kewl remixes

Housse de Racket - The Tourist: https://youtu.be/OjvtzmdZx10

Dear Eyes - Buttons: https://youtu.be/_S7rKpRdOi4

DreamPills#99

Frida - I know there's something going on (Lindstrøm remix)

a delicate selection of almost-winter tracks...

The october's  Dust radio show / 2015

BEST OF INDIE/ALTERNATIVE/ELECTRONIC 2015

Slow dance

Rounding up a year which saw crucial releases from Iron Curtis and Quarion, »Can’t Help It« is the long awaited return of sample wizards Session Victim to the ep format. This Retreat 3-tracker is a profound, subtle and quite melancholic affair, perfect for those emotional moments in the early morning. Skillfully arranged and featuring the impeccable playing of Linnart Ebel, »Can’t Help It« is once again an essential statement from one of House Music’s most fascinating duo.
 »Pass The Diesel« begins with a stuttering beat, seagull like noises and muted chords that wouldn’t be out of place on a vintage Group Home instrumental. Staying on the aquatic tip, Session Victim introduce a beautiful Rhodes sequence which takes the track into a dream-like – dare we say californian? – direction. Spiced up with gentle synth noodlings, ethereal vocal snippets and a magical strings motive, »Pass The Diesel« bathes in the deeper shades of House without ever drowning in a cliché, thanks to its snapping drums and vivid arrangement. 
Slowing things down a notch, »Hyuwee« starts off with what is maybe the most unconventional instrument in Session Victim’s repertoire, the banjo! But the fear of witnessing these down-to-earth-boys actually becoming the boys-down-south vanishes after 30 seconds: a melancholic 3-Chord theme, snappy 808 patterns and funky drum fills lead the tune in a familiar (but vast) territory. Linnart Ebel’s talent is put to great use with subtle guitar licks that give a lively feel to the whole song. You will notice that Session Victim have labeled »Hyuwee« as an »instrumental«. Does it mean that we can expect a vocal version in the near future? All bets are on as to who will provide the vocals to this one … 
Flip the record over for the magnificent »Tearwiper«, a slow-house groover which might be Session Victim’s deepest excursion on wax so far. Abyssal chords, radio effects and a dragging 105 bpm beat set the stage for a grand sonic adventure. The track breaks down after the introduction of the guitar theme and a warm sub bass takes center stage in order to drive »Tearwiper« in a confident manner. Shakers and bubbling synths are floating around whereas Linnart’s hypnotic playing provides a steady backing to the bassline. Another breakdown and the elements are nicely washed away while a thoughtful guitar solo brings this underwater journey to an end. 



RTR14 - B1 - Session Victim - Tearwiper

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Free download

She's Gone Now

Pray for Love - Out Now, produced by Ben Drew aka Plan B: http://smarturl.it/PrayforLove

Kwabs' debut album 'Love + War' is out now.

iTunes: smarturl.it/loveandwar.itunes
Amazon: smarturl.it/loveandwar.amzn
Spotify: smarturl.it/loveandwar.spotify

Get more information on Kwabs:
Facebook: www.facebook.com/KwabsOfficial
Twitter: www.twitter.com/kwabs
Soundcloud: @kwabs
Instagram: http://instagram.com/kwabs
Website: http://www.kwabsmusic.com/

Pray For Love EP

Pray for Love

Download the album

Download on iTunes

Ben Khan - Youth

Coming soon on Watergate records my remix of Matthias Meyer  

Matthias Meyer - November Rain (Mario Basanov Remix)

DAVID K - ESCALE TO NEW YORK

Tuccillo - Notorium (Gorge rmx)

From the album Policy, out March 10, 2015 on Merge Records.
http://www.mergerecords.com/policy

Policy

Order from Merge

Will Butler "Anna"

© 2015 Black Honey, All Rights Reserved.

Written, Recorded & Mixed by Black Honey.

Artwork by Olivia Savage - http://www.oliviasavage.co.uk/

Text us at: +447578 533359

Black Honey - Madonna

Full Circle is available digitally now and taken from Fading Love the debut album from George FitzGerald, released 27th April 2015. 

Pre Order album from 
iTunes: http://po.st/FadingLove
LP / CD from Dom Mart: http://po.st/FadingLoveDM

Fading Love

Full Circle

iTunes

Pil Sagol

Remixes of the original "Ariel" record already out on True Panther Sounds: http://bit.ly/1CQjZbn
This release is out July 24, 2015 on TPS. Thanks to all the contributers.

