Composition from the second year of course in electronic music for Conservatory of music 'Santa Cecilia' (2014).
Both instruments have been recorded at Cosecomuni Recording Studio: for the double bass I used AKG 414 and Neumann U87, for the Hang Drum AKG 414 and SE4 stereo pair. 
Electronic sounds have been generated by processing the instruments with Max/MSP. Mixed & Mastered in Logic Pro X. 

A very special thanks to the performers:
Luca Bertelli - Hang Drum
Andrea Passini - Double Bass

Incontrhang

Media Composer, Music Producer, Sound Artist

2025
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25.01.25 TBA
07.01.25 Nevrotik (Moscow)
01.01.25 M² (Moscow)
01.01.25 Last bar (Moscow)
2024
09.11.24 M² (Moscow)
27.09.24 Εscapist (Moscow)
24.07.24 KURS (Moscow) b2b Andrew K
28.05.24 Method (Moscow)
09.05.24 Escapist (Moscow)
03.05.24 Samoobman (hybrid live with Virid)
28.04.24 Ugol (Moscow)
18.04.24 Renegade (Saint Petersburg)
12.04.24 Escapist (Moscow) ool0ng*
04.02.24 Escapist (Moscow)
19.01.24 Lyalin 8 (Moscow)
08.01.24 ZiL (Moscow)
08.01.24 GAS (live) (Moscow)
07.01.24 Samoobman (Moscow) *ool0ng
06.01.24 GAS (live) (Moscow)
04.01.24 GAS (live) (Moscow)
02.01.24 GAS (live) (Moscow)
2023
31.12.23 Escapist (Moscow)*ool0ng
28.12.23 Derzhina (Moscow)
27.12.23 L27 (Moscow)
17.11.23 Motyga b2b Soy Beast (Moscow)
13.10.23 Escapist (Moscow)
06.10.23 Samoobman (Live) (Moscow)
23.09.23 Samoobman (Moscow)
23.06.23 Escapist (Moscow)
11.06.23 TES (Tbilisi, Georgia) B2B Sundrops
09.06.23 Tato Bridge (Tbilisi, Georgia)
18.05.23 Potato head (Bali, Indonesia)
05.02.23 Prinz (Tbilisi, Georgia)
2022 
21.08.22 NUW (Moscow)
13.08.22 WIP (Moscow)
27.07.22 WIP (Moscow)
23.07.22 S&L (Moscow)
19.07.22 Motyga (Moscow)
09.07.22 Prinz (Tbilisi) B2B Love Via Computer 
16.06.22 Charity (Tbilisi)
13.05.22 SP (Tbilisi)
09.04.22 Prinz (Tbilisi)
31.03.22 Under (Tbilisi)
21.03.22 Сatacombs (Tbilisi)
14.03.22 Under (Tbilisi)
05.03.22 Prinz (Tbilisi)
2021 perfs
31.10.21 xxx (Tbilisi, Georgia)
30.08.21 Soon
28.08.21 Kvartirnik (Moscow)
21.08.21 Deja vu (Moscow)
15.08.21 Shashki (Moscow)
14.08.21 Kvartirnik(Moscow)
13.08.21 WIP (Moscow)
31.07.21 Synth pop & Electro kisses  (Moscow)
24.07.21 Kvartirnik (red room) (Moscow)
12.06.21 Ugol (Moscow)
25.05.21 Slyozi (Moscow)
14.05.21 WIP (Moscow)
28.04.21 Ministry (Moscow)
03.04.21 Centrifuge (Moscow)
02.04.21 Ugol (Moscow)
06.01.21 UI (Saint Petersburg)
2020 perfs
13.12.20 Jao Da (Moscow)
22.11.20 Flacon (Moscow)
17.10.20 Underdog (Moscow)
03.10.20 Mission (Moscow)
28.08.20 Nipple (Moscow)
21.08.20 Yuzhnaya(Moscow)
15.08.20 Slur (Moscow)
08.08.20 Sobranie (Moscow)
25.07.20 Lytkar (Moscow)
07.07.20 Vinzavod (live-dj performance) (Moscow)
10.04.20 5 Bykv radio (live stream from communa495) (Moscow)
16.03.20 Analog(end) (Moscow)
01.03.20 ???
23.02.20 Live8club (Moscow)
15.02.20 Yuzhnaya (Moscow)
08.02.20 Deficit Moscow (live) (Moscow)
11.01.20 Yzhnaya  (Moscow)
10.01.20 FoR US BY US 2 (Moscow)
01.01.20 Underdead (Moscow)
2019 perfs
28.12.19 Nipple Moscow (Moscow)
22.12.19 Ogonek (Saint Petersburg)
21.12.19 TestFm (Saint Petersburg) 
19.12.19 Griboedov (Saint Petersburg)
16.12.19 Cultural centre DOM (Moscow)
30.11.19 Deficit Moscow  (Moscow)
28.11.19 Modes after party (Milan, Italy)
22.11.19 1905 (Moscow)
26.10.19 NII DAR  (Moscow)
24.10.19 Nipple Deficit 24102019 Vtgnike (live) (Moscow)
28.09.19 Biggi club 
27.09.19 Aptekarskyi Ogorod (Live) (Moscow)
14.09.19 Deficit Moscow (Live) (Moscow)
29.08.19 A.Maff bd (Live) (Moscow)
16.08.19 Plyazh (Kolomna) 
27.07.19 Nipple pilot (Moscow)
22.06.19 Maroseyka d10\1 (Moscow)
15.06.19 Block Party (Moscow)
04.04.19 Denis Simachev  (Moscow)
29.03.19 Kurazh(Moscow)
08.03.19 Friendly smena(Moscow)
02.03.19 Exstaz(Moscow)
10.02.19 Pumpitup 2(Moscow)
05.01.19 Pumpitup(Moscow)
2018 perfs
25.12.18  ///
06.05.18 ABD 3(Moscow)
08.04.18 ABD 2(Moscow)
24.02.18 ABD 1(Moscow)

