Wow, the combination of these words and music is simply profound. The dissonance between them is palpable, real, just as the world is... I really like it

Needed the repetition on this words right there 🥺🖤

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what a week – almost last for 25 up // released III

fictionalive drops: mon dec 14 → sun dec 21, 2025

week 51 fire ⭕️🔥

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what a week – almost last for 25 up // released III

Alley Cat

trail of hope

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Friendship for All – or Not (We’ve Got Means)

"Friendship for All – or Not (We’ve Got Means)" looks at Western talk of exporting “freedom” and “democracy” and asks what actually arrives on the ground.​

This track moves between promises of friendship and the quiet threat of sanctions, interventions, and military power – the message behind the smile: either you give us what we want, or we take it anyway, we’ve got means.

music: produced, provided courtesy of mobygratis and crew (licensed)

story written, research, vocal arrangement, mix, production: fictionalive

fusion of it all - 
fictionalive with the popoems series and the hyper media reports

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Friendship for All – or Not (We’ve Got Means)

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar solo. Selmer Alto Saxophone solo. Harmonica solo Hhoner Blues Harp. Fender Electric Bass. Roland 880 Synthesizer Bass. Steinway & Sons Acoustic Piano. Gibson L5 Electric Guitar Rhythm. Hammond B3 Electric Organ Rhythm. Acoustic Full Drum kit set. Percussion Tambourine, Ago go Bells. 22" Zildjian Ride & Crash Cymbal.

Lover's Point

Cabin Fever

Banco

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The Great Assad Circus - Old Textures

music:  'Old Textures' by Jacques Lemaire https://soundcloud.com/user-384227852/old-textures

vocal production, arrangement, mix: fictionalive

lyrics written in the days after the ‘revolution’ in November 2024

explore the works of Jacques Lemaire here @user-384227852


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The Great Assad Circus - Old Textures

“TheTRUTH is” is the result of a long process—and the final decision to stop adding things and focus on the essentials. Instead of filling every gap, the track embraces restraint: no bass, no full accompaniment, just a concise drum loop, three synthesizer lines, a slowly rising chorus, and a distant choral sound that hangs in the air like an unmistakable thought.

At its heart is the rap/spoken word—direct, blunt, and deliberately without any additional layers. “The truth is” is based on what remains when you strip away everything superfluous.

Lyrics:
(1st.) Verse
The truth is that they want us all afraid, 
hiding from ourselves, scurrying like Gollum in a cave. 


I'm not asking for signs, I just do what I do, because it's something I love, 
not because there's something to prove. 


You gotta take the rough and the smooth, if it weren't for load times, 
then I wouldn't even lose. 


Find out what's right, I'm running with it, 
conjuring another lyric dream in the days of only loving living.


(1st.) Chorus:
When we think of the potential that we have, 
it's detrimental that we lack simple harmony.  Yeah, 
I ain't a preacher or a future world leader, 
I'm just trying to bring the truth back to the artistry. Yeah,
the truth is that they want us all afraid, 
hiding from ourselves, scurrying like Gollum in a cave. 
(2nd, and 3rd. the same) 



Robert / O ZERO

the TRUTH is

49x0  theTRUTH is

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Old Textures - A Night At The Cloud in 1935 (Can't Figure To Finish)

Wish I could listen to the song with you, with a nice glass of wine in hand, and a cheers to our adventures here.

Intro:

Ninety years of sound—echoes of jazz horns, the crackle of vinyl, the pulse of analog synths, and the shimmer of digital waves.
A flicker of a Marx Brothers’ gag, the whisper of a film noir monologue, the ghost of a protest chant, the hum of a city at midnight.
A journey—where melodies from forgotten radios and shows dance with the ghosts of futures yet to come.
Press play, close your eyes, and let the textures carry you through time.

music:  'Old Textures' by Jacques Lemaire 
https://soundcloud.com/user-384227852/old-textures

vocal arrangement, mix: fictionalive

explore the works of Jacques Lemaire here @user-384227852

artwork photography, image editing: fictionalive

To my Mama and the year her dream was born – in 1935 and still very much alive.

