extraordinary!!! himmlisch - it makes me cry

Mumbled echoes from the mist,
through the tunnels of revival.
The graininess interplay with a subdued mellifluence.

A haze of longing sighs and reverberations
threshold between the lane,
where distant voices yield to.

TEARS019 coming soon...

Patina Lush - Aldis B

Elephant from the album Yellow Bell 
released on Sonic Pieces 2015

Elephant

Loscil - Stave Peak

Artist: Tangents
Title: Jindabyne
Album: Stateless
Release Date: July 8, 2016

Pre-Order CD / LP: shop.temporaryresidence.com/trr267

Stateless is the second full-length album of genre-hopping	post-everything	experimentalists Tangents. In a delectable hybrid of styles, Stateless cuts up and weaves together rich instrumental passages from the multi-talented ensemble of musicians whose collective resumé spans decent swathes of recent experimental music history: British electronic music producer Ollie Bown (Icarus, Not Applicable); Adrian Lim-Klumpes (Triosk, 3ofMillions) on piano, Rhodes, vibraphone and marimba; Peter Hollo (FourPlay String Quartet) on cello; and the duo Spartak (free improviser Evan Dorrian and singer/producer Shoeb Ahmad on drums and guitar respectively). Sparse metal-coated drum hits stumble over glistening reverse vibes, Saharan guitar licks, Fender feedback and washes of filtered piano. Moments of acoustic jazz surface, flowing into stoic upbeat anthems, drenched with multilayered patterns of glitched strings.

TRACK LISTING
1. Jindabyne 
2. Oberon 
3. Masist Cau 
4. Directrix 
5. N-mission 
6. Along The Forest Floor 
7. Maze Crescent – Part I 
8. Maze Crescent – Part II 
DIGITAL BONUS TRACKS
9. Jindabyne (Four Tet Remix)
10. Dank Memes & Things(The Cheech Diva's Evensong In The Time Of Orange Skinned Camachos And Shrill DM Masons) 
11. N-MIssion(Rabit Remix) 

© 2016 Temporary Residence Ltd.

Stateless

Tangents - Jindabyne

Kaitlyn Aurelia Smith & Suzanne Ciani - Closed Circuit

Learn more at RVNG: http://smarturl.it/frkwys13-rvng
Add to your collection at Bandcamp: http://smarturl.it/frkwys13-bcamp
Download + stream everywhere else here: http://smarturl.it/frkwys13-digital

From FRKWYS Vol. 13: Sunergy. Out everywhere September 16, 2016.

℗ and © 2016 RVNG Intl. / www.igetrvng.com

FRKWYS Vol. 13 - Sunergy

Closed Circuit

Kaitlyn Aurelia Smith & Suzanne Ciani - Closed Circuit

A track from the album 'UV Sea' out 02/13/16 on Constellation Tatsu.

Forest Walker - Desert Lighthouse

Agora

In My Room

PREORDER/ https://shelterpress.bandcamp.com/album/the-flower-and-the-vessel-2

Félicia Atkinson  'The Flower & The Vessel '
Shelter Press / SP110

French poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”

In truth there is nothing simple about The Flower & The Vessel. The album’s 11 songs span a vast pantheon of whispering textures, opaque moods, and surreal spoken word, leading the listener through a mirrored hall of beguiling mirages. Atkinson cites a trio of French classical compositions from her childhood as formative influences on this particular collection: Maurice Ravel’s “L'enfant et les sortilèges” (“a scary opera for kids”), Debussy’s “La Mer” (for its union of narration and music) and Erik Satie’s “Gymnopédies” (as an exercise in negative space, irony without cynicism, and “melody with doubt”). There’s certainly a shade of classicism woven within these tracks, however veiled, abstracted, or unorthodox. Melancholic piano motifs repeat then retreat into a radiant frost of shivering frequencies; processed voices recite cut-up poems and interviews over delay-refracted Rhodes and Wurlitzer; iPad gamelan patterns flutter from meditative to melancholic and back again, offset by pointillist patches of delicate software synesthesia.

Although much of Atkinson’s past discography is shaped by speech and the lyricism of language, The Flower & The Vessel ventures farther into silence, absence, and voiceless wilderness. Among her sources of inspiration were “women who wonder, dream, and create vacant spaces in their art,” as well as Ikebana flower arrangements, which reflect her own relationship with listening: “structure combined with everyday noises, selecting them to make a sparse music bouquet.” Field recordings from Tasmania and the Mojave Desert murmur beneath hushed reverberations of gong, vibraphone, marimba, softly processed into an elegant emptiness, alternately eerie and serene.
 
