjusk, Vadim Bondarenko, Mizkami Ryuta, and Baskaru recording artist Celer. All these projects seem to have informed "Semi Lattice" in some way, Onodera's solo works having grown lusher, fuller, and more fully-formed.

Yui Onodera - Semi Lattice 2

Simon Whetham is an acute listener, a field recorder, a thinker, a globetrotter, and a mobilizer. However, he is also a sonic cook. Wherever he goes, he picks up sounds and atmospheres as if they were exotic ingredients. And for "What Matters Is That It Matters", he made us a stew, slowly simmered until all the flavours come through.

"What Matters Is That It Matters", Whetham's first album for Baskaru, is slow music. And slow music deserves to be taken in slowly – you don't wolf comfort food down, you savour it, relishing its complexity, absorbing its warmth. Unlike most of Whetham's previous works, this album is not focused on a specific geographical location. As if the artist had given himself free reign. The resulting music has a career-encompassing feel, as Whetham touches base with pure field recordings, elongated instrumental textures, and treated snippets of melodies (piano, banjo). "What Matters Is That It Matters" provides an incredibly rich listening experience, pairing relevant esthetical concerns and listening enjoyment.

Englishman Simon Whetham has been exploring the art of composing with field recordings and found sounds for a decade, a period during which he released music on labels such as Crónica, Entr'acte, Helen Scarsdale Agency, and Line. He is perhaps best known for "Active Crossover," a workshop/collaboration/installation project with which he is travelling the world.

Simon Whetham - You Can't Escape The Past

Julien Palomo
Scutigère
CD (E198)

Release date: March 2016

Julien Palomo (1978) is a free jazz producer and 
keyboards player with Sonny Simmons, Other 
Matter and United Slaves. Scutigère is his first 
album proper, and should be considered a state 
of mind as well as music.




Julien Palomo (E198; 2016)

composition graphique pour voix su le poème éponyme de Jacques Prévert interprétée par François Couture, août 2016

Chant Song

3 tracks from the 8-track album Miscommunication out on Cuchabata Records Nov. 5, 2017.

Full album available (download and CDr) here: http://cefrancoiscouture.bandcamp.com/album/miscommunication

Miscommunication is CE François Couture's new cycle of compositions, it is about various communication complications. Miscommunication features pieces about how our political elites hijack the will of the people, about parents’ difficulties of talking about sex to their offspring, about what gets lost in translation, and about illnesses that prevent you from communicating.

Musically, the album runs from post-apocalyptic swing to a one-voice choir, a suite for multiple pianos, an electroacoustic oratorio, and a post-election lament. The soundworld exposed on Spam Me has solidified in unexpected ways. There is even a whiff of claustrophobia herein. ‘cause it’s 2017.

5 Aphasia II- Do You Remember What You Had For Breakfast

https://www.innova.mu/albums/christopher-campbell/schooldays-over

05 Chris Campbell and Grant Cutler Song 2

Experimental musician, improviser, and multi-instrumentalist originally from Sherbrooke, now based in St-Faustin, Quebec, Canada. I came out of the music closet at age 38. I play keyboards, theremin, percussion, and various misfit instruments, and I also sing, drawing inspiration in equal parts from Peter Hammill, Phil Minton, and Keiji Haino. I also love to sculpt multi-facetted feedbacks using mixing boards. Solo releases on La Cohu, Cuchabata, and Pan y Rosas. I also play in La Forêt rouge [http://laforetrouge.bandcamp.com], Square/Sine [http://squaresine.bandcamp.com], and RBC [http://rbcmusic.bandcamp.com].

5 Aphasia II- Do You Remember What You Had For Breakfast

CE François Couture

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