Break! Break! Tic! Tac! (Synth Pop Remix)

Taken from the new album Hynerotomachia Poliphili which can be downloaded free at: 

http://confesionestiradoenlapistadebaile.blogspot.com.es/2016/07/hypnerotomachia-poliphili-fear-of.html

One Way Ticket To Ma Foom Bay

The opening track of Whispers in the Air begins with the stillness before sunrise. Male and female voices intertwine — one soft and ethereal, the other warm and grounding — blending into harmonies that capture both the gentleness of a breeze and the power of the morning sky.

Layered over airy pads, shimmering synths, and a euphoric trance pulse, Breath of Dawn rises like the first light breaking the horizon. It’s a song of renewal, of beginnings, of breath itself — carrying us higher with every beat until the sky feels infinite. 🌅💨

🔊 Let this track lift you into a new day, where whispers become anthems and every dawn holds endless possibility.

#EuphoricTrance #Duet #WhispersInTheAir #BreathOfDawn #xxdjdavexx

Breath of Dawn

New debut Single/EP from @unibe-t available Sept. 25

Download now: http://smarturl.it/CriminalsEP

UniBe@t - Criminals (Loze Remix) [Available NOW]

TOUCHY

OUT OF LINE -  YOU KNOW IT’S OUT OF LINE  
DON'T GET TOO TOUCHY BABE / WHY YOU SO TOUCHY BABY?

GIVE ME TIME - YOU KNOW I GIVE YOU MINE - ALL THE TIME
YOU GET SO TOUCHY BABY / YEAH YOU GET TOUCHY BABY

I WANNA KNOW IS IT 
JEALOUSY - TOO MUCH ATTENTION BABE 
JEALOUSY - ITS YOUR OBSESSIVE WAY
JEALOUSY - YOU’RE JUST ADDICTED TO THE LOVE WE MAKE 
/ IS IT JUST A GAME?

JEALOUSY - HEY WON’T BRING YOU HAPPINESS
JEALOUSY - NO SATISFACTION LEFT - JEALOUSY 

/ YOU’RE JUST ADDICTED TO THE - LOVE WE MAKE
/ YOU’RE JUST ADDICTED TO THE - LOVE WE MAKE
/ YOU’RE JUST ADDICTED TO THE - LOVE WE MAKE HEY

(JUST A LITTLE BIT, LITTLE BIT, JUST A LITTLE BIT OF PARADISE)
DON’T YOU HEAR ME CRYING / DON’T YOU HEAR MY DYING - LISTEN...

DID WE FLY - JUST A LITTLE TOO HIGH
WHY YOU SO TOUCHY BABE? / YOU GET TOO TOUCHY BABY

IT’S A CRIME - YOU KNOW I CAN’T DENY (IT’S ON MY MIND)
WHY YOU SO TOUCHY BABE? / YEAH YOU GETTING TOUCHY BABY

I SYMPATHIZE IS IT 
JEALOUSY - TOO MUCH ATTENTION BABE 
JEALOUSY - ITS YOUR OBSESSION BABE
JEALOUSY - YOU’RE JUST ADDICTED TO THE LOVE WE MAKE
/ IS IT JUST A GAME?

JEALOUSY - HEY WON’T BRING YOU HAPPINESS
JEALOUSY - NO SATISFACTION LEFT - JEALOUSY

YOU’RE JUST ADDICTED TO THE LOVE WE MAKE
YOU’RE JUST ADDICTED TO THE LOVE WE MAKE
YOU’RE JUST ADDICTED TO THE LOVE WE MAKE HEY

TOUCHY

Spotify

Touchy - Mullaha, Japhy Saatchi

Got You

whatabless

Club Edit of my remix of Boxers Paradise
https://soundcloud.com/fibremusic/boxersparadise-edit

Pad Chennington - Boxers Paradise (FIBRE Club Edit)

Gasoline

Drum Machine

Fred

a Touch remix i made 4 years ago. been listening to it today and figured i'd share.

HOLD ON

I’m Benjamin, a Japanese born, UK based writer, composer and musical director. I’ve written and produced music for movies including The Shallows with Blake Lively and TV shows such as The View. I’ve created and choreographed pieces for Germany’s Next Top Model with Heidi Klum and created original compositions for brands such as Victoria’s Secret, and Avon with Yasmin Le Bon. Elsewhere my compositions and productions have been featured on a number of TV shows such as Love Island USA and movies including Rough Night with Scarlett Johansson. 

As a producer and remixer I’ve worked with and for artists such as Max Richter, Ellie Goulding, LeAnn Rimes and Kylie Minogue. In a previous life I was a DJ and music journalist, spending five years as the Managing Editor of Yahoo! Music UK, creating original content with artists including Calvin Harris and Lily Allen.

As a Musical Director I’ve recently completed a forthcoming movie called Corazon City, set in the city of San Antonio, Texas, working with a diverse range of musicians and creators from the electronic, Latino and urban community.

Outside of music I’m a former fellow of the Museum fur Kunst und Gewerbe in Hamburg where I built prototypes and concepts for exhibitions and installations. I’ve also worked in the third sector on a range of issues including social mobility, the gender gap and BAME representation. I studied at The University of Westminster in London, completing a Masters Degree in Music Business Management.

I love the push and pull of collaboration and seeing a creative work take shape. My approach is based around listening to my co-creators and giving them space so the work can develop spontaneously. I love the unexpected, unplanned turns a work can take, nurturing it as it gains a momentum and energy of its own. In the words of the playwright Alan Bennett: 

“You don’t put yourself into what you write, you find yourself there.”

One Way Ticket To Ma Foom Bay

Fear of Tigers