Hosted by award-winning journalist Tom Ashbrook, On Point is broadcast for two hours daily across the country on NPR. The show’s lively conversation covers everything from breaking news to ancient poetry, and features writers, politicians, journalists, artists, scientists and ordinary citizens from around the world.

Visit us at http://onpoint.wbur.org

We're running our own label, JOIN US HERE : www.soundcloud.com/pilrecords

We Are ENFANT TERRIBLE are two french boys and a girl trio from Paris created in May 2008. Their songs have an electro dance sound with indie rock and synthpop sounds and a touch of 8bit music. All performed live with Guitars, Drums and re-programmed Nintendo gameboy on stage.

Their lyrics talk about how young people see the world today, how they could smartly mix fashion culture, web domination, video game attraction, constant fun and still be aware of humanity, true feelings and resource sharing.

Buzzing on blogs and myspace, the trio played their first gig opening for PEACHES and the legendary label Delicious Vinyl (home of Tone Loc, Young MC) whose co-founder Rick Ross declared “it’s all there. Songs are unique,well written”. EAGLES DON’T SPARKLE was picked up via word of mouth as single of the week on the popular blog Drowned in Sound: http://drownedinsound.com/in_depth/4136098

Compared to CSS, Goldfrapp, the Ting Tings or the Kills for their sense of sexyness, energy and wild performance. WAET blur the distinction between rock band and electro pop addiction.



Now Touring. Coming to a city near you!
https://thepolishambassador.com

Music I like =  @jumpsuit-records

Download Lossless Files at
www.JumpsuitRecords.Bandcamp.com

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Management: mattie@involvedmanagement.com
UK / EU bookings: jason@earth-agency.com 
US bookings:  brent@good-direction.agency + caroline@good-direction.agency

'This Is How You Do It' album out now on 2LP / CD / DIG


Bandleader Lance Ferguson and his nine piece Melbourne outfit The Bamboos have come a long way since forming in 2001. Initially inspired by the instrumental raw funk of the late ‘60s and early ‘70s, they made waves internationally and were quickly labelled as one of the greatest funk and soul bands of our time. But while many would be happy to simply soak up the praise and keep on keeping on, The Bamboos have proven that they are more than meets the eye; over five acclaimed albums, their evolution in sound and style has consistently confounded and exceeded expectations, pulling the rug from under the feet of those who like to pigeonhole. 

The band signed to respected Brighton (UK) indie label Tru Thoughts in 2005, where they remain a cornerstone of the roster. Across their five studio albums to date - ‘Step It Up’ (2006), ‘Rawville’ (2007), ‘Side-Stepper’ (2008), ‘4’ (2010) and 'Medicine Man' (2012) – the metamorphosis of The Bamboos has been full of twists and turns, and it continues apace. A seasoned DJ, solo producer (aka Lanu) and all-round insatiable music obsessive, Ferguson's myriad influences and passion for pushing things forward ensure that each new release is a discovery for devout fans and newcomers alike.

Their fifth long-player ‘Medicine Man’, released in June 2012 was a watershed - a forward-looking record brimming with fresh ideas, stellar turns, classic songwriting and a brand of multi–layered pop they can truly call their own. Guest vocalists Aloe Blacc, Tim Rogers (You Am I), Megan Washington, Daniel Merriweather, Bobby Flynn, alongside resident singers Kylie Auldist and then newcomer Ella Thompson helped make the album their biggest at home to date. Lead single "I Got Burned" feat. Rogers was a sizeable radio hit, made it to #54 on radio station Triple J's Hottest 100 listeners poll (the biggest publicly voted song poll in the world) of the top songs of that year.

Like its predecessor, the band's sixth album 'Fever In The Road' was co-produced by ARIA- nominated, multi-instrumentalist studio wizard John Castle – whose work with the likes of Washington, Josh Pyke, Gossling, Pez and Kate Miller-Heidke has ranked him amongst the first-call producers in Australia. The new record (the first on Ferguson's own Pacific Theatre label) sees Castle and Ferguson venturing into sonic landscapes The Bamboos have previously touched on but never fully inhabited. There is a sense that the music is leaner and more muscular, yet upon closer inspection the tracks reveal themselves to be densely multi-layered in a 'Wall Of Sound' style. And it's this aural complexity and depth that allows darker moods to roam through the album, taking their sound to a new place. The songs career from the wondrously anthemic ('Avenger', The Truth', 'Rats', 'Jump My Train'), to the dreamy and psychedelic ('Looking West', 'Harbinger') and the darkly fragile ('Killing Jar', 'Before I Go'). Choosing this album to reflect the band as it is on stage, the vocals are split between Kylie Auldist and Ella Thompson. And each bring contrasting styles that complement each other magically, but show The Bamboos to be utterly unique.

Their songs have been regularly on playlists of national radio stations in Australia, the UK, France, the US, Japan and beyond. The unshakable charm of their songs has also seen them licensed to hit movies including Crazy Stupid Love, the soon to be released  Adore - Naomi Watts & Robin Wright. and TV shows such as Grey’s Anatomy, CSI New York, One Tree Hill, Ugly Betty and Australian shows such as Underbelly, House Husbands, Offspring, Packed To The Rafters.

Visit website: http://www.soakmusic.co.uk

felicity ash is following