kicked back with this..................ace matey !

Adam talks to American actor, comedian and writer Bill Hader about life as a cast member on Saturday Night Live, what he learned from his time working at Pixar studios, panic attacks and more!

Plus, news of an upcoming live podcast!

Thanks to Matt Lamont for edit assistance and Seamus Murphy-Mitchell for production support.

EP.27 - BILL HADER

Summer Window

First single from the album "Are We There Yet?" tba 2017

Thomas Meidell: vocals, guitar, bass, keyboards, percussion, Roland CR68
Sven Andréen: drums
Thomas Kaldhol: acoustic guitar
Magnus Nielsen: violin
Dag Stiberg: saxophone
Etienne Gernez: trumpet
Marius Drogsås Hagen: backing vocals
Anders Magnor Killerud: backing vocals 

Words & Music: Thomas Meidell
Mix & Master: Sven Andréen
Cover: Thomas Kaldhol

The Sea Of Trees

The Track of Doubt by Newg

Days, filled with doubt
So lost, till I figure it out 
Unsure, of who I am
Wander, without a plan

When your life's messed up, keep on track 
What's done is done now, you can't look back

Catch, another train
Windows fly by, all the same
I don't know, where this leads
But when it gets there, I’ll be free
On the slow train, it takes time
I don't mind, I'm on cloud nine 

Cos life's messed up, keep on track
What's done is done now, you can't look back


Cheers to Hannah for the artwork, check her out on Instagram: hannahwilliams_art

The Track of Doubt

The Track Of Doubt

Track written for Mr Bingo. 

Lyrics

What Should I Do With My Time?
  For Mr Bingo

What should I do with my time?
Should I find a new lover or a mountain to climb?
What should I do with my time?
Should I go to the circus and get into mime?

Do something you don’t want to
it’ll give you a new 
Perspective on your self 
On your privilege too

Pack up and drive
out into the open blue 
Go off the grid
Is that what I’d like to do?

Stick daytime telly on 
Drink a litre of wine 
Don’t worry anymore 
Everthing’ll be fine 
Lost in the aisles Of Harringey B&Q 
Faling down drunk In the garden centre

What should I do with my time? 
Should I be a gravedigger or get into wine? 
What should I do with my time? 
Should I be a shopfitter on a factory line?

Don’t want no PHD
No university
Buy caravan in France
Be a retiree Live on a farm In outer mongolia
Troll everyone on the internet (yeah)

What should I do with my time?
Should I get on the treadmill? Do graphic design? 
What should I do with my Time? 
Should I become a soldier and get into line?

What Should I Do With My Time

THE RESOURCE CENTRE

John Hanson is a Birmingham-based artist, (Magnetophone – Earworm, Static Caravan, 4AD/The Resource Centre - First Fold). During his time recording under the project titles Magnetophone and The Resource Centre, John Hanson’s activity in sound has included a variety of Single, E.P. and L.P. releases on a wide variety of formats on a wide variety of labels. He has also provided soundtrack work for film, including the 2008 motion picture film on the life of legendary fashion designer Valentino: Valentino: The Last Emperor, as well independent film and video art. His latest work with The Resource Centre has involved sound, visual art and text.

In The Resource Centre’s inception in 2009, John Hanson, working in music education at the time, undertook the meticulous process of developing his own music library of archived sounds found within the Music Room in which he taught; he began assembling short compositions and recordings from this auditory catalogue, The Resource Library. Using the methodologies found in pedagogical approaches such as Carl Orff’s The Orff Method, or The Orff Approach and submerging himself by other artists’ work associated with music education, such as Daphne Oram and Gunild Keetman, these forays in electronica resulted in the release of his first EP on First Fold Records in 2010: The Resource Centre Series – EP 1.

The Resource Centre’s moderate and minor approach to writing and recording often leads to wide-open and balanced compositions in an effort to coerce sounds to agree with each other in a minimal yet arresting way. Largely without beats, the music often uses variations in rhythmic patterns to create often simple, unfolding electronic musical structures. With the emphasis on harmony and composition, The Resource Centre’s disciplined and discreet approach leads to lightly processed and sympathetic arrangements borrowed from a select palette of archived sounds to create evocative and beautiful musical forms.


Low Fantasy

THE RESOURCE CENTRE

John Hanson is a Birmingham-based artist, (Magnetophone – Earworm, Static Caravan, 4AD/The Resource Centre - First Fold). During his time recording under the project titles Magnetophone and The Resource Centre, John Hanson’s activity in sound has included a variety of Single, E.P. and L.P. releases on a wide variety of formats on a wide variety of labels. He has also provided soundtrack work for film, including the 2008 motion picture film on the life of legendary fashion designer Valentino: Valentino: The Last Emperor, as well independent film and video art. His latest work with The Resource Centre has involved sound, visual art and text.

In The Resource Centre’s inception in 2009, John Hanson, working in music education at the time, undertook the meticulous process of developing his own music library of archived sounds found within the Music Room in which he taught; he began assembling short compositions and recordings from this auditory catalogue, The Resource Library. Using the methodologies found in pedagogical approaches such as Carl Orff’s The Orff Method, or The Orff Approach and submerging himself by other artists’ work associated with music education, such as Daphne Oram and Gunild Keetman, these forays in electronica resulted in the release of his first EP on First Fold Records in 2010: The Resource Centre Series – EP 1.

The Resource Centre’s moderate and minor approach to writing and recording often leads to wide-open and balanced compositions in an effort to coerce sounds to agree with each other in a minimal yet arresting way. Largely without beats, the music often uses variations in rhythmic patterns to create often simple, unfolding electronic musical structures. With the emphasis on harmony and composition, The Resource Centre’s disciplined and discreet approach leads to lightly processed and sympathetic arrangements borrowed from a select palette of archived sounds to create evocative and beautiful musical forms.

All Automatic

Music: Nic Jay
Voice: Nic Burrows
Drums: Dan Blackett

Mixed and mastered by Dan Blackett.

Nicolas Burrows - Everything Goes In The Bowl (mix)

Fell is Nicolas Burrows, Jon Rulton, Matt de Kersaint Giraudeau and Dav Shiel. Fell’s songs are driven by Nicolas’s wry, off-kilter lyrics, considered vocal delivery and playful compositions: jangly guitar-pop and slow-burning pastoral folk sit alongside psychedelic freak-outs and krautrock rhythms. Nicolas’ intimate vocals float on top of woozy seaside organs and tape-wobbled guitars. 

Fell’s first record, ‘There Still Are Mysteries’ was produced by Andy Ramsay of Stereolab and played extensively across BBC 6 Music. Currently signed to Lost Map, Fell’s ‘For The Pickling’ EP was released in 2019, produced by Peggy Sue/Landshapes’ Dan Blackett, featuring appearances by David Thomas Broughton and Luisa Gerstein of Deep Throat Choir. During 2020, Fell began ‘Sides’ - a singles project releasing two tracks at a time all the way from 
Side A up to Side Z…

A new LP, ‘Mallows Marsh’ is set for release later this year.

What Should I Do With My Time

Fell

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