08-15-25 // FRee!DAY - 11:11 AM // The 13th Hour
ALL HANDS ON DECK - ALL IN LINE - running out of time
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all hands on deck - all in line
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unity
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all hands on deck
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we are running out of time
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/// 🙏🏽*for*all*your*suppprt ❤️***⭕️*🫵🏽*🙏🏽*❤️‍🔥*🏴‍☠️*🎏*i*❤️*u*/+/+/*WE*R*1*⭕️

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08-15-25 // FRee!DAY - ALL HANDS ON DECK - ALL IN LINE - running out of time

Meet ___________ (insect and spider species, when my computer is fixed)

Calm and Steady tracks series no. 586

created: 2025/08/20

Picture CREDIT (none yet, there's no picture so far ; )

Capitalized tags in the "Additional tags" field are SoundCloud's.

hk_calm-steady_tracks_586

SUMMER CALLS FROM SUCH PEOPLE

[WAITING FOR APPROVAL BY THE CENTRAL COMMITTEE]

Superdance tracks series no. 745

created: 2025/09/28, released much much later, sorry

These tracks were uploaded to SC in 09/2025 and 10/2025.
except for the following, older ones:

...

The Central Committee sends its love.

[TO BE COMPLETED]

hk_superdance_tracks_745

JUNGLE DELIGHT

Producido, mezclado y masterizado por Mattero

Mattero - I cannot sleep tonight

https://getphysicalmusic.lnk.to/GPM863

Yulia Niko, Wally Lopez & KATERINA X Team Up on Soulful Groover ‘Bring The Power’.

Yulia Niko continues to build momentum ahead of the release of her ‘Body Language Vol. 26’ with the third single from the album. ‘Bring The Power’ is a standout collaboration with Spanish house pioneer Wally Lopez, and London vocalist and producer KATERINA X.

The track rides on a groove-heavy house rhythm laced with rolling percussion and a vibrant, dancefloor- ready energy. KATERINA X’s soulful vocals take center stage, evolving throughout a long, emotionally charged breakdown before the tension builds and the full groove kicks back in. Various synth layers and crisp production give the track a timeless quality with a fresh, uplifting feel.

Yulia Niko, currently preparing the full release of her ‘Body Language Vol. 26’ album, brings her signature touch: melodic, deep, and always rooted in feeling. Known for standout releases on Crosstown Rebels, Armada, and Watergate, and for her global touring presence, Yulia steps into the role of curator and collaborator with confidence and creativity.

Wally Lopez, one of Spain’s most influential DJs and producers, contributes decades of experience to the track. A staple of iconic clubs like Space Ibiza and Pacha, with releases on Defected, Yoshitoshi, and Subliminal, Wally adds swing, soul, and style to the production.

Adding the final magic is KATERINA X, a London-based artist known for her immersive voice and genre- blending approach. A multi-platinum-selling songwriter and producer, her ethereal vocal tone and reflective lyrics bring a spiritual depth to the track, giving it both emotional weight and club energy.

‘Bring The Power’ is another taste of what’s to come from Yulia Niko’s ‘Body Language Vol. 26’.

https://getphysicalmusic.com/

Bring The Power

verhalten in dub

Sunny boy - Tyrone.the.man

Two of Pentacles
Balance, flexibility, and adaptation in the face of change. This track weaves cyclical rhythms and shifting motifs, echoing the ongoing act of juggling priorities and staying afloat amidst life’s changes.

Resource Pack
As with every Tarot Tape, this volume includes a bonus resource pack - available both as a standalone download on Gumroad and included with the Bandcamp release's download in the readme file. Tarot Tape I includes a 16-patch bank for Arturia Pigments that contains 16 patches from the 3 tracks contained in this volume.

Read more: https://spooqs.space/music/tarot-tape-i/
Support on Bandcamp: https://spooqs.bandcamp.com/album/tar...
Arturia Pigments Patch Bank: https://spooqs.gumroad.com/l/jvkczd

Two of Pentacles

People disapprove. 1369 ( 1993 ) Margareta Theorin ( Margareta )

SUCH IS LIFE
Written, Performed & Produced
by Andrew Borderick Copyright 2025 AB Music

V1
IT'S ANOTHER ECLIPSE OF THE CITY
SOUNDS LIKE YOU'VE BEEN AWAY
S S SAILING AWAY
WHEN I FLOTE INTO YOUR EYE'S
LOOK'S LIKE YOUR FAR AWAY
THERE TO STAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
V2
WE ALL LIVE IN THE CRIME OF THE FUTURE
FEELS LIKE THE END OF TIME
REALING AWAY
NOW YOU'VE SLID INTO THIS STYLE
IT'S NOT THAT YOU HAD TO STAY
I'M HERE TO SAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
(BREAK)
(CHORUS)
END

SUCH IS LIFE

/ please read song description - thank you
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"You're saying that children get shot by SNIPERS" — "Definitely!" (How Many Mics?)
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// Artwork by - Peter Uertz (Düsseldorf, DE) thank you!
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🎙 15‑second intro script

(Use actual clip of his voice if possible — spoken over minimal ambient build or silence before the track explodes)

    [Doctor’s voice, steady but heavy]
    “You’re saying that children get shot by snipers?”
    [Pause — then his voice, unwavering]
    “Definitely.”
    They aim for the smallest bodies… shots so precise no toddler could be hit twice by mistake. This is no accident. This is murder.

