Moneda

Hosting from Texas USA, cute af resident Amelia Holt dips into Brooklyn’s Weird Science party inviting NYC based DJ, curator and founder, Amourette. Strange, weird, obscure dance and non-dance.
Run by Amourette –known for her off-kilter eclectic selections– Weird Science is one of Brooklyn’s favourite parties. It is an intimate monthly event where music geeks let go and experience prime selections from NYC’s realest freakheadz.
Read more: http://www.movement.radio/artist/Noff-Weezy-Amelia-Holt

cute af • Weird Science feat. Amourette w/ Amelia Holt - 12 March 2021

Une après midi classique dans le centre ville de Rachel. La temperature donne l'impression d'être dans un sèche linge. Le groupe de jeune touriste se rassemble devant ce vieux drugstore rouillé. Le reservoir de la machine à glace délivre des petits cubes pourris. L'équipe d'interpides ne peuvent figurer ce qu'ils ont vu dans cette mine d'argent. Quelle était cette lueur verte un peu plus haut sur la State Road 318 ? La chaleur les empêche d'avoir les idées claires.
Cosmic Sid transpose le 24ème episode de Feng Shit dans une partie perdue du Nevada. Une excursion ambiante dub sur un fil, entre mirage et reprise d'esprit.

Feng Shit /w Cosmic Sid (15.04.21)

info: https://radio.syg.ma/episodes/pba-katatonic-silentio
https://katatonicsilentio.bandcamp.com
https://soundcloud.com/katatonicsilentio

Katatonic Silentio

PBA – Katatonic Silentio

Mixed and curated by Grischerr follow him @grischgrisch

Gesellschaftliche Erwartungen Nr. 22 is ready to take over your soundsystems at you bedroom and working station. Made by talented Grischerr for your personal fortune. Even if its not ment to be influence your current mood, it will. Possibly it will make you feel better, so you can focus deeper on your current labor. This will benefit most probably your surrounding and suddenly a wave of positive energy will flood you. Better jobs and more money, this is not the intention we re looking for. Just striving for a better life, with better conditions to survive. Thats all. The revolution got already televised, so we have nothing to loose anymore. Go back to your labor and express yourself. If not, who cares. Social expectations as usual.

Gesellschaftliche Erwartung #22 // Grischerr Mix

@princestoner présente NowSound, 2 heures de sélection dub,digi,root,bass

Tracklist : 
1/ Mother’s Finest - Ovinnik
2/ Lightman - Kite Dub
3/ Scientist - Dance of The Vampire
4/ Sheriff Lindo & the Hammer -Dread Ging the river
5/ Jah Shaka - The King
6/ Dub Surgeon - Untiltled Dub 6
7/ New age Steppers - Nuclear Zulu
8/ Delonte Rivers - Cosmic Frequencies
9/ Elijah Minnelli - DUB
10/ Lapo & Ago - Tuff!
11/ Dubbing Sun - Evilman
12/ Pinch - Qawwali
13/ Helm - Chemical Flower
14/ Vibronics - Jah Light Love (Version)
15/ Mali-I - I give (Deep dub)
16/ Al Wootton - Bad Sound
17/ Feel Free Hifi - Flex
18/ Joe Ariwa - King Moses
19/ Orson - Toxic Waste
20/ Bison - Salmon Spungcake
21/ Stigma - Believe in Me
22/ Ruts Dc & Mad Professor - Love and fire

Prince Stoner présente NowSound ep02

For its 7th release, Moneda is proud to announce Cathedral, a work by Mihalis Shammas. It features a unique string instrument: the Lyraei, which Shammas designed, engineered and fabricated over the last two years.

The album is comprised of five longform drone compositions, captured over a series of one-take improvisations. They were recorded during isolation, in a period when Shammas, like many other artists, were unable to perform live. In a sense, the recordings capture the intention of those live performances that have been suspended indefinitely, droning away. Hence, our decision to share this work with some restrictions that serve not as a paywall, but as an invitation to enter through the walls of sound and experience the work in its totality, as an imaginary performance would have been.

