Fetherstone, in collaboration with London-based producer Harry Tarlton, presents 'Two Hands on Deck’, the fourth instalment of her self-titled 4-track EP. Under the guise of Fetherstone, her new electronic-pop-folk infused persona, Australian songstress Briana Cowlishaw brings the tradition of the troubadour storyteller into the modern electronic pop genre through her innate passion for storytelling. 

The single was featured on the Richer Unsigned August 2017 Highlights playlist, which was then later hand picked by Newton Faulkner to feature on the Richer Unsigned record store day vinyl compilation, April 2018. 


A note from Briana.... 

Often as artists we think we need to go the road alone, tough it out and struggle to make things work on our own, because we should be capable, right? In this fight to be strong enough, good enough, noticed, credited as an artist, I often find myself lonely, doubting my art and it's validity. 

This song is about letting that go and celebrating collaboration. Letting people in to bounce off, create with and feel like you are part of something bigger than yourself. This track is intended to capture what it feels like that moment you let go - a feeling of release, weight lifted from your shoulders, excitement, playfulness ... and potentially a little party dance to celebrate!

DOWNLOAD: https://fetherstone.bandcamp.com/

Follow Fetherstone:
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http://soundcloud.com/fetherstonemusic
http://fetherstone.com
http://musicglue.com/fetherstonemusic

LYRICS 

The road is speaking, 
It talks to me. 
The road, is whispering, 
Change tactics. 
Go on, and open, 
Those doors you’ve been watching oh. 
Cause doors don’t open themselves. 

I’ve been rowing my canoe, 
Without knowing where I’m going to. 
I’m sinking under soon I’ll have to, 
Throw my ore in. 

Cause I don’t need another morning crying here alone. 
So take my hand it’s easier to steer a boat with two. 
Two hands on Deck, oh. 
Two hands on Deck, oh. 

A rose is blooming, 
Just cultivate the soul. 
It’s opening. 
A chance to feel alive, again. 
Feel the power in your hands. 
This road was made for us. 

I’ve been rowing my canoe, 
Without knowing where I’m going to. 
I’m sinking under soon I’ll have to, 
Throw my ore in. 

Cause I don’t need another morning crying here alone. 
So take my hand it’s easier to steer a boat with two. 
Two hands on Deck, oh. 
Two hands on Deck, oh. 
Two hands on Deck. 

Help me, let me, keep moving forward. 
Help me, let me, move on. 
Help me, let me, keep moving forward. 
Help me, let me, move on. 

Cause I don’t need another morning crying here alone. 
So take my hand it’s easier to steer a boat with two. 
Two hands on Deck, oh. 
Two hands on Deck, oh. 
Two hands on Deck.
credits
released July 7, 2017 
Production: Harry Tarlton 
Music, Lyrics and vocals: Briana Cowlishaw 
Artwork: Original print by Edith Cowlishaw, Digital editing by Ryan Khoury aka Tryangle Man.
tags

Self Titled EP 

Two Hands On Deck

Fetherstone combines jazz, pop, folk and electronica to showcase a very personal, modern expression of her luscious songwriting and sublime vocals. Working as a seasoned jazz vocalist and composer in Australia since 2009, Briana Cowlishaw moved to the UK in 2015 where she started a new musical adventure; Fetherstone. The project is named after Bri’s grandmother (Edith Featherstone/Cowlishaw), a renowned printmaker in Australia, and is what Bri channels all her creative energy through; songwriting, painting, performing and creative play. Fetherstone’s debut EP was produced by UK’s Harry Tarlton (Union J, WarnerUK), followed by 3 singles released between 2018 and 2020, and she is now about to release her first self produced body of work, "Full Turn", due out 1st June 2023.

The album "Full Turn" is a fusion of songs and interludes, capturing the essence and energy of the places where Fetherstone’s stories came from; the frantic streets of London to the quiet and serene bush in the Australian Blue Mountains. Ambitious at heart, Briana Cowlishaw started the journey of learning how to produce and mix her own music 3 years ago during the pandemic lockdown, which has allowed her music to tell raw and personal stories about her connection to nature, finding resilience through darkness, the bumpy and joyful road of being an artist and the cycles of death and rebirth. “Full Turn” was recorded, produced and mixed in a marriage of home studio setups between Sydney, Central Coast NSW and Berlin, alongside Berlin based Aussie singer and producer, Matilda Abraham.

Performances in Brighton, London, Sydney, Melbourne, Prague and Brno have seen Fetherstone utilise a 5 channel vocal loop pedal and beats machine to craft stunning vocal arrangements of her songs, as well as acapella arrangements of covers from her artistic role models, such as Madison Cunningham, Phoebe Bridges, Tom Misch, Lianne La Havas, Emily King, Bon Iver and Joni Mitchell.

Producer/DJ/Label head (https://soundcloud.com/dramahands)

Spurz is a DJ and producer whose music threads together echoes of various musical disciplines to create a voice that is uniquely his own. His productions and remixes have been supported by the likes of SBTRKT, Mumdance, and Kastle, with his albums and EPs being applauded by Mixmag – who chose 'Loud Futures' as an Album Of The Month (goo.gl/3egj99) – and more.

As a selector, Spurz eschews a focus on a singular genre or sound in favor of finding interesting ways to connect the dots and build energy by pulling from a combination of experience and expansive knowledge, evidenced in his sets on NTS, Radar, Rinse France and Tim & Barry’s Just Jam.

Apart from his personal music endeavors is Drama Hands, a DIY label he co-pilots with long time friend Jesse Rhodes. Originally started in a basement as club night born out of bleak nightlife options in Edmonton, Canada, the label has blossomed into a platform for emerging artists with a roster focused on inclusion and diversity, echoed in the vast variety of music the label plays host to.

Bookings: booking@onthesly.co
Remixes/etc: spurzmusic@gmail.com