2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 

.--..--.. YOU HAVE NOTHING TO FEAR .--...-..-. YOU HAVE NOTHING TO FEAR - 
KEEP CALM - KEEP WALKING - KEEP CALM - KEEP WALKING - KEEP CALM - KEEP WALKING - 
.--..--.. YOU HAVE NOTHING TO FEAR .--...-..-. YOU HAVE NOTHING TO FEAR - 

2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 2030 - 

relax

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2030 - YOU HAVE NOTHING TO FEAR YOU HAVE NOTHING TO FEAR - KEEP CALM

Copy of ᭙ꪖꪶꪖꪗ

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A hypnotic warning for the future—where techno pulses meet the quiet tension of a world on the brink, and every beat asks: are we truly safe, or just almost silenced?
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2030 — You Have Nothing to Fear // Almost Silenced Techno Take
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A sonic meditation on the paradox of progress—a world promising safety and convenience while grappling with the quiet, persistent anxieties of technological power and control. It’s a call to listen closely, to question softly, and to dance thoughtfully in the face of an uncertain future.

2030 — You Have Nothing to Fear // Almost Silenced Techno Take

This title carries a haunting duality—an invitation wrapped in unease. The phrase “You Have Nothing to Fear” echoes with calm reassurance, yet when paired with “Almost Silenced Techno Take,” it suggests an undercurrent of suppression and muted warning.

Set against the backdrop of the year 2030, the track explores a world on the cusp of profound technological transformation. The “almost silenced” aspect hints at voices, concerns, or truths being subdued—whether by societal complacency, censorship, or the overwhelming noise of rapid innovation. It’s as if the techno beat, usually loud and unrelenting, is now tempered, restrained, reflecting a fragile balance between celebration and caution.

Beneath the surface lies the shadow of emerging autonomous AI systems, including weapons once relegated to science fiction. The “silencing” may symbolize the difficulty in confronting these realities openly, or the subtle ways in which critical discourse is drowned out amid techno-optimism.

Musically, the “techno take” suggests a reinterpretation or remix that is both hypnotic and introspective, inviting listeners to move physically while engaging mentally with the complex emotions of hope, fear, and uncertainty.

Alternate version of the original:
You Have Nothing To Fear / Bulldozer Mix
Listen on SoundCloud https://soundcloud.com/fictionalive/you-have-nothing-to-fear-you-have-nothing-to-fear-welcome-to-the-terminator-sequel-bulldozer-mix?si=a8ae6360a09d461a920d8796539af98e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
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The night is alive with possibility—and with questions only we can answer.
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lyrics written and narration by fictionalive

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music written, produced, and provided by 
and courtesy of an author 
who likes to remain detached

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arranged and mixed by fictionalive


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fusion of it all—
fictionalive with the popoems series and the hyper media reports
cover art by fictionalive

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dropped July 8th, 2025
11:59 am / dentral european hot summer time


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Dance With Wisdom, Not Mindlessly 

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2030 — You Have Nothing to Fear // Almost Silenced Techno Take

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One of 1,300 Israeli Academics Against War Crimes and Crimes Against Humanity
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In the shadow of war, more than 1,200 Israeli academics have broken ranks with silence, raising their voices against war crimes and the devastation in Gaza. Their open letters and campus protests put the suffering of Palestinians in the center, naming the deliberate starvation and destruction as crimes against humanity. Professors, scholars, and students stand together—no longer quiet enablers, but truth seekers whose hearts refuse denial, demanding justice and a future where innocent lives are protected. This rebellion of conscience is a spark in the dark, a plea that history must never forgive silence: for the children, for this land, for humanity itself.
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// music by Garben @Garben with the tracks Piano Pulse N°1 + Vermona

// words by an academic from Israel

// Illustration by Peter Uertz from Düsseldorf, Germany. 
/ Thank you!

// fusion of it all - 
// fictionalive with the popoems seriens and the hyper media reports

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One of 1,300 Israeli Academics Against War Crimes and Crimes Against Humanity

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You Owe Us - Yes, You've Heard That Right // Chor der Kläger
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music is 'Chor der Kläger' from Thee I's @thee_i_s_984629522
Hybrid Symphony Nr°2 - Rivers, Rapids & Mudslides - 02 Adagio 
https://soundcloud.com/kandiaronk-984629522/sets/hybrid-symphony-nr-2-rivers

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Yes, You've Heard That Right // Chor der Kläger
is captured, treated, arranged, mixed, produced, and dropped
by fictionalive

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artwork illustration by Peter Uertz, Düsseldorf / Germany

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fusion of it all - fictionalive with the popoems series and the hyper media reports

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Dropped urgently on
Tuesday, August 26th, 2025
Time - 2:59 am Central European
Hot Summer Time, Today – not so so much so, a storm is coming

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You Owe Us - Yes, You've Heard That Right // Chor der Kläger

Satirical look at the 10 commandments in today USA #satire #satirical #political #protest #usaprotest #wtf #teenpop
My view of religious ideas has drastically changed in recent years. USA high school girls r3view the situation in current data hs.the irritating tone IS my point.


