info: https://radio.syg.ma/episodes/pba-felicia-atkinson-felicia-made-a-mix-for-sasha
https://feliciaatkinson.bandcamp.com
https://feliciaatkinson.com
https://shelter-press.com

PBA – Felicia Atkinson: Felicia made a mix for Sasha

Private press sound poet brings drum my tantrums raps, yoga punk and high octane inventions to late 70s New York. Finally captured on Vinyl for this unique sound collection by Beth Anderson.

Carving an unlikely and elaborate niche in the stoney academic landscape which she once shared with the likes of Phill Niblock, John Cage and Sorel Hayes, the excitable proto-punk poèmes sonores of the linguistic loose cannon known as Beth Anderson first rolled through New York in the mid-1970s (from Kentucky via San Francisco) like a jumbled tumbleweed of lost Letterism, face paint and threadbare drummy funk to astonish gallery floors, lecture theatres and loft apartment stages. One thousand leagues under the radar of the commercial music industry, with a sense of humour that elevated way above her highbrow peer group, the music of Beth Anderson has successfully evaded the pressing plant for most of her creative career, and not unlike fellow New York gallery actionist Suzanne Ciani, it has taken decades to successfully collect and contextualise these early recordings – expanding her elusive discography beyond the rare and mysterious solo single entry in the process.

When uttered amongst the type of vinyl vampires that haplessly gravitate between both art school vintage vanity pressings and family funded plunder funk, there’s an outside chance that the name Beth Anderson might muster some vague recognition on account of her one and only solo wax sojourn into the expansive DIY market. In 1980 the 45rpm single I Can’t Stand It combusted into the consciousness of adventurous participants with its deep rhythmic backbeat (courtesy of future Sonic Youth/Dinosaur Jr producer Wharton Tiers, member of the new wave band Theoretical Girls), climaxing with two colourful and commanding linguistic tantrums before disappearing in a puff of smoke leaving would-be fans dumbstruck without so much as a label name or distribution contact to explain what they had just heard. For those who have spent the subsequent years on the edge of that same seat, it might come as some comfort knowing that somewhere out there (on the OTHER side) there is also a contrasting world of gallery patrons and experimental sound poetry enthusiasts that similarly didn’t know that their regular performance poet Beth Anderson even made the ambitious pop record. For the uninitiated, the enigmatic Beth Anderson has straddled both sides of the art/ rock fence placed between two equally niche pastures. Hopefully this first-ever vinyl compendium will succeed in joining the dots, loops, yelps, squeaks, beats and repeats! Let us follow Beth’s lineage, along her magnetic tape highways crossing multiple boundaries in a hope to bridge unlikely anti-genres like “yoga punk”, “ramble rap”, “combustion pop” and “form room funk”… all of which were officially neatly bracketed under the curious Text-Sound movement where Beth garnered utmost respect as a key practitioner…

I Can't Stand It

Beth Anderson - I Can't Stand It

W Ʌ V E S w/ Sharkeisha @ KURS radio 31.07.2024

Bégayer, Préambules bègues

Batikh EP (for Palestine)

Prayer – from Batikh EP (for Palestine)

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.

➡️ More info, more music: www.refugeworldwide.com

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Astral VIP: Big Leg's 'ardcore Trip - Big Leg - 08 Aug 2024

Ana invites Odrugud, delivering a leftfield fever dream… ☁️ 🌀

no title

Ana Radonja invites Odrugud 10/08/24

7th episode of my monthly show 'Bittersweet' on Radio Vilnius, dedicated to melancholic sound expression.

Recent favourites included are by Auguste Vickunaite, Scala, Psyclones, Bogdan Raczynski and many more.

Invited my dear friend Yurei for the second hour, link to the full show:

https://radiovilnius.live/20289-2/

Bittersweet w/ Urte Budnikaite, Radio Vilnius 2024.08.15

A3 Jules LePull - Stop It And Get Some Help

Delodio's Fa_Fane brings a John Carpenter special, followed by a mix by François Marché in the second hour. 

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
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Outsiders: Delodio w/ Fa_Fane (John Carpenter Special) & F.M. @ Kiosk Radio 15.12.2024

track from self-released album by @perila "i had a dream i don't remember"
https://perilazone.bandcamp.com/album/i-had-a-dream-i-dont-remember

big floor energy celebration.
floor as a blank canvas as grounding as a center to feel and stay connected with oneself. how floor touching the body and resonates trough the sound and voice.
______

suddenly autumn
slapped me in the face
grey zone
over?
no
but
words here unnecessary
we bear the silence
pouring coffee through the mouth
the vessel
i had a dream i don’t remember

Perila – This Story Doesn't Make Any Sense

Behold Finders Keepers, a British record label, 40 years in the making, introducing fans of psychedelic, jazz, folk, funk, avant-garde and whacked-out movie musak to a lost world of undiscovered vinyl artifacts from the annals of alternative pop history.

Catering to record collectors and DJ-producers alike with a huge emphasis on sample friendly soundscapes, rocksteady back-beats and primitive electronic experimentalism. Discerning purveyors of the bizarre and abnormal should expect the Japanese choreography records, space-age Turkish protest songs, Czechoslovakian vampire soundtracks, Welsh rare-beats, bubblegum folk, drugsploitation operatics, banned British crime thrillers and celebrity Gallic Martini adverts... presented on CD, 7" and traditional black plastic discs in authentic packaging.

Following in the very same footsteps as the mind boggling "Music To Watch	Girls Cry" and "Songs In The Key Of Death" mix CDs for Fat City Records and the original 5-star rated Finders Keepers compilation LP in 2001, Manc-based vinyl-vulture, recording artist and record producer Andy Votel enlists the skills of fellow B-Music DJ and Rare Disc Detective Doug Shipton to form a team of psychedelic librarians and cosmic-pop-quiz-elitists to run their new Twisted Nerve distant sister-label, leaving no progressive pebble unturned or record collection un-rifled.

Future compilations and re-issues will feature collaborative curators such as David Holmes, Cherrystones and Bob Stanley and further contributions from mystery A- / B+ pop-celebrity fanatics of outsider music and ultra-rare bakelite discs. Finders Keepers is an 'accidental world music label' with a punk aesthetic and DJ friendly ethos which allows the desperate listener to sit back while we deliver schizoid cultural channel-hopping compilations and rocking-horse-shit & hen's-teeth re-releases to the comfort of your psych-starved living room...

Beth Anderson - I Can't Stand It

Finders Keepers Records