Siglo 21 (Radio 3) 2012

moody-

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

emareh elyom / ayer y hoy

Oregon Eclipse 1

Kamilya Jubran & Werner Hasler - Al Shaatte Al-Akhar

02 Love Me Like You Used Too

You Are My Sunshine

The Grey Man

Chin Up

Terrible Angels

Primavera

Blindness

Let's pretend like the guitar is better than it is, alright ok.

Extra's Album

Copeland - Chiromancer (COVER)

King Of Keyboard

Electric Mawwal II

LOOT

Colony Collapse (with Nova)

http://menitrust.tumblr.com/

https://www.instagram.com/menitrust
https://menitrust.bandcamp.com
https://www.facebook.com/menitrust

Show me how you care, 
Tell me how you were loved before 
Show me how you smile, 
Tell me why your hands are cold 

I’m turning around, 
I’m having visions of you 
But then I understand 
The friend I’m dreaming of is far away 
But I’m here... I’m here 

Show me how you’re proud, 
Tell me how you reach the moon 

My thoughts err away tonight 
My heart fell to love again 

I’m turning around I’m having visions of you ( 
But then I understand 
The friend I’m dreaming of is far away 
And doesn’t feel my love 
But I do... I do

Men I Trust - Show Me How

https://youtu.be/DyMVfGlL5_Q

http://menitrust.tumblr.com/
https://www.instagram.com/menitrust
https://menitrust.bandcamp.com
https://www.facebook.com/menitrust

Say, can you hear 
Is there a meaning to your grief? 
Where there is pain 
You see grace 
As if sacrifice 
Was meaningful end in itself 
Your trial and error is error and error 

Staying at the end of a hallway 
Dozens of doors you never tried to open 
Narrow vision, you’re the scapegoat 
You fix things that have never been 

Hoping for your turn 
All the basement stories you heard 
Waiting for the world 
To bend around you 

You’re self-absorbed 
Raving about your cryptic ways 
Aren’t willing to change 
Old grudges 

Staying at the end of a hallway 
Dozens of doors you never tried to open 
Narrow vision, you’re the scapegoat 
You fix things that have never been 

Staying at the end of a hallway 
Dozens of doors you never tried to open 
Narrow vision, you’re the scapegoat 
You fix things that have never been broken 

Waiting for the world 
To bend around you

Say, can you hear

Musique De France

Stil

Sinéad O'Connor performs Take Off Your Shoes on Later... with Jools Holland.


Sinead O'connor - "Take Off Your Shoes" (Live)

Balfron Promise

Gamar

Red Letter

Red Letter (feat. Skeleton Hands)

Slow

Slow (Skeleton Hands Hard Version)

The Colony

The Hunter

Honey

The Enemy

Note: Filastine is still creating music, art and ideas, but has escaped from the commercial music industry. This account is now an archive. Bio below-
Grey Filastine is a multimedia artist dedicated to undermining borders. His music collides electronic beat production with dense layers of voice, concréte sounds, and strings. Pitchfork says it “sounds less like `world’ music and more like music from another world.” Another world is exactly what he aims to create, using sound, video, and dance to express a radically different vision of the possible. 
Filastine’s higher education is limited to driving a taxi in the United States, where he also founded the Infernal Noise Brigade marching band to live score the 1999 revolt against the WTO in Seattle. In 2006 DJ/Rupture released Filastine’s premiere album, Burn It!, which relocated him to Barcelona and launched a decade of releases and tours. His latest AV effort, Abandon, is a video series profiling dances of emancipation, filmed in locations from coal mines in Borneo to office cubicles in America.
Filastine is foremost a performing artist, where sound, image, and ideas are embodied. He is constantly on tour, appearing at festivals like Sonar (ES), Sydney Festival (AU), Downtown Cairo Arts (EG), Decibel (US), Foreign Affairs (DE) and Mutek Tokyo (JP). But Filastine’s work sometimes doesn’t fit any stage or category, his off-piste interventions include an official mixtape for The Act of Killing documentary, a Sound Swarm at the Paris Climate Summit, or a concert in the Calais Jungle migrant camp.
“the prototype of globalized urban sound” -Prefix Mag
“the soundtrack to a rising heat humidity index” -Spin
“Deftly collaged cuts melding throbbing bass synths and ricocheting 808s with concréte sounds and live instruments” -The Wire
“a hybrid electronic sound that could be described as worldbeat for the dubstep generation – and the result is a lot better than it sounds” -MTV Iggy
“Filled with both jagged edges and moments of sad sweetness...sure to win fans across multiple scenes”-XLR8R
“visceral, disorienting exotica” -The Stranger
“live stage show couples virtuoso live drumming and electronic grooves with a visual spectacle that holds crowds spellbound” -San Francisco Bay Guardian
“Makes Skrillex sound as conventional as Taylor Swift” -Evansville Courier
“An uncompromising, unfettered alternative soundtrack to Life On Earth” -Discontent