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Dance With Wisdom, Not Mindlessly // Death In The Afternoon Mix
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story created, lyrics written and narrated by fictionalive /
the song 'Death In The Afternoon' is written, produced, and provided by mobygratis, licensed /
arranged, mixed by fictionalive /
fusion of it all – fictionalive with the popoems series and the hyper media reports / cover art by fictionalive / fair use only /
dropped July 3st, 2025
11:33 pm central european hot summer time //
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Dance With Wisdom, Not Mindlessly // Death In The Afternoon Mix - Louder

In the previous version (https://soundcloud.com/michele-ansani/gamma-o) there was excessive sound saturation. I kept only the vocal part (remixed) and redid the piano backing, aiming for a more minimalist result.

Gamma Ø: https://en.wikipedia.org/wiki/Gamma_Island_(Greenland)

I think a good English translation of the original lyrics isn’t easy, but I’ll give it a try.

Lyrics [ENG / ITA]

And so we go on
along these parallel routes,
we’ll go farther
without ever moving forward,
for how much longer 
will you walk with me?

And so we sink
into this whirl of sensations,
and over us, you’ll see, 
the water will close again,
for as long as
it will still be enough for us?

And we stay like this
we’ll be fine together,
we’re already far away 
without ever having left

["Willkommen in Düsseldorf, meine Damen und Herren. 
Nach 11 Stunden und 59 Minuten sicher gelandet"].

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E proseguiamo così
su queste rotte parallele
andremo più lontano
senza avanzare mai
per quanto ancora
mi accompagnerai?

ed affondiamo così
in questo vortice di sensazioni
e su di noi vedrai l'acqua si richiuderà
per quanto ancora ci basterà

e rimaniamo così
staremo bene insieme
noi siamo già lontani
senza essere partiti mai

["Willkommen in Düsseldorf, meine Damen und Herren. 
Nach 11 Stunden und 59 Minuten sicher gelandet"].

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Lyrics and music by Michele Ansani (1982). Recorded in 2018 and 2025
Posted on SoundCloud on 2025, July 3.

Gamma Ø *

The DRUMAX PROJECT present track number 66 ... just numbers ;-)
@joerxworx > Composition, Instruments, Arrangement, EWI - Sax & Trumpet, Mix
@docfritz > Rhythm Design, fabulous Drums & Artwork
© 2025 by joerxworx and docfritz / DRUMAX PROJECT

DRUMAX // SIXTY 6

une magnifique exposition se tient en ce moment à Nantes, dédiée au maître japonais de "l'impermanence de l'être"

en contemplant les ponts de Katsushika Hokusai

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar solo. Harmonica solo. Trumpet solo. Hammond B3 Electric Organ Rhythm. Fender Rhodes Electric Piano Rhythm. Acoustic Standup Bass. Roland Synthesizer Bass. Full Drum set kit. Percussion Full Tree Chimes, Zildjain 22" Crash & Ride Cymbal, Tambourine.

Blues Street

Bluez it out

Downtempo, IDM, Glitch, Techno, Breakbeat, Progressive, House, Ghettotech

Count Rabat

I'm not gonna lie to you guys, this one's gonna assault your ears.  It's rough and nasty.  This is actually a live version of a track we released years ago, originally called "Who Were Fanny And Phaggot?"  This is also the only song to feature our occasional bassist, Dick Wartz, who plays bass on both versions.  Gremescer plays guitar and vocals, and Mick Mack is on drums.  This track was recorded on a Tascam 4 track tape machine, and believe me, it shows.  There's some mighty fine tape rasp and hiss in there for some of the real audiophiles out there.  Don't say you weren't warned.  

