FORMULA GESCHEPPER - part 2

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Red Rooms - Cosmic Interference (PRRUKD21085)

Taken from Ellen Allien's EP AurAA Rmxs 1 on BPitch, out March 26.

More: www.orbmag.com/music/

@bpitch-control
@matrixxman
@ellen-allien

Auraa Rmxs 1

Listen more

Premiere: Ellen Allien - I Can't See You (Matrixxman Remix)

ALL STARS 2022

Big Doors

Like this mashup? Check out this Stef Mendesidis mashup playlist: soundcloud.com/vreschen/sets/stef-mendesidis-mashups

Stef Mendesidis - Stalker vs. Gendarme Classe A (Vreschen Mashup)

LIMITED DOUBLE vinyl: http://www.somarecords.com/shop/music/soma_lp107/

Lewis Fautzi | The Gare Album [SOMALP107]

1 - Signal
2 - UVB-76
3 - The Other Side Of Reality
4 - Sick
5 - Range
6 - Loudness
7 - Opaque
8 - Hope
9 - Binary
10– Psychiatric
11- Other Planet

Soma welcome the debut album from the ever-growing roster of youthful talent as Lewis Fautzi drops The Gare Album, named in homage to The Gare Club, Porto, where Lewis made his discovery of Techno. A bold 4 track single debut gave rise to the album process midway through 2013 and under the careful supervision of Soma, Lewis has provided a definitive peak in his sound cultivated on the back of years of studio work. A collection of deep, dark and twisted techno awaits heralding a coming of age for the Portuguese native.

A droning, industrial vibe is immediate from the outset as Signal crackles into existence giving way to the cavernous UBV-76 with its concrete swathes of noise. High intensity pings form the depths give a sense of what is to come. Intriguing, broken beats deepen proceeding as Lewis takes things to The Other Side of Reality. A momentarily respite before he begins to open things up. Blocker takes the tempo up a notch with a thumping kick and looped out chaotic synths that slowly build the tension. This brooding atmosphere is carried on into the tweeked out and mesmerizing Sick, the punishing, bleeped workout of Range and the relentless, discord of Loudness. By this point Lewis has really worked up into a frenzy. Tight percussive workouts keep this album firing on all cylinders. A short interlude is offered as Opaque drifts quickly through the chaos of this straight to the floor album. Through the darkness, a glimmer of Hope shines through, albeit a cold and fleeting techno version as Lewis leaves you bare and bleeding. Yet more dance floor action as the elasticated synths of Binary (recently remixed by Spanish techno don Oscar Mulero) tear through the backbone of the album. By far Lewis’ most destructive track. The static buzz of Psychiatric is a welcome come down from the headiness of the previous track allowing Lewis to lead us through the black hole, ending on the Other Planet. It’s swirling, vortex like pads sliced open with subtle percussive, other worldly bleeps. A fitting end to this hyperactive techno journey.

A definite maturity in production shines through on this fantastic LP from Fautzi as he creates a cold and calculating output, clearly focused on the future. The Gare Album has allowed Fautzi to express himself fully through electronic music, a task that he has taken to whole-heartedly.

Mastered by Conor Dalton @ Glowcast Mastering

Released by: soma
Release/catalogue number: Soma LP107
Release date: Mar 24, 2014 

4. Lewis Fautzi - Sick [Soma Records]

Enjoy the free download!

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Marco Villarroel & LocoMotive - Get Down

Jay Clarke - Drift (Original Mix) [KLOCKWORKS / KW18] Low Quality

Sterac - Track 2

Techno stalwarts Heiko Laux & Joel Mull return to Drumcode for their first outing since 2016.

Friends and collaborators for over a decade, Heiko Laux and Joel Mull continue their fruitful partnership with a searing four-piece work. ‘Centipede’ is a thematic follow-up to ‘Rooter’, their last atmosphere-heavy production that dropped on Laux’s Kanzleramt imprint in 2017. A year earlier they teamed up for the vinyl-only ‘Munch’ EP on Drumcode Limited that explored subterranean techno grooves. 

Their latest work was created during an extended stay at Mull’s home in Stockholm while Laux was visiting for a show. The evocative ‘Contour’ brings the EP into focus, as delicate strings set an atmospheric tone. The title track ‘Centipede’ follows, a track tailor-made for deep Sunday afternoon rave explorations as a menacing riff runs throughout. ‘Bullet Ant’ is driven by industrial percussion and brain-bending synth effects that dip in and out throughout the muscular work. ‘Centipede’ (Morph) follows on from its namesake, teasing out some space and introducing melody to the palette for a deep late-night impact.

Heiko Laux & Joel Mull - Contour - Drumcode - DC204

As Planetary Assault Systems, @Luke-Slater is an innovator of psychedelic mindfuck techno. Across a lengthy catalogue that stretches back into the 90s, the music’s bleepy, polyrhythmic loops are as recognizable as they are genre-defining. ‘Plantae’ is Slater’s first release as PAS on Ostgut Ton since ‘Arc Angel’ (2016) and covers the spectrum of PAS’s different strains while remaining grounded in Slater’s uncanny funk and knack for developing oblique melodies and rhythms over longer stretches. Deepness and hypnosis come as much through duration as sound design.

