
Outernational bass music nomad Filastine ups the ante with £00T. Fractured post-dubstep beat innovations support delicate string arrangements. Overdriven bass synths battle pentatonic gong patterns. Listen closely and listen loud.
Looting from the coffers of hip-hop, moombahton, dubstep and cumbia, Filastine keeps the bass pressure pumping and drums up front. But any similarity to club music genres ends quickly. While a growing tropical bass movement hypes a pan-global dance party, Filastine blazes a different path. Intricate polyrhythms, muted balkan trumpets, ephem- eral soundscapes, and unique vocal contributions push this album off the known map into uncharted musical territory.
Introduction No Step will test your speakers for the album that follows. Gendjer2 and Colony Collapse are the fruit of a tight collaboration with Indonesian indy rapper Nova. She contributes lush 60’s R&B harmonies and megaphone-filtered rhymes. Filastine’s time in Asia also brings a featuring from Japan’s chief rap dadaist ECD. In Lost Report hear him shouting against nuclear contamination over a dirty bass hook and the stuttered clicks of a geiger counter. These onsite collaborations were recorded everywhere from ware- houses to rainforests, then painstakingly mixed over the course of 2011 in a rooftop studio in the muslim quarter of Barcelona, with breaks to participate in the Spanish uprisings of last year.
Throughout the album Filastine leverages rhythmic expertise that he’s gathered far and wide, from the tiny Moroccan village of Jajouka to the coke-fueled parades of Rio de Janeiro. Echoes of Filastine’s old marching band, the Infernal Noise Brigade, propel the drum corp juke of Circulate False Notes and the glitch-crunk of Skirmish. Even Filastine’s years as a taxi driver are audible in the field recordings of radio static, street noises and polyglot collages.
£00T comes with a grip of videos and graphics that riff on concepts from the Arab spring to ecological and financial collapse. With a CD design doubling as utopian money, the album launches alongside a currency for a near-future network of clandestine floating cities.

DOWNLOAD album

Filastine - £00T

set1

filastine

Because I love Filastine <3

Asli Indonesia

NotTurkish

Ils sont colombien, palestinien, malawien, cubain, angolais, égyptien, argentin, dominicain, australien, espagnol, pakistanais et sénégalais.
Ils vivent tous sur une planète trop grasse, il est temps de la mettre au régime.

Filastine - Singularities

Mr. Scruff and Kirsty Almeida were in a recording studio. It was very dusty and covered in cobwebs. As they tidied up, a small spider appeared. It ran up and down the keyboard, trying to escape. Mr. Scruff pressed the record button and Kirsty began to sing. A big spider appeared and played the bassline. When the tune was finished, Mr. Scruff and Kirsty put the spiders in a pickle jar and in honour of their studio guest, called the tune 'Pickled Spider'.


Pickled spider

DOWNLOAD

Colony Collapse

Shanty Tones

Lost Records (with ECD)

Outernational bass music nomad Filastine ups the ante with £00T. Fractured post-dubstep beat innovations support delicate string arrangements. Overdriven bass synths battle pentatonic gong patterns. Listen closely and listen loud.
Looting from the coffers of hip-hop, moombahton, dubstep and cumbia, Filastine keeps the bass pressure pumping and drums up front. But any similarity to club music genres ends quickly. While a growing tropical bass movement hypes a pan-global dance party, Filastine blazes a different path. Intricate polyrhythms, muted balkan trumpets, ephem- eral soundscapes, and unique vocal contributions push this album off the known map into uncharted musical territory.
Introduction No Step will test your speakers for the album that follows. Gendjer2 and Colony Collapse are the fruit of a tight collaboration with Indonesian indy rapper Nova. She contributes lush 60’s R&B harmonies and megaphone-filtered rhymes. Filastine’s time in Asia also brings a featuring from Japan’s chief rap dadaist ECD. In Lost Report hear him shouting against nuclear contamination over a dirty bass hook and the stuttered clicks of a geiger counter. These onsite collaborations were recorded everywhere from ware- houses to rainforests, then painstakingly mixed over the course of 2011 in a rooftop studio in the muslim quarter of Barcelona, with breaks to participate in the Spanish uprisings of last year.
Throughout the album Filastine leverages rhythmic expertise that he’s gathered far and wide, from the tiny Moroccan village of Jajouka to the coke-fueled parades of Rio de Janeiro. Echoes of Filastine’s old marching band, the Infernal Noise Brigade, propel the drum corp juke of Circulate False Notes and the glitch-crunk of Skirmish. Even Filastine’s years as a taxi driver are audible in the field recordings of radio static, street noises and polyglot collages.
£00T comes with a grip of videos and graphics that riff on concepts from the Arab spring to ecological and financial collapse. With a CD design doubling as utopian money, the album launches alongside a currency for a near-future network of clandestine floating cities.