Recorded on July 29, 2025

Dark Slide of the Moon - Live

Nothing like a pesky raccoon to stir things up a bit… Oh, hello. Glad you dropped by. A raccoon, I named Bandit, has taken up a vacation residence under the shed here. It’s right next to the raspberry patch and apple trees. A couple nights ago, Bandit snuck into my small greenhouse, where I grow tomatoes and peppers, and made a salad of the pepper plants, munching one plant completely down to the stalk. Bandit also likes the heavy crop of choke cherries here. He also uses the back corner of the vegetable garden as a latrine, which last summer was up on the house roof. I’d awaken with a start to hear little footsteps running across the roof. Luckily no roof excursions this year. Anyway, this is a Blues song with some solo banjo. Lyrically, it has a couple of reflections about life, mortality, gardening, relationships and partner expectations, letting go of life dreams, a nod to Bandit, the wacky weather, and making peace with old age. And of course, there’s a fair amount of daydreaming going on, while plucking banjo. Hope all is going reasonably well with you, wherever you are on Earth, during this whirlwind tour we’re on. Mark

Back Porch Banjo Blues

Tom's piano melodies are so inspirational, not just to me (Mark) but also to Jussi, Georg and Boon. The energy of this piece carried us all off on a wonderful journey. We hope you enjoy the joyful enthusiasm that Tom initiated. Tom also gave me the key line, 'My Way Through' and I had to run with it as it made so much sense with this uplifting and hopeful music. Thanks for listening.

Tom Regnier -  @tom-r-gnier Music composition, piano and other instrumentation
Jussi Welin - @juswel First guitar and guitar arrangement
Georg Boehme - @georg-boehme Horns and horn arrangement
Boon Suzuki - @boon-suzuki Final guitar and guitar arrangement
Mark Bennett - Vocals and lyrics

Wherever you’re bound you know I’ll, 
Make my way through 
Sure may take a little while
 But I’ll make my way through

Wherever I’m bound I know I’ll,
 Make my way through
 It may take a longer while 
Till I make my way through

Wherever you’re bound,
…You’re bound
I know that I’m bound, yeah!

When I get there you know I’ll
Make my way through
Sure may need a broader smile
But I’ll make my way through.

My Way Through - Tom Régnier & Friends

Here is a real stinker of a song 
I was trying to create a new song and was reading a bunch of very old lyrics from my 20s that were laying around in a drawer.   Some of these manifestos of youth, though earnest and ambitious, have not aged well over the years  ....like that piece of moldy cheddar at the back of the fridge... Leftovers, no longer suitable for public consumption..though one did leap from its hiding place and forced(inspired) me to write a song about it before it sent me down the river never to be seen again.....

simple melody , pretty rough pounding on the electric and keys with a drum track from my phone
Homer Simpson helps to illustrate the food metaphor for this  somewhat out of tune tune 
best i can do with what I got


Leftover Song

This song it smells like moldy cheese                      
With words of youth gone stale and left behind      
A little blue, a little rancid                                              
From the back of the fridge to the bright lights        

Curdled by the curse of indecision                            
Now, I take a sip and promptly spit and spill            Over-seasoned with the sweat of self-reflection   
Makes it kind of  hard to swallow, I’m hungry still                          
Perhaps my best before date                                       
Has been exceeded                                                       
What once was firm has now gone soft and sour    
This tune unchosen                                                        
Slowly decomposing                               
Reanimated by a higher power                                   
Leftover song of mine                                                
Resurrected now for you                                                                      
This song it has the feel of the familiar
Simple shapes and sounds sung in the major G
I tried to lose it, give it the slip, in the parking lot of my mind
But it jumped in my car, took me hostage and assumed my identity

Tied me up, took me down to the river
And sent me on my way
On a boat that sailed in circles 
With a piano that could not play
It’s a coup d’ etat, a Mardis Gras
Said the one that got away
A monster of my own creation

These nouns and verbs gone wild
A verse unseeded
Left in the sun to slowly bloom and flower
Starved of attention
No comprehension
Of what was locked inside my Ivory Tower
Leftover song of mine
Busting loose to sing to you





Leftover Song

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Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

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Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
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/ -- . .  -- . -- .. --  I AM LIVING PROOF
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
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/ : fictionalive, July 30 - 11:11 am
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//
For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Dance With Wisdom, Not Mindlessly // Death In The Afternoon Mix - Louder

fictionalive ⭕️ UNITY