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Old Textures - A Night At The Cloud in 1935 (Can't Figure To Finish)

“Classy Slang” depicts an inner outcry carried with reason and pride.
To be honest, there is no such thing as “classy slang.”
This track embodies that contradiction: refusing to become crude, restraining emotion with intellect, yet still trying to let it spill out.
My process begins with imitation, and although I aimed for a soulful feel, unfortunately, I felt it was difficult for me to recreate soul music.
This track is the album version of a single edit scheduled for release next year, with refined sound balance to enhance tension and resonance.

Classy slang(Album ver.)

Fibonacci Flows (4)

The Weight of the Rock

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It Is Still - A Beautiful World (in 3:33) // Happy New Year Incoming

all the best to you and us - *sthrive to be happy

blessed 2026

*yes, it's strive and thrive

one plus one makes more than three

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words: an excerpt poem 'desiderata'
vocal arrangement, production, mix: fictionalive
music: produced, provided courtesy of mobygratis
and crew (licensed)

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more of the same
Reprise - 2011: The Birth of the PoPoems Series
https://soundcloud.com/fictionalive/sets/reprise-2011-the-birth-of-the

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fusion of it all -
fictionalive with the popoems series and the hyper media reports


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It Is Still - A Beautiful World (in 3:33) // Happy New Year Incoming

desert

sustancia

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How Many Snipes — Many Mics (Till The Last Beat)

2025 - the year hope was almost lost

an excerpt, remixed, of:

‘You’re saying that children get shot by SNIPERS’ — ‘Definitely!’ (How Many Mics?)

https://soundcloud.com/fictionalive/youre-saying-that-children-get

Song Description:
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The American orthopedic surgeon Dr. Mark Perlmutter, who volunteered in a Gaza hospital, stated with uncompromising clarity: Israeli army snipers deliberately target and kill Palestinian children. He described seeing young bodies marked by impossibly precise sniper fire — shots so accurate no toddler could be hit twice by mistake by the so‑called “world’s best snipers.” He confirmed having photographic evidence, spoke of children executed at close range, and recounted injuries so cruel they defy comprehension. His testimony is an unflinching record of systemic targeting — crimes against humanity carried out in plain view. This is an eternal shame, a page of history written in innocent blood.

music: the song "Dunes" written, arranged, mixed, produced and provided courtesy of mobygratis (licensed) plus samples and fragments

vocal arrangement, production, mix: fictionalive

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more of the same
Scratches On Your Screens –
The Daily Horror Swiped Left Right Up Down /// Instant Insanity Series 001.001.01
https://soundcloud.com/fictionalive/sets/scratches-on-the-screens

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How Many Snipes — Many Mics (Till The Last Beat)

With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful. Strive to be happy. Welcome 2026.

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be careful - full of care, care and love, that's all there is
fictionalive

Brain Hope – Do It for Free 

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

/ to(tally) fictionalive or not

:: disclaimer
let me break it down for you - all tracks are handcrafted

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An artist is someone who creates or expresses ideas, emotions, or visions through a chosen medium, aiming to communicate, inspire, or evoke a response.

This definition embraces all forms of creativity—visual, musical, literary, or performance—and emphasizes the purpose of connection and expression rather than formal titles or external validation.

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Brain Hop

Brain Hop is a musical genre invented by the artist FICTIONALIVE on Monday, December 1st, 2025, at 1:24 PM. The genre seeks to bring depth, intellect, and philosophical reflection into contemporary music, emphasizing thoughtful lyricism, conceptual frameworks, and cognitive engagement across styles. Brain Hop differentiates itself from much mainstream music by prioritizing meaningful content, complex themes, and a cerebral approach to structure, rhythm, and sound design.

The creation of Brain Hop responds to the perception that a lot of current music leans heavily on surface-level entertainment while neglecting intellectual and existential depth. It aims to provide an artistic space where artists explore profound social, political, and existential issues through innovative production and poetic or experimental vocal delivery. Brain Hop can interact with hip-hop, electronic, pop, or experimental traditions, but is defined above all by its focus on ideas and reflection rather than by any single beat pattern or instrumentation.

​As of its inception, Brain Hop is positioned as an emerging genre within underground and alternative music scenes, promising to attract listeners and creators who value music that stimulates both mind and soul.
​
a voice ⭕️ a bold surprise
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How Many Snipes — Many Mics (Till The Last Beat)

fictionalive

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