/
Absolute Control And Profit (Part Three - Welcome to 2030: The Terminator Sequel)

/
this is the third single of the reworked long form audio drama to be released now drop by drop day by day

the album as well as previous excerpts are compiled here
/
Welcome To 2030:
The Terminator Sequel - Live And In Living Colour
The Album and Singles Compilation
soundcloud.com/fictionalive/sets/welcome-to-2030-the-terminator-sequel
.
.
//
story written and album produced by fictionalive

music, carefully used, written, arranged, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed and curated by fictionalive //
/
vocal production, arrangement, and final mix by fictionalive

/
artwork photography and image editing by fictionalive

/
fusion of it all -
fictionalive with the popoems series and the hyper media reports.
.
.


.

.
.
.
.

Absolute Control And Profit (Part Three - Welcome to 2030: The Terminator Sequel)

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

Music | Remixer | 


https://youtube.com/@dramanticmsc?si=CHKw4MoGhfK2LVQd

-Sélection Maison- " ( -_______- ) " - Lost Preset -
Passionate from the very beginning. He has shaped his culture while working with organisations and alternative projects for over fifteen years. His vibrant passion remains true to the frequency of the music.
An unmistakable electro feel. With groove and emotions in the movement, he’ll make you dance with an unwavering and liberating flair.

Not Underground. Not Mainstream. Just Left Ground.

Left Ground Music stands outside the boundaries of genres and scenes.
We are neither part of the mainstream nor the underground—we exist in the “left ground”, a space where sound refuses to conform.

From electronica, dub, and ambient to post-rock textures, our releases carve out soundscapes that demand attention, not background listening.
Born in Japan, our music captures the collision of urban noise and natural silence, offering listeners a sonic experience that feels both familiar and alien.

This is music for those who walk the edges of reality.
This is Left Ground.

I'm English  🏴󠁧󠁢󠁥󠁮󠁧󠁿💪🌄❤🏴󠁧󠁢󠁥󠁮󠁧󠁿

ベーシストとしてバンド活動を経て2024年からDAWでの楽曲制作を始める。
エレクトロニック・ロックにレゲエ・ダブのエッセンスを加えたサイケデリックなダンスミュージック。

After years of playing bass in bands, I began producing music with a DAW in 2024.
My sound blends electronic rock with the essence of reggae and dub, creating a psychedelic form of dance music.

New album on Bandcamp
https://fankyamix.bandcamp.com/album/phases-vol-1-fast-sketch

🎧 K – AI Music 🎧
Genre-bending AI music that hits different.
Not your typical AI sound.
Raw. Emotional. Powerful. Built with AI.
For those who feel too much, think too deep, and crave real impact.

🔥 Rap. R&B. Metal. House. Chill. Dark Pop.
🎵 5 full songs + 5 viral shorts every week.
🎤 Hooks that stick. Vocals that cut. Lyrics that mean something.

More than algorithms. This is emotion in code.
Every track tells a story – unpredictable, unfiltered, unforgettable.
If you're tired of safe, generic music… welcome home.

🧠 Powered by AI. Driven by heart.

🎤 All vocals are AI-generated using ethical tools.
No impersonation – all voices are original & fictional.

🔗 Find me on all platforms:
📺 YouTube
📷 Instagram
🎵 TikTok
 𝕏   Twitter
📌 Pinterest
💬 Threads
👻 Snapchat
🎧 Listen on Suno
🎧 Listen on BandLab
👾 AI vibes on Audius
🍏 Apple Music
🎧 Spotify
🛒 Amazon Music
🚀 Patreon (coming soon)
🔗 linktr.ee/K_AI_Music

👁️‍🗨️ Subscribe. Follow. Feel everything.

Brain Hop

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

/ to(tally) fictionalive or not

:: disclaimer
let me break it down for you - all tracks are handcrafted

/
An artist is someone who creates or expresses ideas, emotions, or visions through a chosen medium, aiming to communicate, inspire, or evoke a response.

This definition embraces all forms of creativity—visual, musical, literary, or performance—and emphasizes the purpose of connection and expression rather than formal titles or external validation.

/
Brain Hop

Brain Hop is a musical genre invented by the artist FICTIONALIVE on Monday, December 1st, 2025, at 1:24 PM. The genre seeks to bring depth, intellect, and philosophical reflection into contemporary music, emphasizing thoughtful lyricism, conceptual frameworks, and cognitive engagement across styles. Brain Hop differentiates itself from much mainstream music by prioritizing meaningful content, complex themes, and a cerebral approach to structure, rhythm, and sound design.

The creation of Brain Hop responds to the perception that a lot of current music leans heavily on surface-level entertainment while neglecting intellectual and existential depth. It aims to provide an artistic space where artists explore profound social, political, and existential issues through innovative production and poetic or experimental vocal delivery. Brain Hop can interact with hip-hop, electronic, pop, or experimental traditions, but is defined above all by its focus on ideas and reflection rather than by any single beat pattern or instrumentation.

​As of its inception, Brain Hop is positioned as an emerging genre within underground and alternative music scenes, promising to attract listeners and creators who value music that stimulates both mind and soul.
​

.


.


.