Name: die Nachtstunde - 01 Gemeinsam (FDL#03) by federleicht-be
Duration: 8 min 40 s
Description: Opening track from the album "Flüstern macht gemeinsam" (FDL#03).

Previewtrack from the new 'die Nachtstunde' album: "Flüstern macht gemeinsam." (2014), follower of 'Klangwandler' (2011). 
 
Die Nachtstunde is the more electronic moniker of Herbstlaub. 
www.federleicht.be

die Nachtstunde - 05 Flüstern macht gemeinsam. (FDL#03, summer 2014)

My humble contribution to Tessellate Recordings' ambitious Earthtones compilation series.

"The Earthtones series spans the internet-based contemporary ambient music scene, with a concept that helps us concentrate more on the geography that lies between each artist. In making worldwide communication easier, the internet has made it easy to forget the sheer size of our planet. "

All funds will be put into future label releases.

Mastering: Tobias Hellkvist (www.tobiashellkvist.com) 

http://tessellaterecordings.bandcamp.com/album/earthtones-volume-2

Strings

Denovali Records is pleased to welcome RICARDO DONOSO to the roster. In anticipation of the release of his new album Saravá Exu in January 2015, to be released along with Deterrence, previously available only on casette and now completely remastered, we offer the EP Beginning of the Shape as a free digital release. A further new album, Machine 2 Machine, will appear in April 2015, and a collector's vinyl boxset release, containing the previous albums Progress Chance, Assimilating The Shadow and As Iron Sharpens Iron, One Verse Sharpens Another will follow in May 2015.


BEGINNING OF THE SHAPE EP

Carrying on from his highly acclaimed trilogy on the Digitalis label, “Beginning of the Shape” marks his first release for Denovali. The new EP hints at a new direction for the composer, while more experimental textures are at the forefront his sense of pacing and musical development remains intact – a perfect taste for what’s to come in the months ahead.

Written & Produced by Ricardo Donoso 2013-2014
Recorded at Vesica Pisces
Mastered by John Tejeda
© Ricardo Donoso

Ricardo Donoso is a composer, percussionist and electronic musician from Rio de Janeiro, Brazil who currently resides in Boston.  After having studied composition at Berklee College of Music and New England Conservatory he has participated in a slew of projects over the years, most notably playing drums for avant-death metal unit Ehnahre and being one half of the ever morphing electronic duo Perispirit. Ricardo's musical vocabulary draws as much from contemporary composition, drone, to techno and noise. Whether on his multifaceted albums or in live performance Donoso’s main interest lies in building and manipulating an immersive sound world that bridges the gap between light and dark, hope & despair and the past & future – creating a truly timeless & transcendent experience.

He has released music on esteemed labels such as Digitalis, Further Records and Hospital Productions and has toured throughout North America, Europe & Asia. His first three albums – Progress Chance (2011), Assimilating The Shadow (2012) and As Iron Sharpens Iron, One Verse Sharpens Another (2013) – were widely celebrated by specialized vehicles such as FACT, Clash and Resident Advisor. Pitchfork Media called it: “dream-state dance music,” while Exclaim (CA) called it “one of the most compelling and satisfying electronic albums of the year” which culminated with performances at the illustrious Sonar Festival in both its Barcelona & Sao Paulo editions in 2012. His music has been described as a sort of ‘anti-techno’ where polyrhythmic structures and meticulous textures blur any semblance of a bar line, instead collapsing in on itself for moments of striking isolation.

Ricardo Donoso has led listeners on an incredible journey through the sun kissed, post-rave morning in Rio through to the blackened shadows of the psyche, to the submerged alien depths of the Scuba Death project. Next time all limits will be destroyed. 

