Website:     https://neillandstrumm.cargocollective.com/
 Live booking requests to:-

neil@scandinaviaworks.co.uk

New album: 'Imagine This Is A High Dimensional Space Of All Possibilities' out 31/03/23 via Border Community. www.bordercommunity.com

For Holden & Zimpel bookings please talk to Naomi at Earth: https://earth-agency.com/artist/james-holden/

Fabrice Lig is considered by his peers & techno fans around the globe as a world class producer.

He is well known for his particularly funky use of Roland’s sh101 analog synth, and for his particularly emotional and personal melodies and harmonies.

There is no doubt that after more than 20 years of teaching himself production processes, complex midi programming and harmonies, Fabrice’s sound is unique and recognisable among the thousands of weekly techno releases.

Demonstrations of these skills appear on the crème de la crème of electronic music labels such as KMS (Kevin Saunderson), Planet-e (Carl Craig), Submerge, R&S, Third Ear, 7th City Records (Dan Bell), F-Communications (Laurent Garnier) , Versatile, Classic, Compost, Subject Detroit, Motech, Raygun, Playhouse Records, Kanzleramt (Heiko Laux), 70 Drums (Ken Ishii), Clone, Trapez ltd and so on...An exceptional discography into mythic labels, into history of electronic music.
By the end of 1998, after his first DJ and production experiences, under the Interwaves and Bug Orchestra nicknames, Fabrice was elevated to the ranks of the Detroit musical elite by Mad Mike himself, thanks to his classic remix of E-Dancer’s Banjo track on KMS: “Fabrice is a part of Detroit music's history by being the first white producer to record on KMS, and the first double groove recording from NSC”.
Fabrice has built a solid discography and reputation, confirmed by his reknowned appearances at the world’s best clubs & festival line ups such as Panorama Bar-Berlin, Fabric - London, Womb-Tokyo, Detroit Fuse-In Festival, Fuse - Brussels, Loft - Barcelona, Sub Club - Glasgow, The End - London, Sonar Festival, world famous official Montreux Jazz Festival, Bourges festival (On stage with Jean-Michel Jarre ), to name but a few. One of the highlight of Fabrice dj career is the paper into Detroit Free press where his performance was voted best dj Set of 2005’s Detroit Fuse-in Festival.
Fabrice also collaborated and remixed some artists like Laurent Garnier, Kevin Saunderson, Agoria, DJ Hell, Ken Ishii, Kenny Hawkes, Rob Mello, Frederic Galliano, Chymera, Trüby Trio…
After his last Soul Designer's album on Third Ear (2007), Fabrice decided to take a bit of a break from music and concentrate on some educational projects. Nevertheless, he released his classic Purple Raw EP on Versatile in that period, as well as some own EPs on R&S, Subject Detroit, .. next to a few remixes. Over the last few months however, Fabrice quietly prepared the celebration of 20 years of music by producing a new album with the idea to make a strong “come back” with fresh material for late 2014.
And when Carl Craig first heard "Galactic Soul Odysseys", he instantly decided to invite Fabrice to join Planet E's prestigious family. Once again, Fabrice work is entering history of music through one of the most respected labels from the techno community.
Fabrice is really excited to be back on tour for live performances around the globe and to present that new material to his fans...

As Jean-Michel Jarre said in an interview for MTV : "What is touching me in Fabrice Lig's career is the way he is following his own line, without caring about trends, and that's the path an artist should follow. It is not post Detroit, it's an emotion"


Experimental & Avant-garde music from Wales and beyond. 

Cerddoriaeth arbrofol ac avant-garde o Gymru a thu hwnt. 

Geraint Ffrancon - gwaith sain ers 2002 / sound work since 2002

Dark, abrasive, bass heavy electro breaks.
A soundtrack for empty bus shelters at 3am, wet tarmac, clicking exchanges, abandoned buildings and dirty alleyways
From the ashes of projects past, Exsil grew in the pandemic.  A reaction to isolation, and hysteria, empty streets and half remembered dance floors.
Dense, claustrophobic and complex electro breaks, glitched and bass heavy, but always with a driving insistent pulse, fragments of haunted melody strung around its core.
Pulling in threads of 80's electro analog warmth, and outboard production techniques, but with contemporary intensity, and refusing to be limited by genre boundaries, this isn't music that is trying to "emulate" anything, but push forward, instead of cashing in on empty nostalgia.
Old school values, new school production.

 If "Exsil" means anything, it is "outsider".

Standing on the fringes, and not looking in,  but looking out.

Ffrancon is following