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San Francisco Bound (Remix By DJ OBaH)

Quietly released in 2007 on an EP. Perhaps you haven't heard it. 
- Cyberset 2007

Purple And Orange (Phonograph And Mandolin Remix - 2007)

The Surface Changes

The New Mastersounds - Hey Fela!

Short, downtempo electronic track. When apocalypse comes, let's die on the dancefloor.

Waking Fragments of a Dreamt Life

(SPED UP)StonerRd.mp420

Official tracks off of the newly released album, "Ondas". Available on Bandcamp. Each track available for free download individually, just set price to $0. http://kinack.bandcamp.com/

Invierno

„Rooted“ is our own personal version of traditional Tyrolean sounds combined with Beats and Cuts. 
All Instruments where recorded for this project.

Recorded, produced & mixed by Restless Leg Syndrome 
Additional Recording by Kenneth Winkler at weyrerTon Innsbruck 
Drumrecording by Buzz & Benjamin Zangerl at Buzzment Studio 
Mastering by Buzz at Buzzment Studio 
Artwork by Lukas Goller
Accordion & Drums: Andreas Hellweger 

www.facebook.com/RestlessLegSyndrome1
http://duzzdownsan.net
Accordion, Percussion & Schuhplattler: Clemens Marberger 
Alt Sax & Tenor Sax: Andrew Gould 
Baritone Sax: Andrew Gutauskas 
Clarinet: Johannes Eder 
Cuts: Chrisfader 
Darbuka: Safi 
Doublebass & Guitar: Peter Abler 
Electric Bass: Fabian Möltner 
Harp: Claudia Haarfee Nußbaumer 
Hang: Manu Delago 
Horn Arrangement: Stephan Kondert 
Maultrommel & Teufelsgeige: Lukas Ljubanovic 
Trumpet: Dennis Adu 
Tuba: Herbert Pixner 
Vocals: Cornelia Rainer 
Zither: Lissie Rettenwander 
Accordion & Drums: Andreas Hellweger 
Accordion, Percussion & Schuhplattler: Clemens Marberger 
Alt Sax & Tenor Sax: Andrew Gould 
Baritone Sax: Andrew Gutauskas 
Clarinet: Johannes Eder 
Cuts: Chrisfader 
Darbuka: Safi 
Doublebass & Guitar: Peter Abler 
Electric Bass: Fabian Möltner 
Harp: Claudia Haarfee Nußbaumer 
Hang: Manu Delago 
Horn Arrangement: Stephan Kondert 
Maultrommel & Teufelsgeige: Lukas Ljubanovic 
Trumpet: Dennis Adu 
Tuba: Herbert Pixner 
Vocals: Cornelia Rainer 
Zither: Lissie Rettenwander

Rooted

Trippin'

DOWNLOAD

Colony Collapse

Shanty Tones

Lost Records (with ECD)

Outernational bass music nomad Filastine ups the ante with £00T. Fractured post-dubstep beat innovations support delicate string arrangements. Overdriven bass synths battle pentatonic gong patterns. Listen closely and listen loud.
Looting from the coffers of hip-hop, moombahton, dubstep and cumbia, Filastine keeps the bass pressure pumping and drums up front. But any similarity to club music genres ends quickly. While a growing tropical bass movement hypes a pan-global dance party, Filastine blazes a different path. Intricate polyrhythms, muted balkan trumpets, ephem- eral soundscapes, and unique vocal contributions push this album off the known map into uncharted musical territory.
Introduction No Step will test your speakers for the album that follows. Gendjer2 and Colony Collapse are the fruit of a tight collaboration with Indonesian indy rapper Nova. She contributes lush 60’s R&B harmonies and megaphone-filtered rhymes. Filastine’s time in Asia also brings a featuring from Japan’s chief rap dadaist ECD. In Lost Report hear him shouting against nuclear contamination over a dirty bass hook and the stuttered clicks of a geiger counter. These onsite collaborations were recorded everywhere from ware- houses to rainforests, then painstakingly mixed over the course of 2011 in a rooftop studio in the muslim quarter of Barcelona, with breaks to participate in the Spanish uprisings of last year.
Throughout the album Filastine leverages rhythmic expertise that he’s gathered far and wide, from the tiny Moroccan village of Jajouka to the coke-fueled parades of Rio de Janeiro. Echoes of Filastine’s old marching band, the Infernal Noise Brigade, propel the drum corp juke of Circulate False Notes and the glitch-crunk of Skirmish. Even Filastine’s years as a taxi driver are audible in the field recordings of radio static, street noises and polyglot collages.
£00T comes with a grip of videos and graphics that riff on concepts from the Arab spring to ecological and financial collapse. With a CD design doubling as utopian money, the album launches alongside a currency for a near-future network of clandestine floating cities.

Juniper (remix of Y La Bamba)

Here are some tracks from my new album I made with De Wolfe records called "The art of the sample". for more info and links: https://phatfriend.com/2018/04/20/blockhead-the-art-of-the-sample/

BITE 001 - Blockhead: The Art Of The Sample

Jellyfish

New release from Nadis Warriors. FREE ALBUM DOWNLOADS AT www.nadiswarriors.com

Imaginal Disks

Note: Filastine is still creating music, art and ideas, but has escaped from the commercial music industry. This account is now an archive. Bio below-
Grey Filastine is a multimedia artist dedicated to undermining borders. His music collides electronic beat production with dense layers of voice, concréte sounds, and strings. Pitchfork says it “sounds less like `world’ music and more like music from another world.” Another world is exactly what he aims to create, using sound, video, and dance to express a radically different vision of the possible. 
Filastine’s higher education is limited to driving a taxi in the United States, where he also founded the Infernal Noise Brigade marching band to live score the 1999 revolt against the WTO in Seattle. In 2006 DJ/Rupture released Filastine’s premiere album, Burn It!, which relocated him to Barcelona and launched a decade of releases and tours. His latest AV effort, Abandon, is a video series profiling dances of emancipation, filmed in locations from coal mines in Borneo to office cubicles in America.
Filastine is foremost a performing artist, where sound, image, and ideas are embodied. He is constantly on tour, appearing at festivals like Sonar (ES), Sydney Festival (AU), Downtown Cairo Arts (EG), Decibel (US), Foreign Affairs (DE) and Mutek Tokyo (JP). But Filastine’s work sometimes doesn’t fit any stage or category, his off-piste interventions include an official mixtape for The Act of Killing documentary, a Sound Swarm at the Paris Climate Summit, or a concert in the Calais Jungle migrant camp.
“the prototype of globalized urban sound” -Prefix Mag
“the soundtrack to a rising heat humidity index” -Spin
“Deftly collaged cuts melding throbbing bass synths and ricocheting 808s with concréte sounds and live instruments” -The Wire
“a hybrid electronic sound that could be described as worldbeat for the dubstep generation – and the result is a lot better than it sounds” -MTV Iggy
“Filled with both jagged edges and moments of sad sweetness...sure to win fans across multiple scenes”-XLR8R
“visceral, disorienting exotica” -The Stranger
“live stage show couples virtuoso live drumming and electronic grooves with a visual spectacle that holds crowds spellbound” -San Francisco Bay Guardian
“Makes Skrillex sound as conventional as Taylor Swift” -Evansville Courier
“An uncompromising, unfettered alternative soundtrack to Life On Earth” -Discontent

Juniper (remix of Y La Bamba)

Filastine

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