EL DIABLO KEEPS HIS WINTER FLOWERS

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what a week – almost last for 25 up // released III

fictionalive drops: mon dec 14 → sun dec 21, 2025

week 51 fire ⭕️🔥

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what a week – almost last for 25 up // released III

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Keep Shining (Trust The Impact)

single 1 of
Ready Or Not — Here We Are (The Therapy Sessions)
https://soundcloud.com/fictionalive/sets/ready-or-not-here-we-are-the-therapy-sessions-10-tracks-or-more

theme: Light is something that cannot be held or grasped, yet it has very real, physical effects: warming skin, shifting mood, changing how spaces feel. In metaphorical language, light often stands for awareness, hope, or inner life—intangible qualities that still “hit” us in a way the body can almost feel.

​“Keep Shining (Trust The Impact)” quietly plays with that paradox: an untouchable brightness that still leaves a tangible mark.

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story lyrics, vocal arrangement, production, mixes: fictionalive

music: written, produced, provided courtesy of mobygratis and crew (licensed)

artwork photography, image editing: fictionalive

fusion of it all -
fictionalive with the popoems series and the hyper media reports

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Ready or Not  —  Keep Shining (Trust The Impact)

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Friendship for All – or Not (We’ve Got Means)

"Friendship for All – or Not (We’ve Got Means)" looks at Western talk of exporting “freedom” and “democracy” and asks what actually arrives on the ground.​

This track moves between promises of friendship and the quiet threat of sanctions, interventions, and military power – the message behind the smile: either you give us what we want, or we take it anyway, we’ve got means.

music: produced, provided courtesy of mobygratis and crew (licensed)

story written, research, vocal arrangement, mix, production: fictionalive

fusion of it all - 
fictionalive with the popoems series and the hyper media reports

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Friendship for All – or Not (We’ve Got Means)

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The Great Assad Circus - Old Textures

music:  'Old Textures' by Jacques Lemaire https://soundcloud.com/user-384227852/old-textures

vocal production, arrangement, mix: fictionalive

lyrics written in the days after the ‘revolution’ in November 2024

explore the works of Jacques Lemaire here @user-384227852


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The Great Assad Circus - Old Textures

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Old Textures - A Night At The Cloud in 1935 (Can't Figure To Finish)

Wish I could listen to the song with you, with a nice glass of wine in hand, and a cheers to our adventures here.

Intro:

Ninety years of sound—echoes of jazz horns, the crackle of vinyl, the pulse of analog synths, and the shimmer of digital waves.
A flicker of a Marx Brothers’ gag, the whisper of a film noir monologue, the ghost of a protest chant, the hum of a city at midnight.
A journey—where melodies from forgotten radios and shows dance with the ghosts of futures yet to come.
Press play, close your eyes, and let the textures carry you through time.

music:  'Old Textures' by Jacques Lemaire 
https://soundcloud.com/user-384227852/old-textures

vocal arrangement, mix: fictionalive

explore the works of Jacques Lemaire here @user-384227852

artwork photography, image editing: fictionalive

To my Mama and the year her dream was born – in 1935 and still very much alive.

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Old Textures - A Night At The Cloud in 1935 (Can't Figure To Finish)

title/A Single Flower
Wards vocals-Khan
Drums-Tot
@tot-beat
Guitars-Tomoki
Peavey Bass guitar, saxophone (keyboard), organ, effect&final mix, mastered-J.J.Terrell
@j-j-terrell

Verse
Dandelion seeds ride the wind 
They’re drifting glowing in the sunlight lifting.
Each of them will bloom in worlds apart,
Each of them will journey for their world.
Growing different dreams from a single heart—
Though once they lived as one, a single flower.
Just like them, we’re the same in our story
Just like them we born from one life like a flower

Chorus
I wonder what my very first flower
Maybe it bloomed the same as the one in you,
Maybe it bloomed in someone I never knew.

