2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 

.--..--.. YOU HAVE NOTHING TO FEAR .--...-..-. YOU HAVE NOTHING TO FEAR - 
KEEP CALM - KEEP WALKING - KEEP CALM - KEEP WALKING - KEEP CALM - KEEP WALKING - 
.--..--.. YOU HAVE NOTHING TO FEAR .--...-..-. YOU HAVE NOTHING TO FEAR - 

2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 

relax

/

/

/

2030 - YOU HAVE NOTHING TO FEAR YOU HAVE NOTHING TO FEAR - KEEP CALM

/ : /
/ - micro resonance
/
A hypnotic warning for the future—where techno pulses meet the quiet tension of a world on the brink, and every beat asks: are we truly safe, or just almost silenced?
/
2030 — You Have Nothing to Fear // Almost Silenced Techno Take
/
A sonic meditation on the paradox of progress—a world promising safety and convenience while grappling with the quiet, persistent anxieties of technological power and control. It’s a call to listen closely, to question softly, and to dance thoughtfully in the face of an uncertain future.

2030 — You Have Nothing to Fear // Almost Silenced Techno Take

This title carries a haunting duality—an invitation wrapped in unease. The phrase “You Have Nothing to Fear” echoes with calm reassurance, yet when paired with “Almost Silenced Techno Take,” it suggests an undercurrent of suppression and muted warning.

Set against the backdrop of the year 2030, the track explores a world on the cusp of profound technological transformation. The “almost silenced” aspect hints at voices, concerns, or truths being subdued—whether by societal complacency, censorship, or the overwhelming noise of rapid innovation. It’s as if the techno beat, usually loud and unrelenting, is now tempered, restrained, reflecting a fragile balance between celebration and caution.

Beneath the surface lies the shadow of emerging autonomous AI systems, including weapons once relegated to science fiction. The “silencing” may symbolize the difficulty in confronting these realities openly, or the subtle ways in which critical discourse is drowned out amid techno-optimism.

Musically, the “techno take” suggests a reinterpretation or remix that is both hypnotic and introspective, inviting listeners to move physically while engaging mentally with the complex emotions of hope, fear, and uncertainty.

Alternate version of the original:
You Have Nothing To Fear / Bulldozer Mix
Listen on SoundCloud https://soundcloud.com/fictionalive/you-have-nothing-to-fear-you-have-nothing-to-fear-welcome-to-the-terminator-sequel-bulldozer-mix?si=a8ae6360a09d461a920d8796539af98e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
/
/
The night is alive with possibility—and with questions only we can answer.
/
//

/
lyrics written and narration by fictionalive

/
music written, produced, and provided by 
and courtesy of an author 
who likes to remain detached

/
arranged and mixed by fictionalive


/
fusion of it all—
fictionalive with the popoems series and the hyper media reports
cover art by fictionalive

/
dropped July 8th, 2025
11:59 am / dentral european hot summer time


/


/

Dance With Wisdom, Not Mindlessly 

/

2030 — You Have Nothing to Fear // Almost Silenced Techno Take

/
One of 1,300 Israeli Academics Against War Crimes and Crimes Against Humanity
/
In the shadow of war, more than 1,200 Israeli academics have broken ranks with silence, raising their voices against war crimes and the devastation in Gaza. Their open letters and campus protests put the suffering of Palestinians in the center, naming the deliberate starvation and destruction as crimes against humanity. Professors, scholars, and students stand together—no longer quiet enablers, but truth seekers whose hearts refuse denial, demanding justice and a future where innocent lives are protected. This rebellion of conscience is a spark in the dark, a plea that history must never forgive silence: for the children, for this land, for humanity itself.
/
// music by Garben @Garben with the tracks Piano Pulse N°1 + Vermona

// words by an academic from Israel

// Illustration by Peter Uertz from Düsseldorf, Germany. 
/ Thank you!

