Intense. Love the dark, and deep sound to this track.

Not Operator

Breath, voice, violin bow on electric guitar, electric piano, effect pedals, percussion, non synchronized loops, two tube amps. Field recording: Electromagnetic waves made audible with Soma Ether. Spoken words: "Ariel" (1962), last verses, read by Sylvia Plath. All sounds (except Plath's reading) mixing and production: Velvet Something Superdark.
------------
"And I 
Am the arrow,

The dew that flies
Suicidal, at one with the drive
Into the red

Eye, the cauldron of morning."
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Ariel

Reworked an older "song" and made it faster, noisier and probably worse. Just percussion (and a bass guitar, used as additional percussion) and some two note droney synth in the background.

Aapo the 2nd

zone.

muzakorder _ 2025
LPx02
Mastering : Nil Hartman

à la rouille (avec öthann)

From the rerelease of Newer Unknown Breeds. OUT NOW ON BANDCAMP:
https://moodexhibit.bandcamp.com/album/newer-unknown-breeds-expanded-edition

"Newer Unknown Breeds" was at the time a further development in sound for Blink Twice. The album expanded on the techno and electro genre much more than Blink Twice's debut "Other Locations". There was an increase usage of sampling on this collection of material, often with looped effects incorporated to add further density. With the blend of tribal and industrial elements remaining, it serves as an adventurous concoction of experimental rhythmic and darker ambient electronic music.

The underlying theme of "Newer Unknown Breeds" was the observance of mutations (both deliberate and natural) within organisms. Evolutionary results of obscure creatures and their advancement and place in the biological field.

Blink Twice - Mutation

Analogue Bubblebath by Aphex Twin is of the greatest pieces of electronica to ever grace our ears, so this was quite an intimidating project to take on.

I properly hope that this remix doesn’t offend anybody - it was born out of love and stupidity and is actually a little embarrassing when you compare it to the sublimity of the original. 

The chords used were plucked quickly and impulsively from the ether and there is also some brazen preset implementation, for which I am genuinely sorry.

In all honesty, there was so much more work to do on this, but in the end it was a simple choice between either finalising the project or losing my tiny little mind.

Huge respect and admiration, as well as heartfelt apologies to Mr. Richard D. James, a limitlessly clever bloke who leaves most others cowering in his shadow. He also knows exactly where your girlfriend is.

AFX - Analogue Bubblebath (Usul's Stripwash Remix)

brûlezoné (avec öthann) _ album out on bc

Hit the back button

unchilled hang out

working in the summerheat

Lumbertubs

Just a slow acid-flavored techno drift — all smiles, no pressure. I’ve been playing with more devices separately thanks to the new audio interface (finally!). Recorded live in a spontaneous haze, then mixed in Ableton with a touch of afterthought.
It’s got wobble, it’s got fuzz, it’s got glow. Enjoy the glide.

Arigatou Gozaimasu 🙏

Acid-Soaked Slow-Tempo Bliss with a Cheeky Edge

18.07.25 (Live Recording)

Lately

Arp 5, Rv5 tst 08.02.24 (live Recording)

Live Impro Sessions mit den Korg Electribes

Tribes schön bunt

musique pour (sur)vivre

DL on : https://fhauna.bandcamp.com/




Words to : gwenole.fhauna@gmail.com

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https://upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Abraxas_gem_scan.svg/800px-Abraxas_gem_scan.svg.png

weird sisters : https://youtu.be/hSLO9cMlfZ8?si=08cC4E_IwxmXc7Nt

brûlezoné (avec öthann) _ album out on bc

fhauna

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RDT

RDT

construye un castillo, échalo abajo

construye un castillo, échalo abajo

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