For Slater, ‘Plantae’ is made for Berghain, where he is a long-standing resident. In his own words: “I’m sure it’s no surprise that when it comes to putting together a release on Ostgut Ton, PAS takes on its more mind-altering, otherworldly quality by natural cause, quietly reflecting the dark sweaty nights and days at the club; at the point, the common neural coupling, of us all together. PAS has been part of Berghain and Berghain part of PAS for a long time. All of these tracks needed to pass the Berghain test in my sets first stop.”

Plantae

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Planetary Assault Systems | Spell A

Our resident shares an absorbing cut from his forthcoming Klockworks EP.

Klockworks 28 is out on Friday 6th December. Order your copy: klockworks.de/shop/kw28

Jay Clarke joins us for our NYE celebrations: fabricldn.co/e5mr33

Buy vinyl

Premiere: Jay Clarke – The Right Time [Klockworks]

Track from NE67 Anthony Linell — Core Field Horizon
Out on 12" and digital December 12th

This time Anthony Linell cuts his peerless supply four ways in four tracks. Short on hubris, and economical to the point of being cruel, 'Core Field Horizon' relents in all the right places to make the effects of its peaks and troughs impossible to defend against. The opening track is a deluge. Spinning on its hydro-blasted synth line, the gravitational pull erases and ensnares in equal disordering measure. On its heel is the EP's title track, an austere display of the venom in the seam between his club-focused work and his experimental output. 'Evaporating Entities' is one of Linell's most diaphanous works to date, and after weaving through the sky we are abruptly subjected to the gravity of the closing track's nerves.

Recorded by Anthony Linell in Stockholm, Sweden 2019
Mixed and mastered by Neel at EnissLab, Rome
Artwork by JB

Anthony Linell — Evaporating Entities

James Ruskin - Consumer Patterns BP056 



2020 is set to be another great year for James Ruskin as he opens Blueprint’s release schedule with a stunning new EP.

Looking back over 2019, the year saw Ruskin release ‘Reality Broadcast Off’ - his first new solo EP in 5 years which gained Resident Advisor “Recommends” and one of Groove’s “Records of The Week”, among other media accolades that summer. It was followed by the re-mastered reissue of his seminal ‘Point 2’ album on Tresor as well as a new release for them entitled ‘Siklikal EP’ in November, while his tight DJing skills continued to take him around the globe reaching most of Europe as well as further afield to the likes of Colombia and Japan.

His ‘Consumer Patterns EP’ due for release at the end of January once again shows James Ruskin deliver true diligence with three cuts of inspiring techno, from the title track which offers a duality of stormy techno meets experimental sound design, via the more linear groove of ‘Social Acceptance’ to the tranquillity of ‘Weakness of the System’.

James Ruskin - Consumer Patterns BP056 [Previews]

Produced by PVS at STTR studio
Master at Dadub Mastering Studio Berlin

A2 - PVS - Saturno

https://warmuprecordings.bandcamp.com/album/gradual-blending-ep-wubc2

This is the second installment of the Warm Up Bandcamp Vinyl series and comes again signed by label boss Oscar Mulero. Limited edition vinyl EP with three cuts of merciless techno designed to shake minds and feet.
 
Gradual Blending starts with the core elements up, distorted kicks, shuffled hats, resonant precussive components, super reverberated claps, density and obscurity aligned in an hypnotic structure.
 
Evolutionary Decay is elastic and physical, a solid subbass / kick / hat groove, phased synthetic layers, atmospheres and liquidness: Intelligent tool.
 
Natural Resources relies again on distorted drums, asymmetrical sinoidal sequences and Fm synths all designed in a wise arrangement.
 
Timeless, hard and mental for the real players out there.

Gradual Blending EP

Evolutionary Decay

Oscar Mulero - Evolutionary Decay

Out now on Rekids: lnk.to/REKIDS165

Techno pioneer Robert Hood debuts on Rekids with a blistering release entitled ‘Nothing Stops Detroit’ ahead of an album this winter.

Over the last three decades the Underground Resistance alum has continually been at the forefront of the techno genre whilst releasing on many of electronic music’s finest labels to boot. In recent years his solo outings have appeared on a select few labels such as Dekmantel, Music Man Records, not to mention his very own M-Plant. Having made appearances on Rekids in the past remixing label boss Radio Slave - both as Robert Hood (‘Don’t Stop No Sleep’) and Floorplan (‘Feel The Same’) - the Detroit originator now drops a four track release in his official debut on the label.

With its machine aesthetic, ‘Nothing Stops Detroit’ is unmistakably Hood from start to finish. Precision kick drums propel the title track forward as stuttering effects and deep stabs work alongside a march band rhythm. ‘7 Mile Dog’ is next with its grainy synths and scintillating pads, making way for the meandering bassline, rattling atmospherics and trippy, oscillating top line of ‘Ignite A War’. Finally, ‘The Cure’ is a cacophony of twisted percussion and rumbling low-end that energetically concludes matters.

FORMULA GESCHEPPER - part 2

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