May I Interrupt

Skirmish

Outernational bass music nomad Filastine ups the ante with £00T. Fractured post-dubstep beat innovations support delicate string arrangements. Overdriven bass synths battle pentatonic gong patterns. Listen closely and listen loud.
Looting from the coffers of hip-hop, moombahton, dubstep and cumbia, Filastine keeps the bass pressure pumping and drums up front. But any similarity to club music genres ends quickly. While a growing tropical bass movement hypes a pan-global dance party, Filastine blazes a different path. Intricate polyrhythms, muted balkan trumpets, ephem- eral soundscapes, and unique vocal contributions push this album off the known map into uncharted musical territory.
Introduction No Step will test your speakers for the album that follows. Gendjer2 and Colony Collapse are the fruit of a tight collaboration with Indonesian indy rapper Nova. She contributes lush 60’s R&B harmonies and megaphone-filtered rhymes. Filastine’s time in Asia also brings a featuring from Japan’s chief rap dadaist ECD. In Lost Report hear him shouting against nuclear contamination over a dirty bass hook and the stuttered clicks of a geiger counter. These onsite collaborations were recorded everywhere from ware- houses to rainforests, then painstakingly mixed over the course of 2011 in a rooftop studio in the muslim quarter of Barcelona, with breaks to participate in the Spanish uprisings of last year.
Throughout the album Filastine leverages rhythmic expertise that he’s gathered far and wide, from the tiny Moroccan village of Jajouka to the coke-fueled parades of Rio de Janeiro. Echoes of Filastine’s old marching band, the Infernal Noise Brigade, propel the drum corp juke of Circulate False Notes and the glitch-crunk of Skirmish. Even Filastine’s years as a taxi driver are audible in the field recordings of radio static, street noises and polyglot collages.
£00T comes with a grip of videos and graphics that riff on concepts from the Arab spring to ecological and financial collapse. With a CD design doubling as utopian money, the album launches alongside a currency for a near-future network of clandestine floating cities.

Gendjer2 (with Nova)

Circulate False Notes

09 Spectralization

Juniper (remix of Y La Bamba)

Hypnotico

Informal Sector Parade

Sidi Bouzid

05 Fallaha Chocolata

Opening track of 2009's album Dirty Bomb (press sheet below)

Filastine's 2006 debut album Burn It made inroads among music fans from the hiphop, world, electronic, and experimental scenes. The album peaked at #15 in France's national independent radio charts, and it received airplay from Mary Anne Hobbes & John Peel. The CD was snatched up and re-released by French label Jarring Effects, Japanese label Romz, and US anarcho-collective Crimethinc. 
With his sophmore album, Dirty Bomb, Filastine's gritty transnational soundclash of urban rhythm returns. Freely splicing dubstep with balkan brass or hiphop with bollywood, Dirty Bomb parties in the mud puddle of our increasingly polluted world. Kick drums beat out rapid patterns for dances yet to be invented. Rich acoustic strings merge with programmed synths. Listen to "Fitnah" for proof that a song doesn't need to be in English nor in 4/4 to be a mesmerizing pop wonder. Each vocal here resulted from an on-site collaboration. Aboriginal Australian Wire MC and Japan's ECD (indy hiphop icons of their respective countries) rap over the contorted crunk of "Hungry Ghosts". Closing the album is teen gypsy La Perla, recorded in a squatted cave in 
Granada.

