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THE LOTION — Part Three: The Song  // meets Lo-Fi Vol. 1
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LA LOCIÓN Cinta Alternativa III — La Canción dentro de la Saga 🧴🔥 Lo-Fi // RAW // AMOR CODIFICADO
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music by: Tomas Peiretti
lyrics by: fictionalive

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THE LOTION — Part Three: The Song  // meets Lo-Fi Vol. 1

Give me just one night,

Let's dance until the morning wakes up.

Your eyes carry the light,

That the darkness breaks.

Give me the night – just once,

I'll term them forever.

A song, a picture, a wing beat,

Who carries you to heaven.

Your closeness sounds like a sound,

Like a whisper deep in the horizon.

Everything is silent, but I only hear you,

My soul sings for you.

Give me the night – just once,

I'll term them forever.

A song, a picture, a wing beat,

Who carries you to heaven.

And when the morning comes,

You stay in every word.

Love and pain united,

You paint my heart so much.

Give me the night – just once,

I'll term them forever.

A song, a picture, a wing beat,

Who carries you to heaven.

Schenke mir nur eine Nacht.m4a

every other way (summer's end)

Kasai

THE DARK SIDE OF THE EARTH

Beautiful Scent

“Follow Me” is a contemporary Christian worship song written by Melinda Klotz Mercer and released under Spirit Sound. Inspired by the words of Jesus and the priestly blessing from book of Numbers Chapter 6 verse 24 through verse 26, this track invites us to walk in faith, receive grace, and follow the path of peace He has promised.

With a blend of warm acoustic tones, heartfelt lyrics, and a powerful hook, “Follow Me” is perfect for worship playlists, devotional moments, and those seeking encouragement in their walk with God.

🙏 “May the Lord bless you and keep you, make His face shine upon you, and give you peace.

Follow Me Remix

Cosmos

Time Turns Back / Paploviante Open Collaboration Offer :
Paul's track: https://soundcloud.com/paploviante-and-friends/time-turns-back-paploviante
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering
... I just added tenor saxophone .......

Time Turns Back / by Paploviante / joerxworx sax remix

Let's slowly warm up to the release of my new metalcore album "THE DARK SIDE of THOMAS GT" which will be released here on soundcloud 9/10....

My new song BEEN HERE BEFORE is a pop/rock track. The song captures the cycle of returning to a toxic relationship, where promises and passion repeatedly collapse into pain. It portrays the struggle of knowing the outcome yet still giving in, caught between desire and disappointment. The lyrics reveal vulnerability, self-awareness, and frustration with repeating the same mistakes, showing love as both addictive and destructive. Ultimately, it's about the exhaustion of reliving heartbreak, recognizing the pattern, yet feeling powerless to break free from it.

LYRIC

Verse 
You walked in like you knew the place,
Same cold stare, that sweet, sharp face.
Said you’ve changed — I’ve heard that line,
A hundred times, still not mine.

Pre-Chorus
I should know how this goes down,
Promises fall, I nearly drown.
Still I stand here at your door,
Like I haven’t felt this pain before.

Chorus
’Cause I’ve been here before,
Heard your voice behind that war.
Every word, I let it burn,
You walk away, and I never learn.
You come back, I fall again,
Act like we’re more than just pretend.
But I’ve been here before…
Yeah, I’ve been here before.

Verse 
You say it hurts, you miss my name,
But love’s not just a losing game.
You want the fire, then run from heat,
It’s always “almost” on repeat.

Pre-Chorus
It’s too quiet when you leave,
But it’s louder when you breathe.
And I still open up that door,
Though I’ve stood right here before.

Chorus
’Cause I’ve been here before,
Heard your voice behind that war.
Every word, I let it burn,
You walk away, and I never learn.
You come back, I fall again,
Act like we’re more than just pretend.
But I’ve been here before…
Yeah, I’ve been here before.

Bridge
I could lie, say this time feels new,
But the cracks still show through.
If love means pain, what’s it for?
I don’t want to feel this anymore.

Chorus
 ’Cause I’ve been here before,
And I can’t take it anymore.
Every word, I let it burn,
But my heart just won’t learn.
You come back, I fall again,
Like it’s not gonna end.
But I’ve been here before…
Yeah, I’ve been here before.

Been here before

Almost Home

[Verse 1]
I watched the streetlights go out
like they were tired of hanging on
Your voice still rattles in my chest
the quiet when the night feels long

[Pre-Chorus]
I said I’d meet you halfway
but I keep losing the line
you wear your silence like armour
I wear regret like it’s mine

[Chorus]
I need you but not the way I used to—
I’m too old to beg too young to care
you make me sick with the thought
of leaving returning and repeating
and still I want you—
I want you like home I can’t find

[Verse 2]
You said I looked better in the dark
like I’m someone you knew before
I drink until the floor feels steady
pretend it steadies me too

[Pre-Chorus]
Every song on the jukebox
sounds like the one we forgot
I trace the cracks in the bar top
wonder how much I’ve lost

[Chorus]
I need you but not the way I used to—
I’m too proud to kneel too tired to lie
you make me sick with the thought
of leaving returning and repeating
and still I want you—
I want you like home I can’t find

[Bridge]
The cab ride’s a blur
your name on my tongue
I’m almost home
but the night feels young
you said don’t call
we’re better alone—
but I’m always better
when I’m not on my own

[Final Chorus]
I need you but not the way I used to—
not a crutch not a cage not a prison
you make me sick with regret
but you’re still my only rhythm I know 
and still I want you—
I want you like home I can’t find

[Outro]
Streetlights go back on
I walk slow through the quiet night
almost home but always gone
you’re the only way I know

Almost Home

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

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Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
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/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
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/ : fictionalive, July 30 - 11:11 am
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//
For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

THE LOTION — Part Three: The Song // meets Lo-Fi Vol. 1

fictionalive ⭕️ UNITY