Quietly released in 2007 on an EP. Perhaps you haven't heard it. 
- Cyberset 2007

Purple And Orange (Phonograph And Mandolin Remix - 2007)

Jukestone Paradise is the third studio album from Pimps of Joytime out on Write Home Records, April 7th 2015

LYRICS:
close your eyes and drop your hair
and let your body pull you
something strange in the air
a blurry kinda cosmic truth  

we move from wrong to left to right and on
dance with tongues and tie our knees beyond
dance on the heart of the floor inside
your moving like a butterfly
grab my hand and we catch your vibe
this fire will electrify

CHORUS
never let me go
never stop the music
spinning down the road
its a magical flow
when our stars collide
you just have to believe
you and me will 
shine a blazing light

(Horn Interlude)

Verse 2:
i cross my heart and i hope to die
y'all know why you better keep up
ya know what it is then you don't, and it ain’t
when you shoot me that lovers look

we move from wrong to left to right and on
dance on the heart  of the floor inside
this fire will electrify

CHORUS
never let me go
never stop the music
spinning down the road
its a magical flow
when our stars collide
you just have to believe
you and me will 
shine a blazing light

(Horn Interlude)

Percussion Break

Oo’s

CHORUS x2
never let me go
never stop the music
spinning down the road
its a magical flow
when our stars collide
you just have to believe
you and me will 
shine a blazing light







FREE DOWNLOAD

Dance Cardia featuring Rubblebucket

The Untz:
facebook.com/TheUntz
twitter.com/TheUntz
instagram.com/TheUntz

Michael Garfield:
http://michaelgarfield.net/
http://www.facebook.com/michaelgarfieldart
http://twitter.com/michaelgarfield
http://instagram.com/michaelgarfield

Michael Garfield - The Weirder Half (with Nicole Taylor) [PREMIERE]

My dreams consumed by it, I wonder if such a glow exists inside me now, staked and claimed just like the land.

https://youtu.be/MUf1ah7lUSc

Bopit

Here's the ninth track of my second EP called “INTERNAL MAP OF REALITY”. 

The project is a cinematic, introspective EP that explores how inner beliefs, memories, and emotional patterns shape our perception of the world. Full EP mixed, mastered with additional production by S-Type from Scottish record label LuckyMe.

Artwork : Acid Topser
https://www.instagram.com/acidtopser/

Mix/Mastering/Add Prod : S-Type
@s-type
www.instagram.com/stypeofficial/

Follow Franck Kash :
www.linktr.ee/djfranck.kash

TRACKLIST :

1)OMINOUS MUSIC PLAYING
2)INTERNAL COMPASS
3)HOPECORE INTERLUDE
4)ENERGY TRANSMUTATION 
5)STUBBORN OPTIMIST
6)POSITIVE PROJECTION
7)MENTAL BLINKERS
8)IV >>> OV
9)PROPITIOUS MUSIC PLAYING

PROPITIOUS MUSIC PLAYING

I have learned that the birds fly and the fish swim and babies crawl and man walks.

Inside of Him.

I have learned that thoughts cry and that ears stain and the marketplace is a place of names.

Inside of Him.

He who is sitting quietly outside yet residing in the place where his body is.

He knows what his mind is a part of, like he knows what you really can't begin to hide.

I have learned that day is night and that sun is moon and the river's fall is our humming tune.

Inside of Him.

I have learned that inside of me is outside of you and outside of me is inside of you.

Inside of Him. Inside of Him.

Produced by The Bins
Guitar: Bobby Salehnejad
Percussion and bass: Gabriel Soriano
Mixed by Scott Zschomler at Beehive Studios
Mastered by Shawn Hatfield at AudibleOddities
Cover art by Cigdem Pacal

I Have Learned

Rising Appalachia and The Human Experience - Soul Visions [Full Album]

Outernational bass music nomad Filastine ups the ante with £00T. Fractured post-dubstep beat innovations support delicate string arrangements. Overdriven bass synths battle pentatonic gong patterns. Listen closely and listen loud.
Looting from the coffers of hip-hop, moombahton, dubstep and cumbia, Filastine keeps the bass pressure pumping and drums up front. But any similarity to club music genres ends quickly. While a growing tropical bass movement hypes a pan-global dance party, Filastine blazes a different path. Intricate polyrhythms, muted balkan trumpets, ephem- eral soundscapes, and unique vocal contributions push this album off the known map into uncharted musical territory.
Introduction No Step will test your speakers for the album that follows. Gendjer2 and Colony Collapse are the fruit of a tight collaboration with Indonesian indy rapper Nova. She contributes lush 60’s R&B harmonies and megaphone-filtered rhymes. Filastine’s time in Asia also brings a featuring from Japan’s chief rap dadaist ECD. In Lost Report hear him shouting against nuclear contamination over a dirty bass hook and the stuttered clicks of a geiger counter. These onsite collaborations were recorded everywhere from ware- houses to rainforests, then painstakingly mixed over the course of 2011 in a rooftop studio in the muslim quarter of Barcelona, with breaks to participate in the Spanish uprisings of last year.
Throughout the album Filastine leverages rhythmic expertise that he’s gathered far and wide, from the tiny Moroccan village of Jajouka to the coke-fueled parades of Rio de Janeiro. Echoes of Filastine’s old marching band, the Infernal Noise Brigade, propel the drum corp juke of Circulate False Notes and the glitch-crunk of Skirmish. Even Filastine’s years as a taxi driver are audible in the field recordings of radio static, street noises and polyglot collages.
£00T comes with a grip of videos and graphics that riff on concepts from the Arab spring to ecological and financial collapse. With a CD design doubling as utopian money, the album launches alongside a currency for a near-future network of clandestine floating cities.