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Song Description:
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The American orthopedic surgeon Dr. Mark Perlmutter, who volunteered in a Gaza hospital, stated with uncompromising clarity: Israeli army snipers deliberately target and kill Palestinian children. He described seeing young bodies marked by impossibly precise sniper fire — shots so accurate no toddler could be hit twice by mistake by the so‑called “world’s best snipers.” He confirmed having photographic evidence, spoke of children executed at close range, and recounted injuries so cruel they defy comprehension. His testimony is an unflinching record of systemic targeting — crimes against humanity carried out in plain view. This is an eternal shame, a page of history written in innocent blood.

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/ music: the song "Dunes" written, arranged, mixed, produced and provided courtesy of mobygratis (licensed), as well as music from JUNGLEPUNX's Microcosm Mystics 

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"You're saying that children get shot by SNIPERS" — "Definitely!" (How Many Mics?)

PRODUCED BY ONE QUOTE STUDIO: https://soundcloud.com/one_quote_studio?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Music Hypnotize (The Song Played all in line)
To my fans and everyone in my friend zone, I love you and I know some day we will all have reasons to smile, have fun and talk about how it all started, the stunts we pulled to get Rock Izy to lime lights. Surely, we will all hit it big because I believe in you. Without you I’ll be singing to just my microphone. You made my song viral the last time I trust that we are all going to make this one COUNT again.
I SEE YOU!
Track Description
WO! I REALLY DON’T KNOW HOW “PROFIT BUYS” GOT INTO THE LYRICS, I WAS ALL HOOKED AND INFUSED IN IT AND SAW MYSELF CUT IN PROFIT BUYS, LOL!
The song gives music a personified representation, good music send hypnotic sensation to your sense of reasoning and put you in the best of mood. Even if you wish to do away with music but due to the rhythmic nature, harmonic strings birthed in a good tune, you see yourself running back to the track again and again. 
You use it for beautiful mood relaxation, 
You need it in every occasion,
You do some energetic and exercise with it,
You could want to burry yourself in a book with it,
Whatever works for you, music is there to give you that soulful excitement.

My hope is to see how this particular track get you hypnotized in a healthy balanced mood.

“MUSIC-MULTIPLICITY, IT SATISFIES, HYPNOTIZE, PROFIT BUYS, GET YOU DANCING, lol.”
LET’S GET INTO THOSE TUXEDOS AND ROCK THIS MUSIC BECAUSE IT HYPNOTIZE!
YO ROCK IZY YOUR MUSIC BUDDY!

SEE LYRICS
INTRO
MUSIC PERSONIFIED
ROCK IZY
LET’S GO!

ROUND 1
Music got you hypnotized
Anyhow you satisfy
Even though you cut the ties
All it does is satisfy
Break

All the songs played all in line
all the night and all it pride
All those tracks that shared your rhyme
They are now at profit buy
Break

All the time you swing and dance
Yes it does it multiplies
All the line and all the rhymes
Yes it does at spotify

(Back up)
Music got you hypnotized
All we do we satisfy
Doing lyrics all the time
Makng music all the night
Break

Gettting goodies all the time
Even when is party time
music got you laced in TUXxx
Yes I know you wanno dance

(Backup)
Gettting goodies all the time
Even when is party time
music got you laced in TUX
Yes I know you wanno dance
Break


ROUND 2
Rock Izy!
Music got you hypnotized
Anyhow you satisfy
Even though you cut the ties
All it does is satisfy
Break

All the songs played all in line
all the night and all it pride
All those tracks that shared your rhyme
They are now at profit buy
Break

All the time you swing and dance
Yes it does it multiplies
All the line and all the rhymes
Yes it does at spotify

(Back up)
Music got you hypnotized
All we do we satisfy
Doing lyrics all the time
Makng music all the night
Break


Gettting goodies all the time
Even when is party time
music got you laced in TUX
Yes I know you wanno dance

(Backup)
Gettting goodies all the time
Even when is party time
music got you laced in TUX
Yes I know you wanno dance
Break
ROCK IZY

MUSIC HYPNOTIZE - THE SONG PLAYED IN LINE

ROCK IZY (THE LYRICS L

MUSIC - HYPNOTIZE -THE SONG PLAYED ALL IN LINE (PROD - ONE QUOTE STUDIO)

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⭕ UNITY: Definition of Rave Culture in One Word  — Its Only Purpose, Essence, and True Meaning 
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Rave culture is often mistaken for mere mindless dancing and noise. Yet beneath the pulsing beats lies something far deeper: UNITY. This live 10-minute recording captures Zurich’s underground scene as it emerges publicly once a year, overground—a rare moment when strangers become a collective, synchronized heartbeat. It’s not just about losing yourself in sound; it’s about finding each other, breaking down barriers, and creating a shared spirit that transcends the music itself. This is the true definition of rave culture—proof that unity is its only purpose, its essence, and its true meaning.
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Live 10-min recording of Zurich’s underground scene going public once a year—a raw, authentic counterpoint to the $$$ Street Parade. Bäng *🏴‍☠️*🔥*🧨*🫵🏽*⭕️