Her mode of minimalism has long been one of reduction, riddles, and curation, but here Atkinson’s synergy feels close to apotheosis, emotive but ambivalent, a ceremony of expectation and invisible forces. The 19-minute closing collaboration with SUNN O))) guitarist Stephen O’Malley, “Des Pierres,” is one of the album’s few pieces tracked in a proper studio (Music Unit in Montreuil, France) but it broods and burns with the same subliminal majesty as the rest of The Flower & The Vessel: an ember in amber, seeds planted in shifting sands. Atkinson’s voice flickers like a flame, framed by slabs of shadowy feedback. Her process may be personal is but its impact ripples to the edges of existence: “How does the act of creation connect us, not only to history, but to the cosmic? It’s a process of taking, and then giving back. It makes us belong to the world.”

The Flower and the Vessel

Shirley to Shirley

FELICIA ATKINSON — Shirley To Shirley (SP110)

Taken from "Yesterday Was Dramatic – Today Is OK" (20th Anniversary Edition) out on Morr Music 2019-08-30
Tourdates:
Sep 17 – Rote Fabrik – Zurich (CH)
Sep 18 – Maroquinerie – Paris (FR)
Sep 19 – Church of Laken – Brussels (BE)
Sep 20 – Neuadd Ogwen – Bethesda (GB)
Sep 21 – Union Chapel – London (GB)
Sep 22 – Church of Sint-Denijs – Kortrijk (BE)
Sep 26 – Planetarium – Berlin (DE)
Sep 27 – Planetarium – Berlin (DE)
Sep 28 – Aglomerat – Moscow (RU)
Sep 29 – Opera – St Petersburg (RU)

Follow múm: www.facebook.com/mumtheband/
Follow Kronos Quartet: www.facebook.com/kronosquartet/
Follow Morr Music: www.facebook.com/morrmusicberlin/

Lp/Cd/Digital

Múm: Random Summer (Hauschka Rework)

Through Inland - Vanessa Wagner - was able to gift us with imaginary landscapes, through which the listeners could roam freely in a gently throbbing natural world, and where each note was a step and every sound formed a path… Inland Versions is the electronic extension of the project and includes 6 reworks by GAS, Suzanne Ciani, Vladislav Delay, Marc Melia, Hüma Utku and Nadia Struiwigh 

Your are listening to https://soundcloud.com/nadiastruiwigh rework for Vanessa Wagner´s piano solo interpretation for Philip Glass`s Etude 9. 

Inland Remixes available in 12" and all digital platforms on september 27th 

Preorder on Bleep (clear vinyl version ) -https://bleep.com/release/138667-vanessa-wagner-inland-versions

Pre-order

Vanessa Wagner - Etude 9 Nadia Struiwigh Experimental Edit [Philip Glass]

Hatis Noit and Kevin Richard Martin aka The Bug share their paranormal first cut 'After the Storm' via The Wire, ahead of their debut live performance at Le Guess Who? Festival in Utrecht on November 10.

The pair first joined forces during a Late Junction live collaboration session last year, resulting in four extraordinary pieces broadcast on BBC Radio 3 in December 2018. 

“Hatis Noit’s impressionistic approach, tonal brilliance and kaleidoscopic spectrum, evoked voices I had loved in the past. Whether it echoed the mood of Les Mystere des Voix Bulgares or the beauty of Liz Frazer, it even navigated the eerie spaciousness of Japanese Gagaku traditions that I enjoy so much, so I just knew I was happy to collaborate with her, as she had outgrown her influences and blossomed into an extraordinary talent.

'After the Storm', was a track we first sketched at the initial radio session but was later fully formed in my Berlin studio. In these times of climatic turbulence and socio-political upheaval, its deep seismic sonic flow and haunting melodies are a hymn to the stranded, offering comfort to those in need of solace.” — Kevin Richard Martin

The meeting of Hatis Noit’s bewitching vocal explorations and Kevin Richard Martin’s sacramental synthesis of sound for a world exclusive live performance is sure to lift their respective virtues to perplexing new levels.

“As a solo vocalist and voice artist, I’d always dreamed of floating and being drowned in a beautiful sonic storm. And then I met Kevin Martin.” — Hatis Noit

In My Room

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