Singularities

from the album
Dirty Bomb (2009)

released by France by Jarring Effects, in Japan by ROMZ, everywhere else by Post World Industries

Fitnah feat. Jessika Kenney

Filastine’s Burn It is one of those rare debut albums that reveal an artist operating at the height of their powers. A Hip-Hop backbone supports live polyriddims, collaborating musicians, lush electronica, field-recordings, and an array of guest MCs and singers. The result is genuinely fresh, streetwise, and solid. From start-to-finish. 
Burn It redefines the term “laptop artist” as someone who uses portability to record and produce anywhere. While Burn It will satisfy beat-heads, the album also exhibits a deeper musicality. Check the upright bass, horns, and sultry French vocals of “Palmares” (track 3) or the trio of singers on “Ja Helo” (track 14). “Quémalo Ya” (track 2) was composed on a Brazilian rooftop with vocals tracked in Havana, while Filastine assembled his studio in the medina square of Marrakesh to get the snake-charmer flutes of “Judas Goat” (track 5). If you were to circle the Earth a few times, listening closely to the beats and noises of the streets, it might sound something like this album. Street artist Swoon contributed her signature cutouts to create the cover art. 
Most folks who’ve spent years studying percussion are afraid to bend live beats into computers, but Filastine uses his drummer’s skill -- along with laptop & microphone – to redraw the musical map. He has studied under tabla superstar Zakir Hussein, played with coke-fueled samba bands in Rio de Janeiro, and soaked up knowledge in North Africa. Filastine’s live performance is a clash of laptop, loudspeaker, midi triggers, live percussion, and often a vocalist. This spring he’ll tour Europe alongside DJ /rupture. 
Sound is action in Filastine’s world. He founded the 20-piece anarchist marching band Infernal Noise Brigade, conducts guerilla activist interventions with custom-built soundsystems, and has been gassed, assaulted, or arrested by police of many uniforms.

Judas Goat

With lush textures and original sound design, "Mecanic Puppet" EP brings you in a different world, combining modern and antique vibes, creating at each tune tribal and science-fiction ambiances. This release is mostly appreciated by Transnational Fusion Dancers, Contemporary Dancers and trip-hop/dubstep lovers.

Mecanic Puppet

Download

Quentin Tarantino's DJANGO UNCHAINED official motion picture soundtrack - Ft. Rick Ross,John Legend,Anthony Hamilton & Elayna Boynton and more.

OFFICIAL SITE: Http://www.unchainedsoundtrack.com
Available on Amazon: http://www.smarturl.it/DjangoUnchainedAMZ
Twitter: @unchainedmovie
Facebook:http://www.facebook.com/unchainedmovie?fref=ts


Freedom (Anthony Hamilton & Elayna Boynton)

Filsafat sudah mati

Dub Ponorogo

upcoming Alice Francis Remix EP, out June 2013 on ChinChin Records.

www.alle-farben.com
www.soundcloud.com/alicefrancis-1
www.facebook.com/alicefrancismusic
www.alice-francis.de

Visit Alice Francis

Alice Francis - Gangsterlove (Alle Farben Remix) FREE DOWNLOAD

To bring £00T closer to the dancefloor we invited a gang of creative producers from across the world to tear up the album. LOOTED is a deep journey into an uncharted sound between trap, dubstep, bollywood, juke, dancehall, and a dozen forms of more traditional music. We at Post World Industries don’t love borders - not between lands, not between people and definitely not between musics. It’s clear that all the remixers share our philosophy, delivering up a broad selection of bass music; the only unifying themes might be adventurousness, hyper drums, and tremendous amounts of low-end pressure.
Download It!  http://postworldindustries.bandcamp.com/album/looted
Or get the silver vinyl 12"- http://goo.gl/Prjux