Exodus. Exodus.
Twenty (twenty) 
Exodus. Exodus. 
Twenty (twenty)
Exodus. (Exodus. Exodus)

Let’s go!
The TEN COMMANDMENTS!

One! 
What?
No god or goddess but me?!
But…but …but …Who are you?
Two!
Idolatry is a NO! 
No orange faced dic-tatoes should you admire.
But what about American Idol?
Three!
Yes sir!
Bow to no one but me! 
No king. No con man. Just say NO!
Four!
Keep the sabbath holy. 
My Sunday? Rest and reflection??
But the sales!

Exodus. Exodus.
Twenty (twenty) 
Exodus. Exodus. 
Twenty (twenty)
Exodus. (Exodus. Exodus)

Let’s GO!
TEN COMMANDMENTS! 
Go! 

Five!
Honor thy mother and father. (Period. Full stop.)
They abandoned me. Hurt me (no matter…)
Honor them anyway.
Six!
No murder. (But…he … NO!)
Wars kill. Leaders sign off. (We call that Time out)
Really? What the hell?
Seven!
It says no adultery 
But if you do, you can always be president…
So whatever…
Eight!
You Shall not steal 
Unless from those who don’t notice 
Or do it by taxation. (They will cheer you on unless they are rich.)

Exodus. Exodus.
Twenty (twenty) 
Exodus. Exodus. 
Twenty (twenty)
Exodus. (Exodus. Exodus)

Let’s GO!
Exodus
Exodus

NINE!
What now?
Bear no false witness toward your neighbor. (My what?)
ICE took them away. Away. Ice took them away….
TEN! 
Do not covet..Anything.
Maybe we should make this do not BLAME.
But no one asked me!

Ten. Ten rules to follow.
COMMANDMENTS! 
Ten steps to …to….to…ignore.
If yiu live in the USA Today.

Let’s GO!
Exodus
Exodus (exodus. Exodus)
Exodus. (Sing it again!)

Coming to your USA school classroom soon!
Soon….soon.
Oh yeah. Yeah. Yeah.
WTF.

Ten Commandments

// Stargate..while children, mothers, brothers, sisters, and fathers die ...with military AI
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WTF, What's the Truth, What's the Lie – 500 Billion $ for AI
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amid blazing headlines and billion-dollar bets, “WTF, What's the Truth, What's the Lie – 500 Billion $ for AI” dives deep into the fevered fog surrounding the AI revolution. with governments, tech titans, and underground innovators pumping unimaginable sums into artificial intelligence, the lines between reality and illusion have blurred—what’s authentic, and what’s algorithmic artifice? are we witnessing the birth of new truths, or the clever spread of digital deception?

this is an anthem for an era overflowing with questions: can anyone tell the truth in a world powered by 500 billion dollars for AI? is what we see and hear shaped by genuine artistry, or by an algorithm fine-tuned for profit and clicks? what do we gain—and what do we risk losing—when every answer and every sensation might be engineered behind the scenes?

..while babies, children, mothers, brothers, sisters, and fathers die ...with military AI tech supported by your top corporates and governments.

what's next? terminator knockin' on your doors? your kids arrested and disappeared, labelled terrorists for fighting for peace and dignity?

something to reflect on and discuss. let's talk

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music is the song 'leave us broken' written, arranged, played, mixed, produced, provided, and licensed by mobygratis.com

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narrations of real voices captured, reverberated, additional samples, mixed, and dropped by fictionalive

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artwork illustration by peter uertz, düsseldorf / germany

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fusion of it all –
fictionalive with the hyper media reports and the popoems series

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dropped urgently
monday, september 1st, 2025
time – 3:33 pm central european
hot summer time zone
today, not so much so,
the clock is ticking

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// good luck
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/// keep shining, crazy little diamond
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WTF, What's the Truth, What's the Lie – 500 Billion $ for AI

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Trump's Return - The Circus of Democracy // Mediaval Tribal Mix

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music is a soundbed by junglepunx from their work 'microcosm mystics',
excerpts from vivaldi's violin concerto in E/Op. 8/1 RV 269 from 'four seasons' as well as samples from garben's 'germona' and 'leave us broken' provided by mobygratis, licensed

lyrics written and narration provided by fictionalive

arranged, mixed and produced by fictionalive

artwork illustration by peter uertz, düsseldorf / germany

fusion of it all -
fictionalive with the popoems series and the hyper media reports

written and recorded first January 22nd, 2025,
straight after president elect's inauguraution

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dropped
tuesday, september 2nd, 2025
time - 8:18 pm, central european
hot summer time zone; - today,
not so so much so, a fresh breeze,
a storm is coming, - just kiddin'

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Trump's Return - The Circus of Democracy // Mediaval Tribal Mix

Stephen TexMex Shaman–@texmex-shaman did a really nice remix on this song so I thought I'd share this version.
****
Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition
Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass, and Roland organ
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production

Hope That You’re Happy Remix (Eclectic Collective with Joe Stroffolino)

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Mama Too: It's A F** G-Thang

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“Mama Too: It's A F** G-Thang” is a powerful chronicle of resistance and truth, stitched from authentic, brave voices broadcast on our mighty Instagram story feed. These voices illuminate the spiraling madness and horror we witness daily: the confirmed genocide in Gaza, enabled by western nations that declare themselves democracies but suppress peace, arresting those who protest the massacre of children under new 'anti-terror' laws—most harshly in the UK.