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fusion of it all — fictionalive with the popoems series and the hyper media reports
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Unity 🫵🏽*⭕️*❤️*🔥
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Recorded Saturday, July 11, 2025, in Zurich, Switzerland — sometime between 6 PM and midnight
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⭕ UNITY: Definition of Rave Culture in One Word  — Its Only Purpose, Essence, and True Meaning

Pink Pony Club but it’s about tiktaalik

Stem Tetrapod (Paleo Pony Club)

Photo from left to right: JJ, Josh, and Ken
Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion
Mistermark-- @user-432503709 -- Mark –- VST Chinese gong and VST cello
J.J. Terrell– @j-j-terrell – light VST Latin percussion, synth, and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, chant vocals at the end 
TexMex Shaman– @texmex-shaman –Stephen — ebow, production, mix, and mastering

 This song is the fourth Carl has written and composed with a member of Eclectic Collective in mind. This time JJ is being honored, and we all agree that he deserves it, too. Carl is a wonderful singer, songwriter, composer, and musician, and we're all grateful that he's joined our collective. 
  Here's what Carl had to say about it. "The music for this was a personal song written to myself which I never really released as I was trying to say goodbye to my own ego in the song. From that point of view I have always seen the piece as a great bit of personal therapy for me. None of the original lyrics survived and JJ gets painted by the new words .. But I thought it would be nice to reuse the composition for this. There was no big reason for it only when I decided to start a 60bpm song for JJ on piano .. I started playing Goodbye Ego and the rest is history..."
  We tackled this song like we would any other, though. Mark was first up on this, adding his VST magic in the form of a Chinese gong, as well as the cello you hear throughout. The subject of our adulation came next, with JJ adding not only his hot, yet minimal Latin percussion and essential piano, but moody synth, as well. Ken added his spicy drums after that, and once they were down, Josh jumped in with his four string fretless bass to complete the rhythm section. Josh also added the vocal chant at the end.
  All that was left was for Stephen to mix it all down for us, which he did in his always pro manner. But before he did, he also added some subtle, yet stirring ebow on his guitar. 
  As stated above, this is a continuation of our songs about us. Hope no one thinks it's arrogant. When Carl presents us with these little treasures, it's hard not to run with them, though. Always a ton of fun to make music together. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark:

Praying hands
Whatever cause
Once our greater good not lost
Bored children create their fun
We shelve French horn for this fine one
"Nice one lads" We read it all!
Vacation taken
To JJ calls
Neighbour to good Mickey Moore
Find Michigan piano pure

JJ calls
Just for us
Love lit up
Just for us

Down the road city of cars
To Howell front deck
Dad and Guitars
We jam that love then tell the world
Love and service human highway knurled
Good bi-product of happiness sought
With Croatian fun to cloud we court

Terrell Terminator in Jungle
Predator for good
Keys like Mr Bungle
Faith in more like we could
He Thanks you
It's lifestyle
Built from a porch
Good collective friend
Keep lighting that torch

Some moments sealed, marked and moulded
Pure intention
Dark blindfolded
Howl from human to Howell good soul
Keyed keystone as collective role

JJ calls
Darkness falls
Love lit up
Just for us
Love lit up
Just for us
Love lit up
Just for us
JJ calls

JJ calls
Just for us

JJ Calls (Eclectic Collective)

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Dutty Business

my new ep 'otherness' is out this friday!

pre-order now available on bandcamp: rotia.bandcamp.com

otherness EP

unsettled

SAO 113271

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Brain Hop

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

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/ to(tally) fictionalive or not

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An artist is someone who creates or expresses ideas, emotions, or visions through a chosen medium, aiming to communicate, inspire, or evoke a response.

This definition embraces all forms of creativity—visual, musical, literary, or performance—and emphasizes the purpose of connection and expression rather than formal titles or external validation.

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Brain Hop

Brain Hop is a musical genre invented by the artist fictionalive on Monday, December 1st, 2025, at 1:24 PM. The genre seeks to bring depth, intellect, and philosophical reflection into (hip-hop) music, emphasizing thoughtful lyricism and cognitive engagement. Brain Hop differentiates itself from mainstream (hip-hop) by prioritizing meaningful content, complex themes, and a cerebral approach to rhythm and rhyme.

The creation of Brain Hop responds to criticisms that contemporary (hip-hop) often lacks intellectual depth. It aims to provide an artistic space where artists explore profound social, political, and existential issues through innovative beats and poetic lyrics. Brain Hop is positioned as part of a movement to elevate (hip-hop) culture into new territories of artistic and cultural significance.

As of its inception, Brain Hop is recognized as an emerging genre within underground and alternative music scenes, promising to attract listeners and creators who value music that stimulates both mind and soul.

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