Die gesunden did a great version of I'm Waiting for my Man. Was released on 102 by Vinyl on Demand

Where can I find a playlist for this show (titles of recordings, etc) ? Thanks!

Meetsysteem, Victor De Roo - Ampersand

Roxane Métayer (SHAPE ARTIST) 

Roxane Métayer was born in France in 1992. She learned to play the violin at a young age, and then continued her studies in Belgium, at the Ecole de Recherches Graphiques, where she obtained her Master’s degree, in Speculative Narration, Narratives and Experiments.

She continues her practice as a visual artist and musician, based in Brussels. She has released several albums with the labels Primordial Void, Kraak, Morc, Wabisabi tapes and Vlek with the duo Sage Alyte. She has a few records planned in the coming year with Marionnette Label and Student of Decay. Her latest shows and festival includes Schiev festival, les Ateliers Claus, AB Salon, Beursschouwburg, Atelier 210, Instants Chavirés and Meakusma festival with the duo Sage Alyte…

Roxane Métayer [Shape + Mutant Days] [23-24.06.2023]

Tracklist

01. Harry Towell - Prunus Avium
02. Memory Scale - Après La Pluie
03. Pulse Mandala & Distant Fires Burning - Spectroscopycon
04. Daily Rituals - Self-portrait under rusting sun
05. Ghost and Tape - Plgn
06. Stijn Hüwels - Falling head over heels
07. Russell Burden & Craig Tattersall - Fadings
08. Moss Covered Technology - No Words Needed
09. Dead Bell -  Above The Dappled Sunlight
10. The Humble Bee - Concealed by yellow

342. Sleepy Sunday Podcast (Elm Records)

FKR055X
Andrzej Korzyński 
Secret Enigma

Released 29th September 2023

Back due to unprecedented demand and available for the first time since the original 2012 pressing, Finders Keepers Records is proud to once again present these twenty-two rare and unreleased vintage tracks from the secret vaults of one of the most enigmatic composers in 60s/70s/80s European cinema, Andrzej Korzyński. Originally recorded in the best studios in Poland, Italy and France for experimental film, political allegories, lost television shows, sound libraries and radio – these tracks have been hidden behind the Iron Curtain on lost master tapes and film reels until now! Secret Enigma represents the first ever dedicated anthology of this great composer’s work.

Originally released exactly thirty years ago In artistic cinema Andrzej Korzyński's unique experiments with jazz, pop, rock, orchestral and electronic music make his name synonymous with the most praised (Andrzej Wajda) and the most provocative (Andrzej Zuławski) Polish filmmakers (counting many more in between). As an early patron of the Polish New Wave and a key exponent of the development of conceptual Polish pop music his expansive portfolio has remained commercially unreleased and untravelled (like many of the original socialist era Polish made films) and has yet to find its deserved place next to the work of Ennio Morricone, François de Roubaix and John Barry. Now enhanced by a renewed interest in vintage art house film and a subculture of open minded music collectors many Easter European artists, such as Krzysztof Komeda (Poland), Zdenek Liška (Czechoslovakia) and now Andrzej Korzynski, have finally begun to earn their place alongside their Central European peers.

For lovers of film music and experimental pop, this debut anthology and appraisal of Korzyński's work is long overdue, and stylistically, probably never more relevant.

Secret Enigma

Saved From Oblivion

Andrzej Korzyński - Saved From Oblivion

FKR063X
Andrzej Korzyński 
Third Part Of The Night

Released 29th September 2023

As one of the most triumphant and beguiling directorial debut features to emerge from the fruitful Polish New Wave, Andrzej Żuławski's 1971 film Third Part Of The Night not only earned the 30 year old filmmaker a place next to other radical Polish directors such as Polanski, Skolimowski and Has, but also galvanised a creative bond with long running collaborator and composer Andrzej Korzyński, providing fans of foreign abstract/suspense cinema with a potent creative fusion to match those of Polanki/Komeda, Fellini/Rota and Argento/Goblin, amongst others.

Quite simply one of the heaviest psych rock film soundtracks of all time Andrzej Korzyński's short and unreleased score matched the blueprint that adorned the drawing boards of conceptual French jazz orch rock composers like Jean-Claude Vannier, Francois De Roubaix and Alain Gourageur, creating a soundtrack that unknowingly begs comparison to Masahiko Sato’s Belladonna Of Sadness and Billy Green’s Stone. As one of the first progressive pop writers to come out of the vibrant (but carefully scrutinised) Polish beat scene with his bands Ricecar 64 and later Arp Life (and composing for national heroes such as Czeslaw Niemen, Niebiesko-Czarni and Test) Korzynski’s growing passion for conceptual rock and jazz music soon lead to instrumental composition and soundtrack scores.