This song stands in solidarity with those fearless enough to speak, to shine a light, to withstand pressure and misunderstanding. Like Mama, we all know—forced to watch, forced to obey, forced into silence—but the truth demands to be heard. “Mama Too: It's A F** G-Thang” is not just a song; it's a tribute to every witness, every protester, every heartbeat refusing to surrender.

Mama Too: It's A F** G-Thang
is an alternate Garben take on the original drop:
Silencing Voices - Complicit (What Happens In 2025) // Allegro Con Acido
https://soundcloud.com/fictionalive/silencing-voices-complicit-allegro-con-acido

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music is the song 'Mama Too' written, arranged, played, mixed, produced by Garben @garben

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original vocal capture and arrangement by fictionalive

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additional vocal arrangement, final mix by Garben

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artwork illustration by peter uertz, düsseldorf / germany

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fusion of it all - 
fictionalive with the popoems series and the hyper media reports

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dropped
friday, september 12th, 2025
time - 4 pm central  european
time zone, tea time, right?
9/11 was yesterday

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..-.--.-..-..-...-.-..-.-.-.----......--.-

Mama Too: It's A F** G-Thang

A scream in the wind it cuts like a blade
Shadows are crawling the deal has been made
Fire in the distance burns cold in my chest
A tune from the abyss no soul can protest

It howls it wails it tears the sky
Bagpipes calling as the angels cry

Bagpipes from hell they sing they yell
A cursed melody in a devil's spell
Bagpipes from hell oh can’t you tell
They drag you under with their ghostly swell

Sounds like hell .mp3

It’s a Thriller

Another old lyric on a kpop/koto beat

[Verse 1]
It's a cold night, the moon so bright
The screen of her phone lights up her face
"Oh gosh, I look so pretty—what a sight." (I'm so pretty)
She sits, she stands, she poses in her space
Click, click, Snapchat—amazing, just right
"Perfect," she says with a happy face
Click, check filter, tap, tap, send—
Then she scrolls and waits for likes
Then she scrolls and waits for likes

[Pre-Chorus]
Likes stack everywhere, she smiles
But...
Behind the screen, she cries
Behind the lens, she sighs
Echoes of her pain slowly fly
She fills the room with filtered lies

[Chorus]
Click, click—her usual routine
Followers and likes are her dream
Snap, snap—her joyful face on screen
In a digital world, she is a queen
In reality, behind her phone’s gleam
She silently screams
Behind all these digital scenes
Just a girl that's broken
Just a girl that's broken

[Verse 2]
Another day, sunlight on her face
Quickly reaches for her phone as she gets dressed
Counting likes, buttons pressed—
"Oh my God, I'm the prettiest, I'm the best." (I'm so pretty)
Click, she "hearts" all the comments
"Gurl, you're the cutest"
Tap, tap, she replies to all, trying her best
Doesn't notice her phone's now wet with tears
Still she wonders, "How many more likes will appear?"
(How many more likes will appear?)

[Pre-Chorus]
Likes stack everywhere, she smiles
But...
Behind the screen, she cries
Behind the lens, she sighs
Echoes of her pain slowly fly,
She fills the room with filtered lies

[Chorus]
Click, click—her usual routine
Followers and likes are her dream
Snap, snap—her joyful face on screen
In a digital world, she is a queen
In reality, behind her phone’s gleam
She silently screams
Behind all these digital scenes
Just a girl that's broken
Just a girl that's broken

[Bridge]
Likes and followers climb high
But still she sits and wonders why
"Why do I feel empty inside?" she cries
In a pixel world, she's got that smile
Nobody knows how hard she tries
Underneath her mask
Behind her disguise—
She's just another broken girl (All lies),
Just another sad girl (She lies...)

... Nobody knows... Nobody knows...
...Nobody...
I'm just a sad, sad girl that cries.
I'm just a girl that hides behind my smile.
(...Behind my smile...)

[Chorus]
Hmmm ooh...
Click....click... here I go again,
Followers and likes are my dream.
Snap...snap... my joyful face on screen,
In a digital world, I am a queen.
In reality, behind my phone’s gleam,
I silently scream (Aaaahhh...)
Behind all these digital scenes,
I'm ..just a girl that's broken,
I'm ..just a girl that's broken.
(I'm broken...broken..)
Broken..i'm just broken..
Broken....

Broken

fictionalive / popoems series / hyper media reports 
2001 / 2011 / 2024

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/ to(tally) fictionalive or not

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multi-layered, holistic art project

it speaks take what speaks

/ seen
I want to love – but I need to hate
I need to hate – but I want to love

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nor this nor that
no black and white
no left or right

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/ + / ⭕️ and the rest will follow


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welcome, traveler
made with passion 
just for you

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