Feorh - Tellerand

They don't think it be like it is, but it do

Progressive techno beats with intense bass and analogue synth.  Raising the frequency and vibration around the world!
           This music expresses my interest in the cosmos and the nature of space and time. 
     I take influences from artists I grew up to, artists such as Chemical Brothers, Crystal Method and Daft Punk. 
     
Enjoy

We are all from outer space from the same source. 
My particles are as old as time, and so are yours.

#luminus_music
#traumschallplatten

Steffen Wünscher
Bielefeld | Germany

Hi there! Thank you for clicking on this page! Allow me to introduce myself: I' ve been making music since I was eight or nine years old. At first I was playing the recorder and the flute on an educational level. I tried to cope with classical composer' s stuff like Mozart and Bach and I guess I learned quite a lot about music at that time but was really missing the fun part. That started to change when I was twelve or thirteen and got my first keyboard. It was a Yamaha MK-100, a weird combination of a preset- keyboard and synthesizer with built in speakers and a small selection of crappy waveforms that could be combined to get different sounds. About a year later I bought the famous Casio SK-1 Sampling Keyboard and had a lot of fun burping into its built in microphone (some of you might know what I' m talking about). Things became a little more serious when I got my first real synthesizer, a Kawai K1 ( Jan Hammer' s Miami Vice soundtrack was my first CD and a huge influence at that time). I quit playing the flute and and got myself a Yamaha RX-7 drum machine. When I was sixteen I went to America as an exchange student and spent one year in Marion, Wisconsin. When I came back to Germany my brother and I got together with two of his friends and formed a rock band. The band' s name was "Rescue On Friday". I was the lead singer and wrote the lyrics for the songs. We had a couple of gigs around the area of Hannover and did some demo- recordings but the band didn' t last any longer than three years. Electronic music had become increasingly interesting for me. I was blown away when I first listened to the Prodigy' s "Music For The Jilted Generation". I was looking for something new and when the band split up we had a little money left from the gigs we had played. In 1997 I bought myself a Yamaha QY700 Sequencer and a Roland MC-303 Groovebox and started to learn about MIDI recording. Later on I added an A3000 Sampler and I traded the MC-303 for a 505. Some other equipment has come and gone since then like a Korg Kaoss- Pad, an EMU ESI 4000 and a Yamaha SU 700. My current setup list includes:
Yamaha AW4416, NS-10M, Akai MPC 2500, APC20 for Ableton Live, Roland MC-909, XV-3080, VP-9000, EF-303, Korg EMX-1 SD, Kaossilator Pro, Kaoss Pad 2 and 3, Access Virus b, Waldorf Micro-Q lite, E-MU X-Board 61, Kenton Control Freak, Behringer Ultra-Dyne Pro 9024, Alesis 3630.
