This is very harmonic… excellent mix of music & vocals, Stevie! Gefällt mir sehr!

Simple music made in GarageBand :)
Lyrics & vocal by me

Lyrics:

I'm a little different, not like everyone else
But I'm happy with that
I have nothing to prove
And I don't need a common groove

I walk around with a smile on my face
You may think, Is there something wrong
Well, I am just a satisfied woman
Living life, singing this song

So I´ll toast to a happy life
It can be challenging for sure
But if you get through it with a smile on your face
Can you ask for more? 

There is comfort in getting to live
It's not a given for me
Spend my life doing what I want
Allow myself to dream

I walk around with a smile on my face
And you may think, is there something wrong
Well I am just a satisfied woman
Living life, singing this song

So i´ll toast to a happy life
It can be challenging for sure
But if you get through it with a smile on your face
Can you ask for more?

If you get through it with a smile on your face
Can you ask for more?

A Happy Life (Original)

C-Alicante Harbour

Music : Janne Hennie & Little Man
Lyrics & vocals : Janne Hennie

A little bird told me you had left this town
And no one knew where you had gone
So many rumors everywhere
They all talked about you, when you weren't there

But little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Sharp tongues on the little birds
They spoke very loudly, made sure they were heard
"What have you done?"
"Why did you leave?"
While you were hiding, the little birds screamed

Little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Fake little birds.....

Fake little birds....

Fake Little Birds

Style

This is another cover of an oldies tune, 'Another Saturday Night*', written by the great Sam Cooke (he wrote the song while staying in a hotel where no female guests were allowed). But this version is a cover of another cover - Cat Steven's version of the song. Cat's version is more upbeat, with a bit of a Latin feel to it. Being a fan of both versions, I threw in a sample of Cooke's original at the very end, and the voices from the studio recording at the very beginning, including a count off by Cooke himself, just for fun. I REALLY enjoyed doing this one, and hope it shows in the recording. Thanks for listening.

All instruments played by me on keyboard:
-organ
-acoustic guitar
-flute
-trumpets
-alto & tenor sax
-piano
-bass
-percussion
-drums
-lead & backing vocals

*Song written by Sam Cooke

(apologies for my absence from Soundcloud lately; work & some recent vacation time keep getting in the way. how dare they!)

Another Saturday Night (Cat's cover)

Giving and Taking (open invitation for a collaboration from IPG1) 
https://soundcloud.com/ipg1/giving-and-taking-vox-90-bpm
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering
Lyrics IPG1:
Cloud Stepping (Chorus) Life is relative, 
to the one that’s living it Inside outlook, 
to giving and taking it 
Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few 
we have can nearly fit
(Verse1) 
If we knew it all, and all, and all 
Then nothing would matter It’s all a puzzle to be solved 
We have always been the answer 
The plan of god without reward 
Evolves in different ways 
We are all awake in different dreams 
To let the devil play
(Verse2)
 Who amongst us hear the screams 
Of millions of lives lost,  and don’t look on it as savagery
 And wonder what’s the cost 
What’s the worth, and what’s the cost 
Are we listening or not 
Are we listening or not
(Chorus)
 Life is relative, to the one that’s living it Inside outlook, to giving and taking it Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few we have can nearly fit

Giving And Taking IPG1 and Paploviante

Rewind (2025) Remastered

big bubbles...no troubles :-)
remembering ellis ...beggs and howard...really good times for me

Buoyant Density

Another song that, oh, what a novelty! is about me talking about myself. A bit solipsistic, I admit. In any case, the melody, deeply rooted in the canons of the oldest pop, is catchy and quite enjoyable, if you listen to it indulgently.

More or less

Pierre and Jean-CLaude Bordetti productions (c) 09/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.

Visage (Lyrics/Paroles)

J'ai aperçu son visage, mais ce n'était qu'un mirage, 
Comme un reflet dans l'orage, une illusion de passage,
Son regard m’a fait naufrage, dans un monde sans rivage,
Où l’amour n’est qu’un langage, perdu dans le vent sauvage.

Elle danse dans mes pensées, comme une ombre sans visage, 
Chaque nuit je veux l’aimer, mais je n’ai que son mirage,
Un soupir, un doux présage, puis le vide en héritage, 
Je poursuis son doux sillage, prisonnier de son image.

Visage

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What if? – The Sea is Wide: How Long We Must Walk Alone // a That's Bizzare Take

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lyrics and narration provided by fictionalive

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music is an alternate take of the original drop by fictionalive
What if? – The Sea is Wide: How Long We Must Walk Alone // Filling Up Mix
https://soundcloud.com/fictionalive/what-if-the-sea-is-wide-how-long-we-have-to-walk-alone-filling-up-mix

all music in this track written, arranged, played, mixed, produced by That's Bizzare

the music for this track was created using analog instruments

/
final mix and production of this work by That's Bizzare and dropped by fictionalive

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another fictionalive and That's Bizzare production - alla grande!

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fusion of it all - 
fictionalive with the popoems series and the hyper media reports

/
dropped
wednesday, september 10, 2025
time - 4 pm, tea time

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/

/

*

*

*

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.

What if? – The Sea is Wide: How Long We Must Walk Alone // a That's Bizzare Take

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Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
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/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

What if? – The Sea is Wide: How Long We Must Walk Alone // a That's Bizzare Take

fictionalive ⭕️ UNITY

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That's Bizzare

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