Junglist / DJ / Tribal Connection

10th Sat May 2025
JUNGLE PARTY Tribal Connection VOL.111
@ 虎子食堂 Toranokoshokudo Tokyo

Tribal Connection Crew: 
DJ YAHMAN, JUNGLE ROCK, 大出泰士, 
Tenmus, HALU
@djyahman @jungle-rock @taiji-ode
@2ako10ms @halu_tokyo @tribalconnection-jp

featuring:
Lil Tozan @lil_tozan

JUNGLE PARTY Tribal Connection EST.2009

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DJ YAHMAN (Tribal Connection) PROFILE

JUNGLIST (ジャングリスト)。初期衝動全開の血湧き肉躍るダンス音楽JUNGLEを放つ。ストリクトリーなJUNGLE SET以外に、生来の雑食性を活かしてジャンルの外とされる音の中に存在するJUNGLE感を抽出しTribal Connectionな音と共に折衷セレクションするDJも行う。

2002年、ジャングルの使い手集団CHAMPION BASSを同志と共に設立。

2009年、プロデューサー／DJのJUNGLE ROCKと共に、ジャングルを拡めるクルーTribal Connectionを結成。同名のジャングル・パーティーを運営、奇数月第2土曜に渋谷の虎子食堂にて開催中。

Tribal Connectionは、DJ YAHMAN, JUNGLE ROCK, 大出泰士、Tenmus、HALUで構成。2023年11月にパーティー通算100回目／結成14周年記念を開催。2024年に結成15周年を迎えた。

2019年よりジャングルについての非営利Zineシリーズ＝JUNGLE DOCUMENTを企画・制作・編著・発行（現時点、0号〜3号まで発行）している。

2022年にはUKのKeep Hushの初来日Tokyo編、2023年にはTim Reaperの初来日公演・東京編、それぞれのメインフロアにDJとして参加しジャングルを投入。海外では、タイ、ベトナム、韓国、中国にてDJing 。香港〈HKCR〉やメキシコ〈Internet Public Radio〉にMixを提供。

DJ YAHMAN is a Tokyo-based DJ, who makes full use of the music genre ”jungle”, which is a form of dance music that stir one's blood. 

Not only his strictly jungle sets, he's good at extracting jungle elements and sensations from various types of music. He also has the enormous musical background to perform 6 hrs sets mixing music from the early 1920s to the 2020s. 
He founded the junglist crew called “CHAMPION BASS” with his boys back in 2002.  In 2009, he and his friends formed a crew called "Tribal Connection"  (Currently 5 members) which further expands the jungle's attractiveness. In November 2024, celebrates their 15th anniversary.  From 2019, he produced, edit and published a series of non-profit zines about the jungle called “JUNGLE DOCUMENT,”  Not only in Japan, but he has DJ’d overseas such as Thailand, Vietnam, Korea, and China. He has provided mixes for HKCR (Hong Kong Community Radio) and  Internet Public Radio (Mexico).

Recent years, he participated as the main DJ for the UK underground party "Keep Hush"s first Japan tour in 2022 and also Tim Reaper's first Japan Tour 2023 in Tokyo.

Akio Nagase DJ/Producer

Originally from Osaka, Japan, Akio Nagase has released numerous productions on Japanese labels such as Sound-Channel, Rudiments and jetset since the 1990s.
In 2018, he released the DELUSION EP on Chillmountain Records, hosted by Ground, and in 2019, the Like A Acid House EP was released digitally.
His music has been well received by international DJs, with Nicola Cruz and Justin Robertson playing Vietnamese Acid.
He provided a guest mix for Tim Sweeny's BIS Radio at
In 2020, Funk Bast*rd's Singapore-based label Darker Than Wax released the Roots Magic EP digitally.
In 2021, the single 'Global Acid EP' is released on Emotional Especial.
In 2022, they released their second single 'African Acid EP' on the same label, further expanding their activities.
In the same year 2022, they performed at the Bloom Festival in Hanoi, Vietnam.
Participated in the 'EnjoyYourSelf EP', co-produced by Emotional Especial and Chill Mountain.
In 2023, participated in Emotional Especial's 10th anniversary compilation 'Comunión Especial'.
His originality and music with a texture different from the existing ones attracts a lot of attention.

Release,Remix Offer & Booking&contact&→ makedub@icloud.com

[Spotify] https://open.spotify.com/playlist/5sh4sNHV0x79go8XwPHmmP?si=9642f86c17d94818

[Album] https://cdr1234.bandcamp.com/album/album

miyuterasawa.com
https://www.instagram.com/mieuxxx_

For live streaming, all our archives along with the tracklists, hit our website: http://lyl.live

Broadcasting live from Unité Centrale in Lyon,
La Tour Orion in Paris, Brasserie Atlas in Brussels and Les Ateliers de la Ville  in Marseille.

Sept 6
Procare 遠行
at Grey Area, Taipei

Sept 21
C.E
at WWWX, Shibuya

Oct 11
8311 XHT
at hven, Nakameguro

DJ / Remix

ありがとうございます

@Invaders_jp
Contact:Twitter DM

mail, booking:  sekitova_zamstak@yahoo.co.jp


SEKITOVA
DJ/Producer born in Osaka on a new year’s day of 1995.  

Even before he was born, he already had a prenatal influence such as Joey Beltram and Dave Angel and was exposed to various electronic music who is literally from a second generation. He had so much influence other than techno, and with a motto "Techno is not a genre but an attitude to face it." in his heart, his music selection goes beyond genre and is focused on story-telling. 2013 was a break-through year for him. He was booked for main stage of Big Beach Festival and not only that, he was constantly invited to monster techno party Clash held at ageHa. In 2014, 3-hour-long SEKITOVA ONLY program was streamed on DOMMUNE by Naohiro Ukawa in collaboration with his first ever self organized party which was on a good note. He also made appearances at wide range of parties from first edition of Ultra Japan by Ultra Music Festival to Wired Clash which is a collaboration party of Wire and Clash as well as main floor of Womb in Shibuya for its 15th anniversary showing his steady progress in his career in the scene.  

On December 5th, 2012 his first album "premature moon and the shooting star" was released from his own label and since then it was highly acclaimed by many top artists such as Yoshinori Sunahara, Dj Sodeyama, Hideo Kobayashi to name a few. It was ranked in Top10 on iTunes electronic chart and 6th in Music Magazine's 2013 best under techno/house/breakbeats section. Making the most of his position on the scene, he has remixed many tracks beyond different fields such as track by Maya Jane Coles and game "Persona" series music by Atlas and many more. His work "Formal Strip" released from Sugiurumn's label BassWorks Recordings was ranked 2nd in Wasabeat's techno chart, remix of Fake Eyes Production's single "Bad Girl" co-worked with Taar was ranked 9th on iTunes electoronic song chart.　And their EP that includes the track was ranked as no.1 in album chart.   Some exciting projects are waiting to be shared - original track featuring Chisato Moritaka and his track "Formal Strip" being remixed by Rush Hour's Dr. San Proper.  Ele-King's editor Tsutomu Noda described him as "A bright star of Japanese club culture's future" and he has, no doubt, already become one of the essential key persons in the scene.

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