Juniper (remix of Y La Bamba)

Musical Style: Haunting Vocal Soul

Musical Influences: Marvin Gaye, Tony Joe White

Track Description: 

Eddie Roberts (guitarist and bandleader of The New Mastersounds/founder of Color Red) first met Lamar Williams Jr. at a benefit show in Denver, CO in early 2018 coordinated by Peter Levin (keyboardist in The Gregg Allman Band). They connected instantly, both musically and interpersonally and when The New Mastersounds passed through Atlanta 3 months later, Williams enthusiastically joined the quartet for 3 songs and cultivated seeds of a long-lasting musical relationship.

“Trouble” is a testament to this fortified musical bond. Recorded in November 2018, The New Mastersounds laid a silky pad rhythmic precision allowing Williams to float on top with his assured, yet demure vocals and John Macy’s hypnotic pedal steel lines. The group will be following up with a socially-charged video to be released at the end of the month. Collaborations like this epitomize Roberts’ vision when founding Color Red as a platform for musical compatriots to document all-original music.

“In general, the song inspiration came from how I think people perceive each other without giving love a chance for them to learn and lend their abilities to each unique situation,” Williams explains.

Produce by Eddie Roberts
Color Red

Tracking Engineers - Eddie Roberts, Mike Tallman & Dan Cohn
Color Red Studios

Mixing Engineer - Eddie Roberts
Color Red Studios

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Trouble

Color Red Music

Lamar Williams Jr & The New Mastersounds - 'Trouble' | Color Red Music

Little People is the moniker of UK based downtempo electronic musician Laurent Clerc… He returns with his second full length album - We Are But Hunks Of Wood - a whole 6 years after his first album (Mickey Mouse Operation) was released on Illicit recordings. Whilst his debut - an accomplished ode to late 90's instrumental hip hop - has unexpectedly gone on to be in the top 30 selling album downloads on iTunes in the electronic genre in the US for the last 2 years, he is still all but unknown to most tastemakers and influential blogs shaping today's electronic music scene. Having followed an unconventional route to success - thanks to in no small part to Pandora radio generating him huge amounts of exposure - he seemingly exists outside the normal channels used to promote artists. We sense this is all about to change…

'We are But Hunks of Wood' is a sonic leap forward for LIttle People (that's the least you can expect after a 6 year hiatus between albums!) which should help establish himself as key proponent of the downtempo electronic music scene. Part beats, bleeps and real live instrumentation, this new record maybe falls in a place where Bonobo and Anders Trentemoller would hypothetically meet. Having initially come from the world of instrumental hip hop where tracks are often more akin to just sketches or interesting ideas, Laurent Clerc's pieces are fully fledged songs whose arrangements create a sense of mood and movement, effortlessly going from nuanced electronic patterns to soaring string arrangements over the course of the journey. This is no beat tape.

There are many reasons why it has taken him so long to release his follow up record - like nearly turning his back on making music and becoming the father of a set of twins… But the main reason was that he felt he had to reinvent his work methodology and write and record his tracks from the ground up. He saw sampling as tantamount to taking another man's 2 bars of inspiration and passing it off as your own. The story of the samplist making the jump to creating his own material is not new… but it isn't always a successful one. Laurent took enough time to make sure that leap was taken with aplomb.

We Are but Hunks of Wood

Wonderland

Usawa (feat. Onyi) - Single

Usawa (feat. ONYI LOVE)

Note: Filastine is still creating music, art and ideas, but has escaped from the commercial music industry. This account is now an archive. Bio below-
Grey Filastine is a multimedia artist dedicated to undermining borders. His music collides electronic beat production with dense layers of voice, concréte sounds, and strings. Pitchfork says it “sounds less like `world’ music and more like music from another world.” Another world is exactly what he aims to create, using sound, video, and dance to express a radically different vision of the possible. 
Filastine’s higher education is limited to driving a taxi in the United States, where he also founded the Infernal Noise Brigade marching band to live score the 1999 revolt against the WTO in Seattle. In 2006 DJ/Rupture released Filastine’s premiere album, Burn It!, which relocated him to Barcelona and launched a decade of releases and tours. His latest AV effort, Abandon, is a video series profiling dances of emancipation, filmed in locations from coal mines in Borneo to office cubicles in America.
Filastine is foremost a performing artist, where sound, image, and ideas are embodied. He is constantly on tour, appearing at festivals like Sonar (ES), Sydney Festival (AU), Downtown Cairo Arts (EG), Decibel (US), Foreign Affairs (DE) and Mutek Tokyo (JP). But Filastine’s work sometimes doesn’t fit any stage or category, his off-piste interventions include an official mixtape for The Act of Killing documentary, a Sound Swarm at the Paris Climate Summit, or a concert in the Calais Jungle migrant camp.
“the prototype of globalized urban sound” -Prefix Mag
“the soundtrack to a rising heat humidity index” -Spin
“Deftly collaged cuts melding throbbing bass synths and ricocheting 808s with concréte sounds and live instruments” -The Wire
“a hybrid electronic sound that could be described as worldbeat for the dubstep generation – and the result is a lot better than it sounds” -MTV Iggy
“Filled with both jagged edges and moments of sad sweetness...sure to win fans across multiple scenes”-XLR8R
“visceral, disorienting exotica” -The Stranger
“live stage show couples virtuoso live drumming and electronic grooves with a visual spectacle that holds crowds spellbound” -San Francisco Bay Guardian
“Makes Skrillex sound as conventional as Taylor Swift” -Evansville Courier
“An uncompromising, unfettered alternative soundtrack to Life On Earth” -Discontent