1. Circulate False Notes (The Clerk remix) 3:06  165bpm
http://postworldindustries.bandcamp.com/track/circulate-false-notes-the-clerk-remix
2. Gendjer2 (Copyflex remix) 3:13  106bpm
http://postworldindustries.bandcamp.com/track/gendjer2-copyflex-remix
3. Circulate False Notes (Nucleya remix) 3:21  95bpm
http://postworldindustries.bandcamp.com/track/circulate-false-notes-nucleya-remix
4. Skirmish (Niveau Zero remix) 4:09  140bpm
http://postworldindustries.bandcamp.com/track/skirmish-niveau-zero-remix
5. No Step (Unkwon remix) 4:26  130bpm
http://postworldindustries.bandcamp.com/track/no-step-unkwon-remix
6. Circulate False Notes (Suckafish P Jones remix) 4:16  160bpm
http://postworldindustries.bandcamp.com/track/circulate-false-notes-suckafish-p-jones-remix
7. Colony Collapse (Aucan remix) 3:04  152bpm
http://postworldindustries.bandcamp.com/track/colony-collapse-aucan-remix
8. Informal Sector Parade (Thornato remix) 3:49  155bpm
http://postworldindustries.bandcamp.com/track/informal-sector-parade-thornato-remix
9. Hypnotico (Filastine live mix) 4:20  110bpm
http://postworldindustries.bandcamp.com/track/hypnotico-live-mix
10. Sidi Bouzid (Alter Echo & E3 remix) 3:52  140bpm
http://postworldindustries.bandcamp.com/track/sidi-bouzid-alter-echo-e3-remix
11. Gendjer2 (DJ Delay remix) 4:35 100bpm
http://postworldindustries.bandcamp.com/track/gendjer2-dj-delay-remix

sorti en France, Belgique, Suisse 24/06 par Jarring Effects. In France get this from Jarring Effect (l'austre distribution) 24 June

LOOTED: Circulate False Notes & Other £00T Remixed (PREVIEW MASHUP)

From the remix album "Filastine - LOOTED"
Get the album here: http://postworldindustries.bandcamp.com/album/looted
Out soon on vinyl also!

BUY HERE

Filastine - No Step (Unkwon remix) PRE-ORDER NOW

Mahsa & Marjan Vahdat _ Saryan Lem Shewand

Note: Filastine is still creating music, art and ideas, but has escaped from the commercial music industry. This account is now an archive. Bio below-
Grey Filastine is a multimedia artist dedicated to undermining borders. His music collides electronic beat production with dense layers of voice, concréte sounds, and strings. Pitchfork says it “sounds less like `world’ music and more like music from another world.” Another world is exactly what he aims to create, using sound, video, and dance to express a radically different vision of the possible. 
Filastine’s higher education is limited to driving a taxi in the United States, where he also founded the Infernal Noise Brigade marching band to live score the 1999 revolt against the WTO in Seattle. In 2006 DJ/Rupture released Filastine’s premiere album, Burn It!, which relocated him to Barcelona and launched a decade of releases and tours. His latest AV effort, Abandon, is a video series profiling dances of emancipation, filmed in locations from coal mines in Borneo to office cubicles in America.
Filastine is foremost a performing artist, where sound, image, and ideas are embodied. He is constantly on tour, appearing at festivals like Sonar (ES), Sydney Festival (AU), Downtown Cairo Arts (EG), Decibel (US), Foreign Affairs (DE) and Mutek Tokyo (JP). But Filastine’s work sometimes doesn’t fit any stage or category, his off-piste interventions include an official mixtape for The Act of Killing documentary, a Sound Swarm at the Paris Climate Summit, or a concert in the Calais Jungle migrant camp.
“the prototype of globalized urban sound” -Prefix Mag
“the soundtrack to a rising heat humidity index” -Spin
“Deftly collaged cuts melding throbbing bass synths and ricocheting 808s with concréte sounds and live instruments” -The Wire
“a hybrid electronic sound that could be described as worldbeat for the dubstep generation – and the result is a lot better than it sounds” -MTV Iggy
“Filled with both jagged edges and moments of sad sweetness...sure to win fans across multiple scenes”-XLR8R
“visceral, disorienting exotica” -The Stranger
“live stage show couples virtuoso live drumming and electronic grooves with a visual spectacle that holds crowds spellbound” -San Francisco Bay Guardian
“Makes Skrillex sound as conventional as Taylor Swift” -Evansville Courier
“An uncompromising, unfettered alternative soundtrack to Life On Earth” -Discontent