Crystalised

CHAMPS - White Satellite (Night Engine Remix)

What Difference Does It Make

Snowfall

Laptapping acoustic guitar arrangement of one of my favorite songs by Bonobo. 

Video:
http://www.youtube.com/watch?v=DDIqhPo5DTU

Recurring (Change Down) - Bonobo (Acoustic Arr Felix Faire)

from the vault to your ears this shoegaze track will get you swaying to the drums and humming to the guitar.

We Will Last Forever Instrumental

Matthew E. White's "Rock & Roll Is Cold (No Skin Version)" is from Fresh Blood (No Skin Version) available now on deluxe LP and digitally.

Watch the Rock & Roll Is Cold music video: http://smarturl.it/MEW-VEVO
More info: http://po.st/Visionnews

Listen to Vision (No Skin Version): https://soundcloud.com/dominorecordco/matthew-e-white-vision-no-skin-version/
Download on iTunes: http://po.st/FreshBloodNSiTunes
Order on Domino Mart: http://po.st/FreshBloodDM

Matthew E. White tour dates:
07-29 Charlottesville, VA - The Southern
07-30 Knoxville, TN - Pilot Light
07-31 Nashville, TN- The Stone Fox
08-01 St.Louis, MO - The Luminary Centre For The Arts
08-02 Cleveland, OH - Beachland Tavern
08-04 Pittsburgh, PA - Thunderbird Cafe
08-05 Philadelphia, PA - Boot & Saddle
08-06 Northampton, MA - Iron Horse Music Hall
08-07 Brooklyn, NY - Rough Trade
08-08 Washington DC - DC9
08-14 Malmo, SE – Malmofestivalen
08-20 Powys, UK – Green Man Festival
09-25 Cincinnati, OH – Midpoint Music Festival
10-25 London, UK – Barbican Centre
10-27 Aarhus, DK – VoxHall
10-28 Copenhagen, DK – VEGA

https://www.facebook.com/amatthewewhitejoint
http://www.twitter.com/amattwhitejoint
http://matthewewhite.com/

Matthew E. White - Rock & Roll Is Cold (No Skin Version)

Limited 12": smarturl.it/MariaUsbeckVinyl
Spotify: smarturl.it/MariaUsbeckSpotify
Apple: smarturl.it/AmparoApple
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Maria Usbeck's solo debut, Amparo, is a collection of songs written and recorded across the span of three years in Ecuador, Buenos Aires, Santiago, Barcelona, Lisbon, Easter Island, Costa Rica, Florida, L.A. and her home in Brooklyn. Though the songs were composed electronically, Amparo called for an acoustic treatment, so Usbeck spent a winter in the studio recording the arrangements live with producer Caroline Polachek and mixer & engineer Miles Benjamin Anthony Robinson. Fleshed out in full sonic color on the marimba, xylophone, quena flute, piano, and harp, the album stretched into something hi-fi and expressive, meditative but not meandering.

Amparo stems from Usbeck's desire to compose in Spanish, her native language. Growing up in Quito, Usbeck was immersed in salsa, merengue, bachata, and Andean music, but was more attracted to German and American culture than to her own, and moved to America by herself at 17. After five years of fronting new wave outfit Selebrities and writing songs in English, Usbeck experienced a delayed-onset homesickness and knew it was time to "let the mother tongue speak." The impulse manifested itself directly: Amparo takes its title from Usbeck's middle name and her mother's name, and translates roughly as "to guide, protect, and embrace." Usbeck wields her Spanish lyrics cleverly while folding in snippets of several other far-flung tongues: Rapa Nui from Easter Island, Quichua from Ecuador, Bribri from Costa Rica, and Catalan. Because these lyrics were composed while visiting the countries from which they originate, their usage is more impressionistic than literal, like a mockingbird imitating fragments of other bird calls. Similarly, Usbeck reinterprets the Ecuadorian music that she grew up with as a newcomer, returning home with fresh ears, and as such the sounds are very much her own.