Free download

Ricardo Donoso - Shape Collateral

Opening track from the album "Flüstern macht gemeinsam" (FDL#03).

die Nachtstunde - 01 Gemeinsam (FDL#03)

Pre-order the 12"/DL here: www.erasedtapes.com/store/index/ERATP082

'Transition', the collaborative release of Immix Ensemble and Vessel focuses on the theme of technology. Musical instruments are a somewhat technological anomaly in that they are rarely updated after their conception, often only receiving minor tweaks over the course of hundreds of years. As such, each instrument provides us with a snapshot of the cutting edge technologies of a particular time and place – in this sense, the instrumentation used by Immix provides us with snapshots of technologies that can be traced back as far as 1500BC. 

Taking these snapshots as a starting point, each movement in 'Transition' features one or two instruments, and, thematically, explores a significant invention or discovery that took place at around the same time as the invention and development of these instruments. Collaborating with Vessel updates this technological chronology by including the tools of the digital age.

Immix is lead by Australian-born composer and sax player Daniel Thorne. The now Liverpool-based artist has a genuine passion for exploring and creating music in a diverse range of forms; composed and improvised, acoustic and electronic, and the various shades in-between. Founded in 2014, the idea behind Immix has been to galvanise the innovative musical voices from across the country.

With the addition of Vessel, the moniker of Bristolian electronic composer Sebastian Gainsborough, Immix found a valuable first partner in exploring forward-thinking composition that slips between the cracks of traditional and contemporary styles. A stalwart of the UK experimental electronica community, Vessel's solo work has received critical acclaim for it’s post-industrial, visceral tone, using a sonic palette derived from the creation of home-made instruments, aiding in the creation of his signature nonreplicable sound.

As the first in this series, March 18, 2016 will see the release of 'Transition' on 12" vinyl and download, followed by a string of live performances by the collaborators. Future episodes will bring further collaborations by Daniel Thorne’s ensemble with other forward-thinking artists and ensure Immix continues to evolve and expand.

TRACK LISTING:  	

A1. What Hath God Wrought?
A2. De Revolutionibus
B1. Scope
B2. Battle Cry

ABOUT THE ARTWORK:  

The artwork was created by Liverpool-based visual artist Sam Wiehl and includes images taken from the Immix Ensemble & Vessel live AV show.

WEBSITES: 

www.immixensemble.co.uk · www.twitter.com/immix_ens · www.erasedtapes.com

Immix Ensemble & Vessel - Scope

Herbstlaub -Seems Like Time To Remember, Seems Like The Moment To Forget

Release date: 7 March 2016.
FDL-V#Two (vinyl), FDL#04 (cd)

Mastered by Rashad Becker, Dubplates&Mastering, Berlin.
www.federleicht.be
https://federleicht.bandcamp.com/album/seems-like-time-to-remember-seems-like-the-moment-to-forget

Herbstlaub - A2. __remember.

Here my release track of my new album Metanoia. Thanks to all my followers 

Metanoia

Order Page: https://seabuckthorn.bandcamp.com/album/turns
Subscription Series Page: http://losttribesound.com/declineseries
Subscribe on Bandcamp: http://smarturl.it/declineseriesbc

After 2016’s well-received EP,  'I Could See The Smoke', experimental guitarist Andy Cartwright (aka Seabuckthorn) returns with his new full-length album 'Turns', releasing April 21st on vinyl, CD and digital with Lost Tribe Sound.  Cartwright immediately caught our attention with his commanding full-length album 'They Haunted Most Thickly' in 2015. With 'Turns', Cartwright further solidifies his anomalous position within the genres solo guitar music, American primitive, and modern classical. 

The vinyl and CD edition arrive in the ever stunning physically and sonically minded fashion that LTS has become known for. 'Turns' takes form with a lush 180 gram audiophile grade vinyl housed in a heavyweight reverse printed jacket (limited to 500). The lacquer process vinyl edition was masterfully cut by Paul Gold at Salt Mastering in NY. Each edition comes with a Bandcamp download coupon. Plus, 'Turns' introduces a new handcrafted panoramic CD design (limited to 150 editions). 