Link to Round: https://soundcloud.com/musicisround

TRUE-812

Ariel EP Remixes

Ber (Round Remix)

Remixed by Donny Benet at Donnyland Studios
Additional mixing by Ivan Vizintin
Original version taken from the Jack Ladder & The Dreamlanders album 'Playmates', out now on Fat Possum & Self Portrait.
bit.ly/JLDLplaymatesiTunes

'Her Hands' (Donny Benet Special Edition)

Get 'The Tourist' via iTunes:  http://HousseDeRacket.lnk.to/thetourist

On 30th October, French duo Housse de Racket unleash their third album, The  Tourist, through !K7 Records. The LP consolidates the band’s dense sound and vast influences into something unique.
 
Coming back from their world tour that took them from Tokyo to Coachella, work began on The Tourist in 2013.  It was entirely recorded in guitarist/vocalist Pierre Leroux’s new apartment, romantically located by the Paris landmark: Montmartre. As the band themselves put it, “How could we resist the Sacré-Coeur’s magnetic and hypnotic force?”.

The band’s previous album, Alesia (Kitsuné) was produced by Philippe Zdar, who had previously worked with the likes of The Rapture, Phoenix and The Beastie Boys and was critically acclaimed from all around the globe.

Housse de Racket describes their new effort as “a state of mind, a motionless journey,” and cites a wide range of inspirations for its songs: “We listened to Fleetwood Mac, Spacemen 3, XTC, Steel Pulse, Alan Vega, Ravel, Laurie Anderson, Miles Davis, Television…Everything we could get our hands on!”

The LP never sounds like an iPod playlist; Housse de Racket combines the sounds and locations that have affected them into a forty-minute masterclass in Gallic pop. 

The Tourist is the sound of a group returning home, having seen the world, and trying to make sense of it all. 

More about Housse De Racket:
w: http://www.houssederacket.com
f: http://www.facebook.com/houssederacket
t: http://www.twitter.com/houssederacket



The Tourist

Tall Stories

Buy Now -
Ninjashop: found.ee/EasyNow
iTunes: found.ee/EasyNow-it
Spotify: found.ee/EasyNow-sp
Bandcamp: found.ee/EasyNow-bc

Follow The Invisible -
Facebook: goo.gl/uG5qMO
Twitter: goo.gl/Y2XO3X
Soundcloud: @the-invisible
Spotify: goo.gl/l7PMW2

The Invisible share new track Easy Now - an 808-inflected deep-funk workout - recorded as part of the sessions for their new album, which Floating Points has contributed to amongst other guests. Describing the track Dave Okumu says: “George Clinton once said, "funk is anything you need it to be to save your life". We have always agreed. Serenading the unseen has become easier now.”

Additionally, catch The Invisible (Dave Okumu, Tom Herbert and Leo Taylor) performing as part of the Floating Points live band at the Dimensions Festival Opening Concert broadcast on Boiler Room tonight from 6pm GMT in support of his just announced debut album "Elaenia".

Since their last album - 2012’s Rispah (Ninja Tune) members of the band have been busy recording for, amongst others, Grace Jones, Jessie Ware, Lianne La Havas, Adele, Lana Del Ray, Polar Bear, Petite Noir and In Dreams: David Lynch Revisited.

Keep up to date with fresh Ninja Tune material via our New Releases Spotify playlist: http://found.ee/NTNewTracks

http://ninjatune.net

Easy Now

The Invisible - 'Easy Now'

Tendencies - I Need You

Frida - I Know There's Something Going On (Lindstrøm remix) Dub version

Frida - I Know There's Something Going On (Lindstrøm remix)

Go Ahead

need for speed-Snoop Dog feat The Doors - Riders on the storm .

Bomb The Bass - Black River (Gui Boratto Remix)

deejay.de

The Doors - Riders on the Storm ( Cudder & Mulder Edit )

Say My Name - Destiny's Child (Cyril Hahn Remix)

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Bristol Proms

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 (2012)

Download

FBR015 - James Welsh - Craven EP

Out 10th March - 

http://www.juno.co.uk/ppps/products/2124232-02.htm


James Welsh - Craven

Tonedepth - Moments (Sultan Solo)

Buy on Bandcamp

The Clash - Rock the Casbah (Fare Soldi rmx)

contact : management (@) feedelity (dot)com

Booking: havard (@) allthingslive (dot) com

Booking America: bowen (@) teamwass (dot) com