If there’s an artist to successfully traverse the treacherous divide between drum and bass, breakbeat and techno it’s Christopher Jarman’s prevailing alias, Kamikaze Space Programme. With roots indebted to the music he released on labels like Renegade Hardware under his Raiden alias, his abstract, field recorded, industrial and broken admission into the annals of electronica has seen his music backed, supported and released by the heaviest of renowned labels - namely Luke Slater's Mote Evolver, Mord to Osiris Music, Mord and Mote Evolver, WNCL, to the freshly minted Eomac’s Eotrax and further afield on Trust via Kamikaze Space Programme’s electro-minded wares. 

Having proved himself a razor-sharp edge of meticulous drum and bass production when rising up through the ranks of the genre’s definitive platforms, Kamikaze Space Programme’s hybrid sound, has joined the dots through a constellation of labels inhibiting a grey zone between UK club music and steely brutalist industrial textures. 

An accomplished session musician and avid field recording artist, Jarman’s music by and large is made up of foley sound design and sonic experimentation using bespoke apparatus and homemade microphones. Capturing internal resonances and electromagnetic radiation of objects, re-amplified or organic, classic hardware dub mixing completes the Kamikaze Space Programme aesthetic. Having worked with BBC Radiophonic Workshop and Rotterdam’s Re:Vive initiative too, there’s no denying Jarman of his credentials, with his repute as a formidable DJ and live act backed by his place in heavy weight line ups across the globe, be they at Berghain, Kompass Klub or Dommune to performing at festivals like Atonal, Krake and Kiev’s Next Sound.

Other collaborative projects, furthermore, have found their way through Simon Shreeve (aka Mønic, of Downwards and Kryptic Minds fame) to his Osiris Musik collaboration with Adam Winchester (Appleblips) under the moniker, Dot Product. He’s also proved a deft hand in the remix by taking on productions by Planetary Assault Systems, Emika and The Exaltics to NY’s The Horrorist.

Encompassing the most brutal of industrial sound design alongside intrinsic field recordings and the sleeker, low tempos and frenetic energy of jungle, breakbeats and drum and bass, Jarman’s ability to maneuver between genre and style sees the music of Kamikaze Space Programme defy classification while spiralling from one nether-spectrum of sound to the next.

Incontrhang

Federico Coderoni