Supported by:
Roman Flügel, Âme, Laurent Garnier (F Communications),DJ Hell (R&S Records / Tresor), Klangkarussell (Stil Vor Talent),Adana Twins (Exploited), Undercatt (Diynamic), Shall Ocin (Hot Flush),  ANNA (Turbo Recordings / Circus Recordings), Danny Tenaglia, Jared Simms (My Favorite Robot Records) Andreas Henneberg(SNOE Music), Betoko, Glenn Morrison and Evans (Dilate Records Label Owner)Kollektiv Turmstrasse (Musik Gewinnt Freunde / Diynamic),Javier Orduna (Visionquest /Rumors / Moda Black), Mystic Bill (Classic / Relief Records), M.A.N.D.Y., Dodi Palese (Connaisseur Recordings), Novakk (Sincopat),  Mickey Imperi (Deep &Eclectic / Malaga FM), Jimpster, Marc Poppcke (Crossfrontier Audio), Ilona Maras (Get Physical), Goldfox (Kristof Claes / Studio Brussels Radio), Paul & Harry / It's All Techno podcast, Nick Devon (Steyoyoke Recordings),Horsemeat Disco ,Serge Devant (Crosstown Rebels), John Monkman (Kompakt / Suara / Get Physical), Leftfield,Tom Simpson (Snow Patrol), ,Joris Voorn (Rejected / Green Recordings), Charlotte de Witte (Turbo Recordings), Riva Starr c/o (Hot Creations), Popof (Turbo / Cocoon / HotCreations), Nicole Moudaber (In The MOOD), James Teej (My Favorite Robot Records), Amelie Lens (LyaseRecordings),John B (Metal Headz),, Domenic (Harri & Domenic / Sub Club), Bill Brewster, James Zabiela (Born Electric / Renaissance), Digitaria (Of UnsoundMind), Technasia (Technasia Records), Luis Leon (Blankhaus Music), Nomine (Tempa), Will Monotone (Boston/ ViVa Music / Defected)….

Black Mami - Seven Atari

Things move fast these days, everything needs to be done faster easier and in the most convenient way. They say that the future can't wait and technology doesn't like to look back. But somehow in this process we feel that we have lost a key factor: we call it the Human factor. 
At FHR we think that not everything needs to fit in a pigeonhole, we still like a vocal on a groove and a musician playing on a drum loop. I know it's strange but sometimes we also like Djs that mix slightly out tempo but then put it back in time.
All this gives us the feeling that there is human being behind an emotion. We would rather have a imperfect unique experience rather than a precise emotionless never-ending loop.
And that's why we want our music to sound like it's made by an genuine Human intuition. And that's why we will always try to make and present to you the best possible Fine Human Records.
Hopefully you'll like what we are about and forgive us for our mistakes.
After all we are Humans.

We are FHR
