where you going? please don't leave. This left me so many tingles

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Disquiet Junto Project 0401: Noise Pacing

The WaveJunction - Nick Batt Demo Song

Music Video : https://www.youtube.com/watch?v=8pSHsoxlX6s

Stress

I utilized a clip from some Fajitas a server was running to another table that I captured. I then looped the clip and added Roland 808 drum sequencing. I then used the ROLI to add in additional tones. I added some bass and compression to the Fajitas.
I'm hungry now.
More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Fajita Wolf Disquiet401

Fajita Wolf disquiet0401 (want me)

I made a bunch of drum loops to explain to my music theory class what polyrhythm is. Then I read about this Junto project and thought, hmm, making a beat out of noise, let's use them for this too! I vocoded the loops using a straight noise carrier and used an LFO to automate the vocoder's release parameter. I used Follow Actions to randomly sequence the loops, and then edited that sequence for better flow and musicality. In order of entrance, the polyrhythms are 4-vs-3, 5-vs-4, pentuplet swing, septuplet swing, and 11-vs-5.

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Polyrhythmic Noise Grooves (disquiet0401)

I used my earlier track (Disquiet Junto 399 which was a previous Rauschen based track), it became a remixed version of it but processed with more noise elements, into various drumracks and rhytmic effects to create a track with more a tempo and rhythmic structure. I added little samples of melody - not quite the "something melodic atop it" that was requested but just enough to give as hint that melody might appear somewhere! 

Disquiet Junto Project 0401: Noise Pacing
The Assignment: Use background noise as a beat, as a rhythm.

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which will be held in Switzerland from September 11 through 15. For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. Select recordings resulting from these three Disquiet Junto projects will be played publicly as part of the Rauschlabor Schützenmatte (musikfestivalbern.ch) or broadcast on the festival’s radio show, Radio Antenne (radioantenne.ch). If you don’t want your recording to be used in this way, please note so wherever you post it.

Step 1: Familiarize yourself with the German word “rauschen,” the theme for this year’s festival. Understand that “rauschen” is noise in the sense of white noise, waterfall noise, background noise, static, wind in trees, rain, etc. The blurred, diffuse, continuous kind of noise, not short individual non-tonal sounds.

Step 2: You are going to make music in which one or more “rauschen” noise(s) will be used as the beat or rhythm for a track. Record and listen back to such “rauschen.”

Step 3: Select one or more noise elements from Step 2.

Step 4: Create a track using the elements from Step 3 as beats or rhythmic material, and then layer something melodic atop it.

the blurred, diffuse, continuous [disquiet0401]

release date: 06 _09_2019   
More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/ 1

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Magnetic Traffic(disquiet0401)

Noise Pulse

i loved the ambient sections of this album
i got the start and near end of cloud 1 ran thru:
ambient reverb
hornet chorus
izotope vinyl
ddly

intro of cloud 4 thru pong texture

gradually slows from 99bpm to 40bpm
.
.
Disquiet Junto Project 0405: Trustable (C. Remix)
The Assignment: Remix music from C. Reider’s album … a trustable cloud.

Step 1: The album … a trustable cloud by the Colorado-based musician C. Reider is available at the following URL. It is downloadable for free. Reider, a longtime Junto participant, has given us permission to remix it for this project.

https://c-reider.bandcamp.com/album/a-trustable-cloud

Step 2: Remix the album to your heart’s content, and your ears’, for that matter. Focus on one track, or combine elements from various tracks. Add your own material, or stick with Reider’s. The direction is up to you. (Note: Reider created the album using online tools, and you might consider using one or more of those tools yourself.)

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0405” (no spaces or quotation marks) in the name of your track.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0405” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0405-trustable-c-remix/

C. Reider - Cloud (1 / 4 ambmix) : disquiet0405

The writing prompt at https://disquiet.com/2019/11/21/disquiet-junto-project-0412-one-chord-wonder/ tickled my interest; and I've been listening to "(no pussyfooting)" a lot lately so thought of a little tribute to that record over my favorite chord, "F/G" (or F, A, C over a G pedal) which I use all the time before I resolve.

The track was made in two parts. The core synthesis were three configurations of (mostly) surge-for-rack in VCV Rack (using a few plugins from other packs). Then render that out and drop it into logic and play a guitar over it.

Rack patch here : https://patchstorage.com/disquiet412-backing-tracks/

One Chord (disquiet0412)

WM- Can't Make Minimal #PRRES #LoopAtHome

The concept of the Ruptura album represents the trajectory that involves the processes that connect to life cycles, with “rupture” being a continuous and extremely necessary experience in our lives.

Ruptura

02 - Consciência (Awareness)

Brazilian Composer and Musician, Felipe Romagna has been working with the development of musical compositions through the manipulation of sound with computer programs and acoustic instruments for performances on stage and soundtracks. He intends to explore the possibilities of sound transformation in "real-time" in the creation process, making possible new performance and compositional acts of musicians through both acoustical and digital materials and instruments.
Romagna holds Master the Audiovisual Communication degree from Anhembi Morumbi University  - SP (2016), also holds Associate Degree in Musical Production (2015) and additional studies in Musical Education from Paulista de Artes College (2014). He studied Saxophone Degree from Évora University - Portugal (2008 - 2010). Currently, he teaches music at the Instituto Federal de Rondônia - IFRO (Brazil). He's working on his first solo album.​​​​​​​

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Noise Pulse

Felipe Romagna

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