mitch murder - ms. horne's dance (unreleased oldie)

[Verse]
I live to entertain
Not to be contained
Now you're in my lane
Take your best shot
Let's see if you got
Maybe it's the city lights
Took me to the greatest heights
Just another day in the life
Feelin' like a 747

[Pre-Chorus]
And it's about to take flight
Can you see it?
The time is now
Don't let it slip away
Take me higher
Can you hear me?

[Chorus]
The sky is the limit
Limit
The sky is the limit
Limit
The sky is the limit
Limit
The sky is the limit
Limit
The sky is the limit
Limit

Sky Is the Limit

My Afro-tech remix on the viral smash Ma Tnsani by Vanco & AYA, enjoy!

https://www.youtube.com/watch?v=SAr_p1gLFoQ

Ma Tnsani by Vanco & AYA, -Ma Tnsani  ( djmarga & jose antonio remix)

DJ D.A.M.S.77 DICE MOVE IT VIP CLUB IBIZA 2025

A reinterpretation of Bart Graft's "Faces"
https://soundcloud.com/bartgraft/faces

Vocals, lyrics and additional instrumentation by Full Eclipse
Mixing & mastering by Martyn Stonehouse
Artwork by I.G.

Bart Graft @bartgraft
Martyn Stonehouse @martynstonehouse
_________________________________

You know all too well about living in the time slip
And staying put to reap the benefits
The unfamiliar faces separate our world
We try distinguishing the shadows from the lit

In palaces of mind we think of everything
Using all the space that's left inside
And all of it will work until it doesn't work
And sure enough the palaces collide

Dreaming all the sequences of steps to take
Believing it will carry you away
Measuring the distance and how close you've come
You've come so close you're facing yesterday
Yesterday...

But you know now

You were convinced you should do everything that you want to
In the end it's just the way you feel
The faces changed and you lost everything that could save you
In the end you know it's just not real

You're in the same places
Running through the same spaces
But the faces changed

You're in the same races
Running through the same spaces
But the faces changed

You see the same places
Running through the same spaces
But the face has changed

You're in the same place
Occupy the same space
But your face has changed

Your face has changed, yeah

Faces

Scenes (Prologue)

10,000 Ways To Love

One Thousand Steps To You

Beyond The Edge of Thought

If I Were King

Faraway

Retrochrome II

Steel (Bonus Track)

I’m Benjamin, a Japanese born, UK based writer, composer and musical director. I’ve written and produced music for movies including The Shallows with Blake Lively and TV shows such as The View. I’ve created and choreographed pieces for Germany’s Next Top Model with Heidi Klum and created original compositions for brands such as Victoria’s Secret, and Avon with Yasmin Le Bon. Elsewhere my compositions and productions have been featured on a number of TV shows such as Love Island USA and movies including Rough Night with Scarlett Johansson. 

As a producer and remixer I’ve worked with and for artists such as Max Richter, Ellie Goulding, LeAnn Rimes and Kylie Minogue. In a previous life I was a DJ and music journalist, spending five years as the Managing Editor of Yahoo! Music UK, creating original content with artists including Calvin Harris and Lily Allen.

As a Musical Director I’ve recently completed a forthcoming movie called Corazon City, set in the city of San Antonio, Texas, working with a diverse range of musicians and creators from the electronic, Latino and urban community.

Outside of music I’m a former fellow of the Museum fur Kunst und Gewerbe in Hamburg where I built prototypes and concepts for exhibitions and installations. I’ve also worked in the third sector on a range of issues including social mobility, the gender gap and BAME representation. I studied at The University of Westminster in London, completing a Masters Degree in Music Business Management.

I love the push and pull of collaboration and seeing a creative work take shape. My approach is based around listening to my co-creators and giving them space so the work can develop spontaneously. I love the unexpected, unplanned turns a work can take, nurturing it as it gains a momentum and energy of its own. In the words of the playwright Alan Bennett: 

“You don’t put yourself into what you write, you find yourself there.”

Beyond The Edge of Thought

Fear of Tigers