// fusion of it all - 
// fictionalive with the popoems seriens and the hyper media reports

/

/

/

/

One of 1,300 Israeli Academics Against War Crimes and Crimes Against Humanity

/
Hypocrisy – the highest virtue on Planet Hypokrit // Listing Darkness Mix
/

lyrics written and narration provided
by fictionalive

music 'Listing Darkness' written, produced and license provided
by mobygratis

artwork illustration by Peter Uertz, Düsseldorf / Germany

/

/
fusion of it all
fictionalive with the popoems series and the hyper media reports
/

dropped
Friday, August 22, 2025
Time - 9:30 pm

/

/

*

*

*

*

*

Hypocrisy – the highest virtue on Planet Hypokrit // Listing Darkness Mix

/
You Owe Us - Yes, You've Heard That Right // Chor der Kläger
/

/
music is 'Chor der Kläger' from Thee I's @thee_i_s_984629522
Hybrid Symphony Nr°2 - Rivers, Rapids & Mudslides - 02 Adagio 
https://soundcloud.com/kandiaronk-984629522/sets/hybrid-symphony-nr-2-rivers

/
Yes, You've Heard That Right // Chor der Kläger
is captured, treated, arranged, mixed, produced, and dropped
by fictionalive

/
artwork illustration by Peter Uertz, Düsseldorf / Germany

/


7

/
fusion of it all - fictionalive with the popoems series and the hyper media reports

/

/
/
/
Dropped urgently on
Tuesday, August 26th, 2025
Time - 2:59 am Central European
Hot Summer Time, Today – not so so much so, a storm is coming

/

/

*
*
*

/

*

*

You Owe Us - Yes, You've Heard That Right // Chor der Kläger

/
Trump's Return - The Circus of Democracy // Mediaval Tribal Mix

/
music is a soundbed by junglepunx from their work 'microcosm mystics',
excerpts from vivaldi's violin concerto in E/Op. 8/1 RV 269 from 'four seasons' as well as samples from garben's 'germona' and 'leave us broken' provided by mobygratis, licensed

lyrics written and narration provided by fictionalive

arranged, mixed and produced by fictionalive

artwork illustration by peter uertz, düsseldorf / germany

fusion of it all -
fictionalive with the popoems series and the hyper media reports

written and recorded first January 22nd, 2025,
straight after president elect's inauguraution

/
dropped
tuesday, september 2nd, 2025
time - 8:18 pm, central european
hot summer time zone; - today,
not so so much so, a fresh breeze,
a storm is coming, - just kiddin'

/

/

/

/

*

*

*

Trump's Return - The Circus of Democracy // Mediaval Tribal Mix

/
Mama Too: It's A F** G-Thang

/
“Mama Too: It's A F** G-Thang” is a powerful chronicle of resistance and truth, stitched from authentic, brave voices broadcast on our mighty Instagram story feed. These voices illuminate the spiraling madness and horror we witness daily: the confirmed genocide in Gaza, enabled by western nations that declare themselves democracies but suppress peace, arresting those who protest the massacre of children under new 'anti-terror' laws—most harshly in the UK.

This song stands in solidarity with those fearless enough to speak, to shine a light, to withstand pressure and misunderstanding. Like Mama, we all know—forced to watch, forced to obey, forced into silence—but the truth demands to be heard. “Mama Too: It's A F** G-Thang” is not just a song; it's a tribute to every witness, every protester, every heartbeat refusing to surrender.

Mama Too: It's A F** G-Thang
is an alternate Garben take on the original drop:
Silencing Voices - Complicit (What Happens In 2025) // Allegro Con Acido
https://soundcloud.com/fictionalive/silencing-voices-complicit-allegro-con-acido

/
music is the song 'Mama Too' written, arranged, played, mixed, produced by Garben @garben

/
new vocal arrangement, new music arrangement and final mix by Garben

/
artwork illustration by peter uertz, düsseldorf / germany

/
fusion of it all - 
fictionalive with the popoems series and the hyper media reports

/
dropped
friday, september 12th, 2025
time - 4 pm central  european
time zone, tea time, right?
9/11 was yesterday

/

/

/

/

*

*

*

.

.

.

.

..-.--.-..-..-...-.-..-.-.-.----......--.-

Mama Too: It's A F** G-Thang

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Hypocrisy – the highest virtue on Planet Hypokrit // Listing Darkness Mix

fictionalive ⭕️ UNITY