A constant C# bordone sets the mood, together with a foley noise that feeds back modulated by an envelope follower. A tonal pompous lump motive repeats itself many times as an exausted patriot in a world with no nations. IMHO there’s an overall feeling of tense obtuseness in this track that makes sense somehow, so I decided to submit it anyway. Thanks for listening ❤️

Made with NI Maschine+

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/ 1

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Bacterial Proudness (disquiet0590)

This is just a simple ambient solo using the Buchla Music Easel and Christopher H.M Jacques "Sleepwalker" patch for the Zoia. Hopefully it will be of some use to someone for the trio project.

disquiet0591

Loop Loneliest Number ( Disquiet 0591)

Vocal Sample - Patricia Edwards - I Do - Today Is The Day [
www.looperman.com/acapellas/detail…m-house-acapella ]

Left channel contains "The Euclidean Chromaticon | The Loneliest Number" by X I I I X X I: https://soundcloud.com/xiiixxi/disquiet-junto-the-loneliest-number-disquiet0591?in=disquiet/sets/disquiet-junto-project-0591
Right channel contains multiple processing of left channel audio
About the Disquiet Junto: disquiet.com/junto/

The Zeigarnik Effect (phase 2)(feat. X I I I X X I)[disquiet0592]

Hi, took Stream halF numbereD [disquiet0591] 85bpM by halF unusuaL | Listen online for free on SoundCloud
by @half-unusual added a synth jam with a bass preset on Z3Ta, and a second track of the same preset using the arpeggiator.

Then added some textures with an instrument that was offered to me called “Aperture - Cassette Symphony” and never used, tried it here just for testing purposes.
Hope there’s still room for a 3rd performer.
Cheers
dd


https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/

Half Duet - disquiet0592 with HalF UnusuaL

For this project i took https://soundcloud.com/sonic-search/eden and added synth and warped drum patterns, panning each track to separate channels

More on this 592nd weekly Disquiet Junto project, Better Than One (The Assignment: Record the second third of an asynchronous trio), at: https://disquiet.com/0592/

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/

Unknown Quantities With Sonic Search [disquiet0592]

Additional instrumentation on my end: A kalimba with Valhalla delay (resembles a haunting synth), and a ratchet with lots of reverb

More on this 592nd weekly Disquiet Junto project, Better Than One (The Assignment: Record the second third of an asynchronous trio), at: https://disquiet.com/0592/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/

Somebody's Home (disquiet0592)

https://llllllll.co/t/disquiet-junto-project-0593-the-charm/

Used https://soundcloud.com/ray_cobley/one-possibilitydisquiet0592 by https://soundcloud.com/ray_cobley based on a first track by @undermulden

Added a lead synth and sparse electric bass notes. (and some chords on a synth pad on the second half)

@/ray_cobley

Three Possibilities (with ray cobley & undermulden) - disquiet0593

I really like the track that was produced by @glitcher, Nobody's Home.  And then the atmosphere added perfectly from @Sinny made Somebody's Home an irresistible track to add to.  So I tried to add some guitar on the left channel and some synth on top without drowning out the clicks and buzzing that makes a home a home and called it Never Alone.  Some compression was required for this, however and I hope the result is satisfactory to the two artists I have borrowed from.

Never Alone(disquiet0593)

Disquiet Junto Project 0593: The Charm
The Assignment: Record the second third of an asynchronous trio.

Please note: While this is the third part of a three-part project sequence, you can participate in one, two, or all three of the parts, which have occurred over the course of three consecutive weeks.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0592 7). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. The majority are in this playlist:

--

It was an interesting balancing act, to add something fresh while still leave enough space for the original material to breathe.

This is my 2nd iteration.
Initially, I wanted to just record a drum part but wasn’t satisfied with the end result.
I wanted something more subtle.

So for the 2nd iteration, I came up with a process that allowed me to explore a few of my current interests at the same time. Probably that’s why I was willing to give this piece so much attention. Hm…

Below is a somewhat detailed description of the process and context.
It’s long & detailed, because I wanted to capture a few thoughts while they’re still fresh.

Context:

earlier this week, I studied interviews with Nils Frahm about his current improvised live concerts (How I Play Live: Nils Frahm | DJMag.com). My take-away for me was that playing all parts by hand (e.g. not relying on quantized sequencers) is a part of his organic sound that I like so much.
That motivated me to play keyboard a lot more - mostly piano & electric piano sounds with a touch of tape delay effect - and discover that this is currently my favorite thing to do, musically.

yesterday, I repaired the broken switch of the audio input preamp on my Buchla Easel, and my mind was naturally wondering about how to employ it in the next projects…

earlier today, I read an interview with Biosphere (In the studio with Biosphere | Headphone Commute) - another artist whose sound I like a lot.
I liked the idea of processing samples of acoustic instruments (he mentions sampling classical music) through synths/filters/etc.

yesterday, I found the perfect reverb effect pairing for the Easel - a modulated space reverb pedal.

All of the above coming together to form the idea for a process.

(continued on https://llllllll.co/t/disquiet-junto-project-0593-the-charm/62312/57)

Frugal3ty feat Marc Eisenschink and encym [disquiet0593]

مدونة تراثنا للفن الأصيل
www.Torasna.blogspot.com

كلمات: محمد حلاوة | الحان: محمد قاسم
من تسجيلات عام 1964 

الكلمات
محبوبى فينك فينك فينك يا المحبوب
وحشانى والله عيونك يا المحبوب
اظهر وبان والله زمان
فكر شوية فى محبينك يا المحبوب
روق ولطف ياللى كلك ذوق
وانا يا روحى لك فى غاية الشوق
ده انت جميل حسنك اصيل اعطف وميل
خلينى افرح مرة واروق
يمين وغالى عندى هاستنى
وافضل يا روحى كده اتمنى
واحلف يمين طول السنين
قلبى امين مستنى رضاك
على باب الجنة يا المحبوب
من غيرك والله حياتى ما تسوى
ده كفاية بس ضحكتك حلوة
فيها الحنان طول الزمان ومهما كان
انا ناسية كل القسوة يا المحبوب
محبوبى فينك فينك فينك يا المحبوب
وحشانى والله عيونك يا المحبوب
اظهر وبان والله زمان
فكر شوية فى محبينك يا المحبوب

محبوبى فينك - فايدة كامل

My bio does not matter at all.
Just listen. 
Be the sound. Be music.
Just be.

The Zeigarnik Effect (phase 2)(feat. X I I I X X I)[disquiet0592]

fectoper