His cinematic debuts scoring two consecutive transitional new wave films for Andrzej Wajda (in collaboration with the radical Polski pop groups Trubadurzy and Grupa ABC) also provided Korzynski with another significant cinematic muse in that of the stunning actress Malgorzata Braunek with whom they would both eventually achieve their finest performances under the direction of the ravenous first timer Żuławski. Third Part Of The Night (1971) perhaps epitomises that triangular on-screen unison in its vibrant youth and feeds it through a hallucinogenic mangle finding astonishing beauty (within a repulsive synopsis) against a bleak and shattered backdrop and accompanied by progressive, psychedelic orchestral rock music - elements which would intensify for all three creatives with the next film, Diabel, which was banned by the Polish government the following year until 1988.

Third Part Of The Night also marks the public unison of Żuławski and Braunek whose later private romantic relationship is said to form the basis for another defining Żuławski/Korzyński defining endeavour with the 1981 film Possession exactly a decade later, encapsulating a period that bequeaths a previously unopened vault of some of the composers finest and most inspired sonic adventures.

Third Part Of The Night

W instytucie

Andrzej Korzyński - W instytucie

しかし、少しづつ社会、文化、あるいは人間の存在と資本の違いが薄くなってきた。~  However, slowly, the boundary between society, culture, and human existence and capital has become increasingly blurred.

Umé Records presents the album "Serotones" by Sacramento, USA's Bleu System.

Listen: https://umerecords.bandcamp.com/album/serotones

ume026

Download

Bleu System ~ Serotones (Snippets)

pk cute seq

Planet

With the wake of a new season the third episode of Finders Keepers monthly radio magazine returns to your devices ushering musical lost property, foreign fuzz and multiple micro-genres via our regular cosmic conduits at the radio chronic workshop known only as the Keepers Cottage. This month’s episode is punctuated by the concept “Jazz Is Not A Four Letter Word” - a ten-year-old title that was original earmarked for part of a series of releases on Doug and Andy's hibernating Delay 68 label. Alongside other quadratic genres folk, prog and glam, jazz was once a misunderstood section known to polarise tastes like marmite and mustard sushi burgers but as many hapless vinyl junkies will testify the j word forms the backbone to some of the best record collections in the world and it obviously doesn't take a bunch of Saxonic nerds from Blighty (such as our guest Graham Massey from Biting Tongues/808 State) to fight its corner... but let's do it anyway. Expect some of the finest skronk platters from all corners of the globe in this months Jazz themed episode including free/spiritual/cosmic/improv/electronic and other permutations of the joyful noise with various random bursts of unrelated vinyl bliss in the mix courtesy of Votel, Shipton. Mitchell, Ozploitation purveyor James Pianta and not forgetting our favourite ferric oligochaeta Mr. Tapeworm. The jazz amnesty is in session; Iguarglaphones must be left at the door.

Finders Keepers Radio Show Episode Three

Snoopy

Faun House

Aquaeductus vestibuli

Behold Finders Keepers, a British record label, 40 years in the making, introducing fans of psychedelic, jazz, folk, funk, avant-garde and whacked-out movie musak to a lost world of undiscovered vinyl artifacts from the annals of alternative pop history.

Catering to record collectors and DJ-producers alike with a huge emphasis on sample friendly soundscapes, rocksteady back-beats and primitive electronic experimentalism. Discerning purveyors of the bizarre and abnormal should expect the Japanese choreography records, space-age Turkish protest songs, Czechoslovakian vampire soundtracks, Welsh rare-beats, bubblegum folk, drugsploitation operatics, banned British crime thrillers and celebrity Gallic Martini adverts... presented on CD, 7" and traditional black plastic discs in authentic packaging.

Following in the very same footsteps as the mind boggling "Music To Watch	Girls Cry" and "Songs In The Key Of Death" mix CDs for Fat City Records and the original 5-star rated Finders Keepers compilation LP in 2001, Manc-based vinyl-vulture, recording artist and record producer Andy Votel enlists the skills of fellow B-Music DJ and Rare Disc Detective Doug Shipton to form a team of psychedelic librarians and cosmic-pop-quiz-elitists to run their new Twisted Nerve distant sister-label, leaving no progressive pebble unturned or record collection un-rifled.

Future compilations and re-issues will feature collaborative curators such as David Holmes, Cherrystones and Bob Stanley and further contributions from mystery A- / B+ pop-celebrity fanatics of outsider music and ultra-rare bakelite discs. Finders Keepers is an 'accidental world music label' with a punk aesthetic and DJ friendly ethos which allows the desperate listener to sit back while we deliver schizoid cultural channel-hopping compilations and rocking-horse-shit & hen's-teeth re-releases to the comfort of your psych-starved living room...

Finders Keepers Radio Show Episode Three

Finders Keepers Records

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