cool glitch--sounds like a corrupted transmission

More on this 400th weekly Disquiet Junto project — Sub Divided / The Assignment: Create a score to a Malka Older story using the author’s own voice as source audio — at:

https://disquiet.com/0400/

Thanks to Malka Older for providing the audio and collaborating on this. Thanks to Alex Hawthorn for audio technical assistance. Additional information on the book in which Older's story will be collected (title: ... and Other Disasters) at http://www.masonjarpress.xyz/chapbooks-1/and-other-disasters.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0400-sub-divided/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Disquiet Junto Project 0400: Sub Divided

The WaveJunction - Nick Batt Demo Song

Music Video : https://www.youtube.com/watch?v=8pSHsoxlX6s

Stress

I used a section of the vocal I visually liked, I recorded, looped, streeched, repeated on the same section slowed again. I then used the Roli to play in some wave sounds and clicks.I used vocal patch on a layered section of vocal. I added a few 808 on a few beats to simulate the heart.  

More on this 400th weekly Disquiet Junto project — Sub Divided / The Assignment: Create a score to a Malka Older story using the author’s own voice as source audio — at:

https://disquiet.com/0400/

Thanks to Malka Older for providing the audio and collaborating on this. Thanks to Alex Hawthorn for audio technical assistance.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0400-sub-divided/

Malka Older - The Divided -3:9 Disquiet0400Wolf

release date:29_08_2019  
More on this 400th weekly Disquiet Junto project — Sub Divided / The Assignment: Create a score to a Malka Older story using the author’s own voice as source audio — at:

https://disquiet.com/0400/

Thanks to Malka Older for providing the audio and collaborating on this. Thanks to Alex Hawthorn for audio technical assistance.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0400-sub-divided/ 1

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Malka Older – The Divided – Part 9 Disquiet0400

Its been a pleasure to partake in the Junto projects for over 4 years now! I've done about 50 in the 4 years so not so many but love the idea very much.  
For this just built a simple structur behind the track, just to back to text and words - not to take over. A few drum racks, some glitches and some effects and synth sounds. A quick process for me this one.

Malka Older – The Divided – Part 4/9 disquiet0400

Source voice recording processed with python using the same system from last week then arranged / edited / mixed with ardour 5. 

More on this 400th weekly Disquiet Junto project — Sub Divided / The Assignment: Create a score to a Malka Older story using the author’s own voice as source audio — at:

https://disquiet.com/0400/

Thanks to Malka Older for providing the audio and collaborating on this. Thanks to Alex Hawthorn for audio technical assistance.

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0400-sub-divided/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Malka Older – The Divided – Part 4.9 disquiet0400 - 8:29:19, 10.07 PM

For this challenge, I used the original track (7/9) and I chopped samples in other track the audio in Live’s Drum Rack.
I used a synth for the background (light and shadow 3).
My idea was to thinking in “keywords”, and to do reorder with these keywords in the end.

Malka Older – The Divided – Part 7/9 disquiet0400

I used my earlier track (Disquiet Junto 399 which was a previous Rauschen based track), it became a remixed version of it but processed with more noise elements, into various drumracks and rhytmic effects to create a track with more a tempo and rhythmic structure. I added little samples of melody - not quite the "something melodic atop it" that was requested but just enough to give as hint that melody might appear somewhere! 

Disquiet Junto Project 0401: Noise Pacing
The Assignment: Use background noise as a beat, as a rhythm.

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which will be held in Switzerland from September 11 through 15. For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. Select recordings resulting from these three Disquiet Junto projects will be played publicly as part of the Rauschlabor Schützenmatte (musikfestivalbern.ch) or broadcast on the festival’s radio show, Radio Antenne (radioantenne.ch). If you don’t want your recording to be used in this way, please note so wherever you post it.

Step 1: Familiarize yourself with the German word “rauschen,” the theme for this year’s festival. Understand that “rauschen” is noise in the sense of white noise, waterfall noise, background noise, static, wind in trees, rain, etc. The blurred, diffuse, continuous kind of noise, not short individual non-tonal sounds.

Step 2: You are going to make music in which one or more “rauschen” noise(s) will be used as the beat or rhythm for a track. Record and listen back to such “rauschen.”

Step 3: Select one or more noise elements from Step 2.

Step 4: Create a track using the elements from Step 3 as beats or rhythmic material, and then layer something melodic atop it.

the blurred, diffuse, continuous [disquiet0401]

i loved the ambient sections of this album
i got the start and near end of cloud 1 ran thru:
ambient reverb
hornet chorus
izotope vinyl
ddly

intro of cloud 4 thru pong texture

gradually slows from 99bpm to 40bpm
.
.
Disquiet Junto Project 0405: Trustable (C. Remix)
The Assignment: Remix music from C. Reider’s album … a trustable cloud.

Step 1: The album … a trustable cloud by the Colorado-based musician C. Reider is available at the following URL. It is downloadable for free. Reider, a longtime Junto participant, has given us permission to remix it for this project.

https://c-reider.bandcamp.com/album/a-trustable-cloud

Step 2: Remix the album to your heart’s content, and your ears’, for that matter. Focus on one track, or combine elements from various tracks. Add your own material, or stick with Reider’s. The direction is up to you. (Note: Reider created the album using online tools, and you might consider using one or more of those tools yourself.)

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0405” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0405” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0405-trustable-c-remix/

C. Reider - Cloud (1 / 4 ambmix) : disquiet0405

The writing prompt at https://disquiet.com/2019/11/21/disquiet-junto-project-0412-one-chord-wonder/ tickled my interest; and I've been listening to "(no pussyfooting)" a lot lately so thought of a little tribute to that record over my favorite chord, "F/G" (or F, A, C over a G pedal) which I use all the time before I resolve.

The track was made in two parts. The core synthesis were three configurations of (mostly) surge-for-rack in VCV Rack (using a few plugins from other packs). Then render that out and drop it into logic and play a guitar over it.

Rack patch here : https://patchstorage.com/disquiet412-backing-tracks/

One Chord (disquiet0412)

WM- Can't Make Minimal #PRRES #LoopAtHome

The concept of the Ruptura album represents the trajectory that involves the processes that connect to life cycles, with “rupture” being a continuous and extremely necessary experience in our lives.

Ruptura

02 - Consciência (Awareness)

Brazilian Composer and Musician, Felipe Romagna has been working with the development of musical compositions through the manipulation of sound with computer programs and acoustic instruments for performances on stage and soundtracks. He intends to explore the possibilities of sound transformation in "real-time" in the creation process, making possible new performance and compositional acts of musicians through both acoustical and digital materials and instruments.
Romagna holds Master the Audiovisual Communication degree from Anhembi Morumbi University  - SP (2016), also holds Associate Degree in Musical Production (2015) and additional studies in Musical Education from Paulista de Artes College (2014). He studied Saxophone Degree from Évora University - Portugal (2008 - 2010). Currently, he teaches music at the Instituto Federal de Rondônia - IFRO (Brazil). He's working on his first solo album.​​​​​​​

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Malka Older – The Divided – Part 7/9 disquiet0400

Felipe Romagna

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