'Turns' is an album wrought with vertical forms, heavily cinematic in design and scope.  It’s an album built from the earth. With eyes closed, one can easily imagine heavy rusted spires rising and collapsing upon themselves, only to be rebuilt from the rubble in the same instant, ever clawing towards the sky, with the rumblings of massive tectonic plates shifting below.  That said, 'Turns' is far more of a cerebral experience than its predecessors. transitioning seamlessly between hypnotic long-form pieces, minimal harp-like ballads and the primal stomping world-builders that have become Seabuckthorn’s calling card. 

Cartwright wields his minimal, yet powerful arsenal in new and intriguing ways throughout 'Turns', comprised of various twelve string guitars, a well worn resonator guitar and heavy waves of lumbering percussion. Plus, for the first time ever, Cartwright invites an outside player, composer and fellow friend of rustic orchestration, William Ryan Fritch to play double bass on three of the songs. In addition, LTS is honored to have worked with visual artist Gregory Euclide (Bon Iver, Lubomyr Melnyk) on the incredible original cover artwork for 'Turns', and sound engineer James Plotkin who handled the mastering.

Turns

Occurring Water

Buy Album

Seabuckthorn - Occurring Water (from Turns)

Stream / Buy: https://lnk.to/nohorizon

"Balkanize" from the Vieo Abiungo album 'At Once, There Was No Horizon'

"Built Upon A Fearful Void" or "Fearful Void Series" for short, is Lost Tribe Sound's latest subscription series. The series will introduce 15 new full-length albums to the roster between June 2020 through June 2021.  The line-up includes new full-length album by From the Mouth of the Sun, William Ryan Fritch, Vieo Abiungo, Yadayn, Microwolf, Several Wives, Arrowounds, and debut albums from Claire Deak & Tony Dupé (aka Saddleback), Mt Went (aka Seabuckthorn & Dave Anderson), Gallowglas, and Sailcloth.

Balkanize

Vieo Abiungo (aka William Ryan Fritch) - Balkanize (from At Once, There Was No Horizon)

Everything Ascending

[2010-2016] Music to continue what is lost. /// &#13; &#13;
Moon was full here every night. Federleicht was the heimat of belgium ambient artist 'Herbstlaub' who also worked  under the monikers 'die Nachtstunde' and 'This is where we Sleep' (collab). Herbstlaub is more instrumentally rooted and sounds more ambient while die Nachtstunde has explicitly more beats, minimal and dub influences. &#13;
FDL.BE was intended as a platform to release this varied work on and as a central reference point to get in touch with these various releases.&#13;
Most releases are limited, but mostly you can download them for free: <a href="http://www.federleicht.be" rel="nofollow" target="_blank">www.federleicht.be</a>&#13;
&#13;&#13;
2016
Herbstlaub - This is soon too late 
Herbstlaub - Seems Like Time To Remember, Seems Like The Moment To Forget

2015&#13;
Herbstlaub - New Insights From Forgotten Clouds, New Hints From Forgotten Memories.

2014&#13;
Herbstlaub - Hauch 12"&#13;
Die Nachtstunde - Flüstern macht gemeinsam&#13;&#13;

2013&#13;
Herbstlaub - Our Love Was Only Half Forgotten&#13;
Die Nachtstunde - Dreifarbenwelt (Entropy Records, EL.018)&#13;
&#13;
2012&#13;
Herbstlaub - Streets Aren't For Dreaming Youth&#13;
Herbstlaub - Remnants [Entropy Records]&#13;
Herbstlaub - This Grace Is Only Reaching Out To Surrender &#13;
&#13;
Other Heights - As We Are [remix]&#13;
Herbstlaub - Oostmalle Airport [ASIP008] &#13;
&#13;
&#13;
2011 &#13;
Herbstlaub - Per Sonare [Other Heights]&#13;
Herbstlaub - Zwischenwelt&#13;
die Nachtstunde - Klangwandler&#13;
Herbstlaub - Dämmerleben&#13;
&#13;
2010&#13;
Herbstlaub - Sonnewende&#13;
&#13;
&#13;
Thank you.

die Nachtstunde - 01 Gemeinsam (FDL#03)

federleicht-be

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