たんぽぽの綿毛が風に乗る
輝く陽の光の中で陽の光の中で漂い舞い上がる
それぞれが別々の世界で花を咲かせ
それぞれが別々の世界を旅をする
一つのハートから違う夢を育てて
それでも元は一つの花だった
私たちも同じようなもの
私たちも一つの命から生まれた一つの花のように

私の最初の花はどんなだったのかな
たぶんそれはあなたと同じ花
たぶんそれは知らないあなたと同じ花

A Single Flower (Tot., Khan, Tomoki, and J.J.)

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It Is Still - A Beautiful World (in 3:33) // Happy New Year Incoming

all the best to you and us - *sthrive to be happy

blessed 2026

*yes, it's strive and thrive

one plus one makes more than three

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words: an excerpt poem 'desiderata'
vocal arrangement, production, mix: fictionalive
music: produced, provided courtesy of mobygratis
and crew (licensed)

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more of the same
Reprise - 2011: The Birth of the PoPoems Series
https://soundcloud.com/fictionalive/sets/reprise-2011-the-birth-of-the

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fusion of it all -
fictionalive with the popoems series and the hyper media reports


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It Is Still - A Beautiful World (in 3:33) // Happy New Year Incoming

From the dark despairing cold depths of winter....'devilish' alto flutes with moog / 'spectral' oboes and a finale of soprano sax (recommend headphones).

DIABLO

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How Many Snipes — Many Mics (Till The Last Beat)

2025 - the year hope was almost lost

an excerpt, remixed, of:

‘You’re saying that children get shot by SNIPERS’ — ‘Definitely!’ (How Many Mics?)

https://soundcloud.com/fictionalive/youre-saying-that-children-get

Song Description:
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The American orthopedic surgeon Dr. Mark Perlmutter, who volunteered in a Gaza hospital, stated with uncompromising clarity: Israeli army snipers deliberately target and kill Palestinian children. He described seeing young bodies marked by impossibly precise sniper fire — shots so accurate no toddler could be hit twice by mistake by the so‑called “world’s best snipers.” He confirmed having photographic evidence, spoke of children executed at close range, and recounted injuries so cruel they defy comprehension. His testimony is an unflinching record of systemic targeting — crimes against humanity carried out in plain view. This is an eternal shame, a page of history written in innocent blood.

music: the song "Dunes" written, arranged, mixed, produced and provided courtesy of mobygratis (licensed) plus samples and fragments

vocal arrangement, production, mix: fictionalive

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more of the same
Scratches On Your Screens –
The Daily Horror Swiped Left Right Up Down /// Instant Insanity Series 001.001.01
https://soundcloud.com/fictionalive/sets/scratches-on-the-screens

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How Many Snipes — Many Mics (Till The Last Beat)

Deep in the winter forest

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful. Strive to be happy. Welcome 2026.

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be careful - full of care, care and love, that's all there is
fictionalive

Brain Hope – Do It for Free 

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

/ to(tally) fictionalive or not

:: disclaimer
let me break it down for you - all tracks are handcrafted

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An artist is someone who creates or expresses ideas, emotions, or visions through a chosen medium, aiming to communicate, inspire, or evoke a response.

This definition embraces all forms of creativity—visual, musical, literary, or performance—and emphasizes the purpose of connection and expression rather than formal titles or external validation.

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Brain Hop

Brain Hop is a musical genre invented by the artist FICTIONALIVE on Monday, December 1st, 2025, at 1:24 PM. The genre seeks to bring depth, intellect, and philosophical reflection into contemporary music, emphasizing thoughtful lyricism, conceptual frameworks, and cognitive engagement across styles. Brain Hop differentiates itself from much mainstream music by prioritizing meaningful content, complex themes, and a cerebral approach to structure, rhythm, and sound design.

The creation of Brain Hop responds to the perception that a lot of current music leans heavily on surface-level entertainment while neglecting intellectual and existential depth. It aims to provide an artistic space where artists explore profound social, political, and existential issues through innovative production and poetic or experimental vocal delivery. Brain Hop can interact with hip-hop, electronic, pop, or experimental traditions, but is defined above all by its focus on ideas and reflection rather than by any single beat pattern or instrumentation.

​As of its inception, Brain Hop is positioned as an emerging genre within underground and alternative music scenes, promising to attract listeners and creators who value music that stimulates both mind and soul.
​
a voice ⭕️ a bold surprise
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