The backbone of Amparo is percussion, vibrating throughout with timbales, tumbas, a talking drum, bongos, shakers, and an Indian flat drum, with the gaps filled in by her field recordings of birds, beaches, and jungles. The songs were written and recorded chronologically, with the exception of the closing track, a cover of Colourbox’s “Tarantula” reimagined in Usbeck’s Spanish translation. Amparo is a reflection of the textures of Usbeck's childhood. It is also a distinctly grown-up pop record – a travel diary, music made by a visiting outsider to tap into a shared core of human expression. Emotively, Usbeck is her most powerful on piano ballads "Uno De Tus Ojos" and "Jungla Inquieta," but is a magnetic narrator throughout, moving between whispers, chants, and lullabies. Amparo pulses with many stories in many voices, but they flow together seamlessly like water, leaving behind a wordless hum.

Amparo is released May 27 via Cascine in North America, Labrador in Euope and Rallye in Japan.
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Cascine on FB: bit.ly/1QTpyHQ

Maria Usbeck - Jungla Inquieta

Abi Wade is a musician based in Brighton, UK. A Musical collaboration between limbs, strings and vocal chords. Her music is seemingly and seamlessly sewn together, each beat, melody and bass line put exactly in its place, to create songs that pull the heart strings and a performance that will beguile and intrigue.

So far she has toured the UK & Europe with Patrick Wolf, played festivals such as End of The Road, The Great Escape and Wilderness, sold out her debut EP, released music on the label set up by Esben & The Witch’s Daniel Copeman, with whom she also records with and played shows with the likes of CocoRosie, Dan Mangan, Other Lives & Deptford Goth. Her music has also been used on MTV series ‘Awkward’ and Cinemax series ‘Banshee’.

Faker was Produced by Dan Copeland

Faker

Purchase EP Now - https://itunes.apple.com/us/album/sunsets-and-clocks-ep/id613789626

Material originally penned for a recent tour of Japan with fellow LA artist Matthewdavid, 'Sunsets and Clocks' is a brand new EP from Anenon.
 
Consider how personal an experience it is to wait. When caught in the space of time before a thing happens, we unconsciously reveal ourselves through our ticks - physical manifestations of where we let our thoughts drift in this non-space. While waiting, each foot tapped, itch scratched and phone checked reflects the places we allow ourselves to explore before we have to jump back into formal time and space to perform.
 
Anenon recorded 'Sunsets and Clocks' in the weeks directly preceding a whirlwind tour of Japan, where expectations and preconceptions (both false and true), collided over and over again in anticipation of the trip to come. In this collection of songs, Brian Allen Simon shares that intimate space, where he was both highly conscious of the relentless march of time and simultaneously removing himself from it, delving into an inner space where the lack of time smeared memories, fantasies, and fears into one another.
 
From the title, we can start to understand his headspace during this period, where the abstract concerns and artistic preparations for an international tour to a new country constantly collided with the pragmatic, binary problems of itineraries, exchange rates, and language barriers. These conflicting drives mirror the sharp contrast of the way the smudged shades of a fading sun mark the end of the day at the same time that the precision crafted gears of a timepiece click into place. 
 
We hear this theme reflected in how these pieces are unified by their maximal approaches to contrasts in the perception of time and meter, voice and tone. Anenon plays with this contrast through the shadowy textures of rhythm in the live improvisation of "We Yearn" and the meticulously interlocking beats driving "Ghost Light" and the title track. Boldly eschewing the use of the Rhodes and piano of his previous releases, these songs instead rely on the tenor sax and synthesizer. This new pairing fully realizes the theme in the marriage of the ethereal vibrations of the lungs and haunting accuracy of the keys.
 
1. We Yearn
2. Ghost Light
3. Dreamer (for Mary Jane)
4. Sunsets and Clocks
 
Music, cover photo and design by Brian Allen Simon.