Aether entfaltet sich wie ein unsichtbarer Strom zwischen Himmel und Erde – ein Raum aus Klang, Licht und Bewegung. Tiefe, organische Basswellen verschmelzen mit schimmernden Synthtexturen, während feine Arpeggios und schwebende Pads ein Gefühl grenzenloser Weite erzeugen.

Das Album bewegt sich zwischen Melancholie und Transzendenz: jeder Track ein Atemzug aus Energie, jeder Übergang eine Schwingung zwischen Realität und Traum. Aether ist nicht nur Musik – es ist ein Zustand, ein leises Schweben im Zwischenraum, wo Zeit und Form an Bedeutung verlieren.

Ein Werk für nächtliche Reisen, introspektive Momente und jene, die im Deep Trance die Verbindung zum Unsichtbaren suchen.

Mandala Dawn

Titan Sleepwalker

Stores and Downloads - https://ffm.to/74568ej

Stores and Downloads

Echoes of You

EP + short story available for purchase at: https://alternet.bandcamp.com/album/prologue

2055: The end of the new.

Technology is in a constant state of evolution and the world now responds in opposition. Advancements in artificial intelligence and computation devices no longer correlate with furthering prosperity, but oppression and fear.

Underneath it all lies mankind's crowning achievement: a confidential and highly selective digital world created to shelter the world's greatest minds against society's regressive ideals - the Alternet.

Paint Strokes

Law & Order

Bandcamp Download

The Season Approaches

This is the first full lenght album of Salvation. It's a kind of a story about two lovers who were separated by the two sides of a mirror. It's about an impossible love and the trip from one world two the other, from the dream to the darkness.

The glass of your soul

I Want To Dream You Again (feat Enlia & Introspect)

Download this and 30 more originals on: https://www.patreon.com/fearoftigers/posts

Enter The Tang

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
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In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

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Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Exit Wounds

Buy the "WARGAMES" EP on Bandcamp: https://megahit.bandcamp.com/album/wargames

Wargames

Recon

Nowhere

Looking Back

I’m Benjamin, a Japanese born, UK based writer, composer and musical director. I’ve written and produced music for movies including The Shallows with Blake Lively and TV shows such as The View. I’ve created and choreographed pieces for Germany’s Next Top Model with Heidi Klum and created original compositions for brands such as Victoria’s Secret, and Avon with Yasmin Le Bon. Elsewhere my compositions and productions have been featured on a number of TV shows such as Love Island USA and movies including Rough Night with Scarlett Johansson. 

As a producer and remixer I’ve worked with and for artists such as Max Richter, Ellie Goulding, LeAnn Rimes and Kylie Minogue. In a previous life I was a DJ and music journalist, spending five years as the Managing Editor of Yahoo! Music UK, creating original content with artists including Calvin Harris and Lily Allen.

As a Musical Director I’ve recently completed a forthcoming movie called Corazon City, set in the city of San Antonio, Texas, working with a diverse range of musicians and creators from the electronic, Latino and urban community.

Outside of music I’m a former fellow of the Museum fur Kunst und Gewerbe in Hamburg where I built prototypes and concepts for exhibitions and installations. I’ve also worked in the third sector on a range of issues including social mobility, the gender gap and BAME representation. I studied at The University of Westminster in London, completing a Masters Degree in Music Business Management.

I love the push and pull of collaboration and seeing a creative work take shape. My approach is based around listening to my co-creators and giving them space so the work can develop spontaneously. I love the unexpected, unplanned turns a work can take, nurturing it as it gains a momentum and energy of its own. In the words of the playwright Alan Bennett: 

“You don’t put yourself into what you write, you find yourself there.”

Enter The Tang

Fear of Tigers