The ‘Lyraei’ is an eight-string walnut instrument, featuring deconstructed and redesigned string exciters that oscillate according to the waveforms of analog signals; that is, the movements found in traditional analog synthesizers is transposed to the oscillating vibrations that resonate the metallic strings, to create different electric-dependent harmonics. This quality alone sets it miles apart from the more conventional layering of e-bowed guitar strings drone music. Especially, when one considers that the instrument features tuners that can be adjusted in real-time to explore microtonal dissonances and an eight-channel mixer to blend the signals of each string.

It is tempting to keep disseminating the instrument, but as the recordings of the performances reveal, Mihalis Shammas pays equal attention to expression. Already known as a well-versed live performer, in Cathedral, Shammas’ affinity to detail and nuance, make him unavoidably a master of the instrument.

For the artwork, Mihalis’ brother and frequent collaborator Demetris Shammas, takes the fabrication 3d drawings of this instrument a step further and reconceives it as an architectural structure of an imaginary cathedral, faintly reminding us of Lyonel Feininger’s cathedral woodcut on the Bauhaus manifesto, where Walter Gropius called artists to return to craft in the service of a metaphorical cathedral of the future.

In many ways, we think Cathedral pays tribute to that often-forgotten communal ethos found in early Bauhaus theory, one in which art is made in the workshop, with other fellow craftspeople, and, more importantly, for the people. An overarching ethos that Shammas’ work encapsulates where design, craftmanship, artistic expression and engineering, do not stampede for the recognition institutions impose but instead move freely between artist and artisan, architect and engineer, to offer a glimpse of what that ‘cathedral of the future’ might be. 

Released March 17, 2022

Performed, recorded, and mixed by Mihalis Shammas
Mastering by Giuseppe Ielasi
Artwork and design by Demetris Shammas
Artistic direction by Emiddio Vasquez

For more information on the instrument and Mihalis Shammas' work: mihalisshammas.com/Lyraei

Support

Mihalis Shammas - Ascending (MON007)

This two-hour mix from Ziggy Devriendt, AKA Nosedrip, includes a huge amount of unreleased STROOM heat.

Read RA's Label Of The Month feature: https://www.residentadvisor.net/features/3449

STROOM - RA Label Of The Month

Entten presents Nits de la Tramuntana episode 5 on @radio-relativa.
(www.radiorelativa.eu)

Guest: @perila

1rst part (0-30'): Perila
2nd part (30-60'): entten

Perila shows on Berlin Community Radio: www.mixcloud.com/BCR_Radio/playlists/perila/

Nits de la Tramuntana #5 w/ Perila (11/11/2019)

@keptmale

"a reflection on the voice & its expressive spectrum— birth day mission choir.. diva in a wind tunnel.. shuddering breath breaks to laugh.. prose cut by a lover.."

mixes

Gi Gi – Pumiced Voice

Live from the dirt .. slash my friend's living room in Yellowstone. First solo show in a minute, hope you love. xxo

Fifth World w/ Ian Kim Judd on NTS Radio ~ 08.05.20

NTS SHOW 

https://www.nts.live/shows/pandoras-jukebox/episodes/pandora-s-jukebox-7th-september-2020

art: Superstudio 1969

STORY N*43 NTS 7920

Dub and downtempo psychedelia from Philadelphia. 

Tracklisting: http://bit.ly/XLR8Rpodcast_PontiacStreator

@pontiacstreator

XLR8R Podcast 663 - Pontiac Streator

Further Information: https://bleep.com/features/Bleep-Mix-138-Beau-Wanzer

Beau Wanzer’s entry for Bleep’s mix series sees the Chicago mainstay present a selection of rare gems of which he refers to as ‘degenerate duds’. Across the course of an hour, tracks from Emily Faryna, Culturcide, BA25+ and more are blended together from a variety of sources in order to deliver both beat-based thrills and abstract delights. The danceable tunes here tend towards twisted takes on the lo-fi sounds of Wanzer’s studio output - the fringes of Belgian New Beat, L.I.E.S. and more recently Delroy Edwards L.A. Club Resource-style freakbeat and minimal wave are all explored here. Coupled with the demented passages of shadowy electronic soundscaping and mutant, menacing industrialism, Wanzer’s mix coheres into a hugely atmospheric whole from one of contemporary electronic music's most formidable outsiders. 

"Howdy. This 'mix' was recorded in my Chicago apartment using a hodgepodge of tapes, records, cd's, a half eaten olive loaf  sandwich, and a warm glass of 2% milk. Includes all of your favorite degenerate duds from Emily Faryna, Culturcide, BA25+, Via Lactea, Das Kombinat, Rob Van Wijingaarden, Suckdog, and many many more. Turn on the lights, pull up a chair, strap on your dunce cap, sit in the corner and enjoy" - Beau Wanzer

Bleep Mix #138 - Beau Wanzer

À l’occasion de son exposition au Studio, Estelle Hanania invite le musicien et compositeur américain Stephen O’Malley à réaliser un programme radiophonique conçu spécialement pour la MEP, à partir des bandes son qu’il a conçues pour les pièces chorégraphiques de Giselle Vienne. 

Estelle Hanania et Stephen O’Malley poursuivent ainsi une collaboration de plusieurs années, qui a notamment donné lieu à la sortie du vinyle Eternelle Idole en 2015 et du vinyle The Pyre en 2019 aux éditions Shelter Press.  

Stephen O’Malley est un guitariste, producteur, compositeur et artiste visuel né en 1974 dans le New Hampshire (Etats-Unis). Il a participé depuis 20 ans à la fondation de nombreux groupes incontournables de drone doom, metal, musique expérimentale – SUNN O))), KTL, and Khanate comptent parmi les plus emblématiques. Particulièrement prolifique, l’oeuvre de  Stephen  O’Malley se caractérise par son ampleur, sa complexité, son approche expérimentale et minimaliste, son interdisciplinarité. 
Il collabore avec des artistes de tous horizons tels que le musicien et compositeur Scott Walker, la chorégraphe et metteuse en scène Gisèle Vienne, les auteurs Dennis Cooper et Alan Moore, le compositeur Alvin Lucier, le sculpteur Fujiko Nakaya, le cinéaste Jim Jarmusch, et avec les instituts de musique électronique IRCAM, INA-GRM (Paris), EMS (Stockholm). 

Artiste de scène incontesté, il ne cesse d’effectuer des tournées depuis 2003. Ses concerts en live sont une brume de réverbération née du minimalisme d’une guitare électrique, une sorcellerie sonore qui défie les frontières de l’espace et du temps.


Programme radiophonique réalisé par Stephen O’Malley pour l’exposition « It’s alive ! » d’Estelle Hanania à la MEP. Sélection de bandes sons des pièces chorégraphiques de Giselle Vienne qui ont été photographiées par Estelle Hanania. 

Durée : 2h43min45s

Titres des morceaux : 
Sexy Angel / This is how you will Disappear 2010
Glass X / The Pyre 2013
Hit / The Pyre 2013
Eternal Idol / Arrival of The Trainer / Eternelle Idole 2009
Lampshade / Crowd 2017
Last Spring / Last Spring: A Prequel 2011
Forest Floor 3, 4 / Kindertotenlieder 2007
Snow #4 / Kindertotenlieder 2007
Snow M+R / Kindertotenlieder 2007
Theme #2 / Kindertotenlieder 2007

Programme radiophonique - Stephen O’Malley

Real No Real member @estadess contributes a 2 hours mixtape, aired live at @radio-relativa in October 2020.

Estades "Back on the Side of Time"

Lukas Danys, Lithuanian DJ and visual artist based in Copenhagen.

Lukas Danys [04.11.2020]

Two hours of twisted ambience & experimental club with deep creep. 

@deep_creep

pi pi pi with deep creep @ The Lot Radio 12 - 15 - 2020

http://futurperfect.net/
https://soundcloud.com/kaphaselections

ML597: Future Perfect

LYL Radio: Tanzen und Denken 8

A mix of chance impressions and coincident piano sequences.

Moneda

federico-giacomarra